Welcome to Iraq, the birthplace of history! Iraq’s Tigris and Euphrates rivers turned this Middle Eastern desert into the world’s first farmland. Over six millenia, Iraq’s civilizations have laid foundations for the rest of the world. They built great stone ziggurats and soaring mosques. They invented the wheel, the calendar, and the written word. With their riches, they also attracted war. Conqueror after conqueror—the bloodthirsty Assyrians, Alexander the Great, the Mongols, the British, and more—sought to claim Mesopotamia for their own. Today, Iraq’s enormous oil deposits, the cheapest to produce in the world, interest outside powers most. From the Taurus and Zagros mountains in the north to marshy Basra in the south, Iraqis have suffered under oppressive rulers and dictators for a thousand lifetimes. Today they cry out for a chance at freedom and democracy. The country’s lasting legacy in stone and thought hints that the determined Iraqi people will find their path to greatness once more.

Unlike other publications since the downfall of Saddam's regime, Iraq: Then & Now traces the history of the country from ancient times until the present. Supplementary boxes, many written by Iraqis themselves, reflect on life today as compared with life in Saddam's Iraq and even earlier, describing their experiences, hopes, fears, ambitions and visions for the future.The book self-consciously avoids making any judgement on the political debate surrounding the 2003 war and subsequent occupation; instead it presents the varying views, and offers a rounded, balanced picture.Published to coincide with the fifth anniversary of the change, this guide to the country and its people, provides information on Iraq's culture and archaeology, the south, Baghdad and the Sunni Triangle. The northern region of Iraqi Kurdistan stands apart as a success story and the travel appendix provides essential information for the increasing numbers of visitors to this region.

What do we owe Iraq? America is up to its neck in nation building--but the public debate, focused on getting the troops home, devotes little attention to why we are building a new Iraqi nation, what success would look like, or what principles should guide us. What We Owe Iraq sets out to shift the terms of the debate, acknowledging that we are nation building to protect ourselves while demanding that we put the interests of the people being governed--whether in Iraq, Afghanistan, Kosovo, or elsewhere--ahead of our own when we exercise power over them. Noah Feldman argues that to prevent nation building from turning into a paternalistic, colonialist charade, we urgently need a new, humbler approach. Nation builders should focus on providing security, without arrogantly claiming any special expertise in how successful nation-states should be made. Drawing on his personal experiences in Iraq as a constitutional adviser, Feldman offers enduring insights into the power dynamics between the American occupiers and the Iraqis, and tackles issues such as Iraqi elections, the prospect of successful democratization, and the way home. Elections do not end the occupier's responsibility. Unless asked to leave, we must resist the temptation of a military pullout before a legitimately elected government can maintain order and govern effectively. But elections that create a legitimate democracy are also the only way a nation builder can put itself out of business and--eventually--send its troops home. Feldman's new afterword brings the Iraq story up-to-date since the book's original publication in 2004, and asks whether the United States has acted ethically in pushing the political process in Iraq while failing to control the security situation; it also revisits the question of when, and how, to withdraw.

A high-ranking general's gripping insider account of the U.S. wars in Iraq and Afghanistan, and how it all went wrong. Over a thirty-five-year career, Daniel Bolger rose through the army infantry to become a three-star general, commanding in both theaters of the U.S. campaigns in Iraq and Afghanistan. He participated in meetings with top-level military and civilian players, where strategy was made and managed. At the same time, he regularly carried a rifle alongside rank-and-file soldiers in combat actions, unusual for a general. Now, as a witness to all levels of military command, Bolger offers a unique assessment of these wars, from 9/11 to the final withdrawal from the region. Writing with hard-won experience and unflinching honesty, Bolger makes the firm case that in Iraq and in Afghanistan, we lost -- but we didn't have to. Intelligence was garbled. Key decision makers were blinded by spreadsheets or theories. And, at the root of our failure, we never really understood our enemy. Why We Lost is a timely, forceful, and compulsively readable account of these wars from a fresh and authoritative perspective.

Since the fall of Bagdad, women’s voices have been largely erased, but four months after Saddam Hussein’s statue fell, a 24 year-old woman from Baghdad began blogging. In 2003, a twenty-four-year-old woman from Baghdad began blogging about life in the city under the pseudonym Riverbend. Her passion, honesty, and wry idiomatic English made her work a vital contribution to our understanding of post-war Iraq—and won her a large following. Baghdad Burning is a quotidian chronicle of Riverbend’s life with her family between April 2003 and September of 2004. She describes rolling blackouts, intermittent water access, daily explosions, gas shortages and travel restrictions. She also expresses a strong stance against the interim government, the Bush administration, and Islamic fundamentalists like Al Sadr and his followers. Her book “offers quick takes on events as they occur, from a perspective too often overlooked, ignored or suppressed” (Publishers Weekly). “Riverbend is bright and opinionated, true, but like all voices of dissent worth remembering, she provides an urgent reminder that, whichever governments we struggle under, we are all the same.” —Booklist “Feisty and learned: first-rate reading for any American who suspects that Fox News may not be telling the whole story.” —Kirkus

Modern Iraq is under threat from every quarter. Politics play havoc with ordinary lives; sanctions cut deep. However, today's rare visitors are met with a broad hospitality that belies years of deprivation

"I am not moving to Iraq to teach." How does a liberal American girl in red suede boots end up teaching English to conservative Muslim Iraqis in headscarves? Gretchen Berg has met the recession: she has eaten cereal for dinner, given up the gym membership, and come face to face with looming unemployment. To cope, she decided to uproot her life and move to the Middle East. She expected to make some good money, pay off some bad debt, and take some photos of camels. She did not expect to feel at home. She did not expect to fall for a student. She did not expect Diet Coke withdrawal. Irreverent, hilarious, and completely relevant, I Have Iraq in My Shoe takes a single, broke, fashion-conscious American female who prefers Project Runaway to CNN and tosses her into Iraq in exchange for cash and vacation time. Watch the desert sand fly!

Nearly 1.9 million U.S. troops have been deployed to Afghanistan and Iraq since October 2001. Many service members and veterans face serious challenges in readjusting to normal life after returning home. This initial book presents findings on the most critical challenges, and lays out the blueprint for the second phase of the study to determine how best to meet the needs of returning troops and their families.

Sinan Antoon returns to the Iraq war in a poetic and provocative tribute to reclaiming memory Widely-celebrated author Sinan Antoon’s fourth and most sophisticated novel follows Nameer, a young Iraqi scholar earning his doctorate at Harvard, who is hired by filmmakers to help document the devastation of the 2003 invasion of Iraq. During the excursion, Nameer ventures to al-Mutanabbi street in Baghdad, famed for its bookshops, and encounters Wadood, an eccentric bookseller who is trying to catalogue everything destroyed by war, from objects, buildings, books and manuscripts, flora and fauna, to humans. Entrusted with the catalogue and obsessed with Wadood’s project, Nameer finds life in New York movingly intertwined with fragments from his homeland’s past and its present—destroyed letters, verses, epigraphs, and anecdotes—in this stylistically ambitious panorama of the wreckage of war and the power of memory.