This investigation into the legal, political, and moral issues surrounding how the police and justice system use surveillance technology asks the question: what are citizens of a free country willing to tolerate in the name of public safety? As we rethink the scope of police power, Jon Fasman’s chilling examination of how the police and the justice system use the unparalleled power of surveillance technology—how it affects privacy, liberty, and civil rights—becomes more urgent by the day. Embedding himself within police departments on both coasts, Fasman explores the moral, legal, and political questions posed by these techniques and tools. By zeroing in on how facial recognition, automatic license-plate readers, drones, predictive algorithms, and encryption affect us personally, Fasman vividly illustrates what is at stake and explains how to think through issues of privacy rights, civil liberties, and public safety. How do these technologies impact how police operate in our society? How should archaic privacy laws written for an obsolete era—that of the landline and postbox—be updated? Fasman looks closely at what can happen when surveillance technologies are combined and put in the hands of governments with scant regard for citizens’ civil liberties, pushing us to ask: Is our democratic culture strong enough to stop us from turning into China, with its architecture of control?

This investigation into the legal, political, and moral issues surrounding how the police and justice system use surveillance technology asks the question: what are citizens of a free country willing to tolerate in the name of public safety? As we rethink the scope of police power, Jon Fasman’s chilling examination of how the police and the justice system use the unparalleled power of surveillance technology—how it affects privacy, liberty, and civil rights—becomes more urgent by the day. Embedding himself within police departments on both coasts, Fasman explores the moral, legal, and political questions posed by these techniques and tools. By zeroing in on how facial recognition, automatic license-plate readers, drones, predictive algorithms, and encryption affect us personally, Fasman vividly illustrates what is at stake and explains how to think through issues of privacy rights, civil liberties, and public safety. How do these technologies impact how police operate in our society? How should archaic privacy laws written for an obsolete era—that of the landline and postbox—be updated? Fasman looks closely at what can happen when surveillance technologies are combined and put in the hands of governments with scant regard for citizens’ civil liberties, pushing us to ask: Is our democratic culture strong enough to stop us from turning into China, with its architecture of control?

NOMINATED FOR THE CILIP CARNEGIE MEDAL 2019 SHORTLISTED FOR THE RED TENTACLE AT THE KITSCHIES 2017 A gripping and powerfully relevant thriller set in a reimagined London where constant surveillance is the norm, We See Everything simmers with tension and emotion. From internationally bestselling author William Sutcliffe, this is perfect for fans of Patrick Ness and Malorie Blackman. Lex lives on The Strip – the overcrowded, closed-off, bombed-out shell of London. He's used to the watchful enemy drones that buzz in the air above him. Alan's talent as a gamer has landed him the job of his dreams. At a military base in a secret location, he is about to start work as a drone pilot. These two young men will never meet, but their lives are destined to collide. Because Alan has just been assigned a high-profile target. Alan knows him only as #K622. But Lex calls him Dad.

*NOW A NETFLIX LIMITED SERIES—from producer and director Shawn Levy (Stranger Things) starring Mark Ruffalo, Hugh Laurie, and newcomer Aria Mia Loberti* Winner of the Pulitzer Prize and National Book Award finalist, the beloved instant New York Times bestseller and New York Times Book Review Top 10 Book about a blind French girl and a German boy whose paths collide in occupied France as both try to survive the devastation of World War II. Marie-Laure lives with her father in Paris near the Museum of Natural History where he works as the master of its thousands of locks. When she is six, Marie-Laure goes blind and her father builds a perfect miniature of their neighborhood so she can memorize it by touch and navigate her way home. When she is twelve, the Nazis occupy Paris, and father and daughter flee to the walled citadel of Saint-Malo, where Marie-Laure’s reclusive great uncle lives in a tall house by the sea. With them they carry what might be the museum’s most valuable and dangerous jewel. In a mining town in Germany, the orphan Werner grows up with his younger sister, enchanted by a crude radio they find. Werner becomes an expert at building and fixing these crucial new instruments, a talent that wins him a place at a brutal academy for Hitler Youth, then a special assignment to track the Resistance. More and more aware of the human cost of his intelligence, Werner travels through the heart of the war and, finally, into Saint-Malo, where his story and Marie-Laure’s converge. Doerr’s “stunning sense of physical detail and gorgeous metaphors” (San Francisco Chronicle) are dazzling. Deftly interweaving the lives of Marie-Laure and Werner, he illuminates the ways, against all odds, people try to be good to one another. Ten years in the writing, All the Light We Cannot See is a magnificent, deeply moving novel from a writer “whose sentences never fail to thrill” (Los Angeles Times).

Leading thinkers offer fresh insight into the workings of vibrant, ecological, equitable communities and their economies.

Michael Williams, in Melbourne’s The Age, wrote of this award-winning, dazzling debut collection, “By turns horrific and beautiful . . . Humanity at its most fractured and desolate . . . Often moving, frequently surprising, even blackly funny . . . Things We Didn’t See Coming is terrific.” This is just one of the many rave reviews that appeared on the Australian publication of these nine connected stories set in a not-too-distant dystopian future in a landscape at once utterly fantastic and disturbingly familiar. Richly imagined, dark, and darkly comic, the stories follow the narrator over three decades as he tries to survive in a world that is becoming increasingly savage as cataclysmic events unfold one after another. In the first story, “What We Know Now”—set in the eve of the millennium, when the world as we know it is still recognizable—we meet the then-nine-year-old narrator fleeing the city with his parents, just ahead of a Y2K breakdown. The remaining stories capture the strange—sometimes heartbreaking, sometimes funny—circumstances he encounters in the no-longer-simple act of survival; trying to protect squatters against floods in a place where the rain never stops, being harassed (and possibly infected) by a man sick with a virulent flu, enduring a job interview with an unstable assessor who has access to all his thoughts, taking the gravely ill on adventure tours. But we see in each story that, despite the violence and brutality of his days, the narrator retains a hold on his essential humanity—and humor. Things We Didn’t See Coming is haunting, restrained, and beautifully crafted—a stunning debut.

We Know All About You shows how bulk spying came of age in the nineteenth century, and supplies the first overarching narrative and interpretation of what has happened since, covering the agencies, programs, personalities, technology, leaks, criticisms and reform. Concentrating on America and Britain, it delves into the roles of credit agencies, private detectives, and phone-hacking journalists as well as government agencies like the NSA and GCHQ, and highlights malpractices such as the blacklist and illegal electronic interceptions. It demonstrates that several presidents - Franklin D. Roosevelt, Lyndon B. Johnson, Richard M. Nixon - conducted political surveillance, and how British agencies have been under a constant cloud of suspicion for similar reasons. We Know All About You continues with an account of the 1970s leaks that revealed how the FBI and CIA kept tabs on anti-Vietnam War protestors, and assesses the reform impulse that began in America and spread to Britain. The end of the Cold War further undermined confidence in the need for surveillance, but it returned with a vengeance after 9/11. The book shows how reformers challenged that new expansionism, assesses the political effectiveness of the Snowden revelations, and offers an appraisal of legislative initiatives on both sides of the Atlantic. Micro-stories and character sketches of individuals ranging from Pinkerton detective James McParlan to recent whisteblowers illuminate the book. We Know All About You confirms that governments have a record of abusing surveillance powers once granted, but emphasizes that problems arising from private sector surveillance have been particularly neglected.

Gazing up at the heavens from our backyards or a nearby field, most of us see an undifferentiated mess of stars—if, that is, we can see anything at all through the glow of light pollution. Today’s casual observer knows far less about the sky than did our ancestors, who depended on the sun and the moon to tell them the time and on the stars to guide them through the seas. Nowadays, we don’t need the sky, which is good, because we’ve made it far less accessible, hiding it behind the skyscrapers and the excessive artificial light of our cities. How We See the Sky gives us back our knowledge of the sky, offering a fascinating overview of what can be seen there without the aid of a telescope. Thomas Hockey begins by scanning the horizon, explaining how the visible universe rotates through this horizon as night turns to day and season to season. Subsequent chapters explore the sun’s and moon’s respective motions through the celestial globe, as well as the appearance of solstices, eclipses, and planets, and how these are accounted for in different kinds of calendars. In every chapter, Hockey introduces the common vocabulary of today’s astronomers, uses examples past and present to explain them, and provides conceptual tools to help newcomers understand the topics he discusses. Packed with illustrations and enlivened by historical anecdotes and literary references, How We See the Sky reacquaints us with the wonders to be found in our own backyards.

Patrice Gopo grew up in Anchorage, Alaska, the child of Jamaican immigrants who had little experience being black in America. From her white Sunday school classes as a child, to her early days of marriage in South Africa, to a new home in the American South with a husband from another land, Patrice’s life is a testament to the challenges and beauty of the world we each live in, a world in which cultures overlap every day. In All the Colors We Will See, Patrice seamlessly moves across borders of space and time to create vivid portraits of how the reality of being different affects her quest to belong. In this poetic and often courageous collection of essays, Patrice examines the complexities of identity in our turbulent yet hopeful time of intersecting heritages. As she digs beneath the layers of immigration questions and race relations, Patrice also turns her voice to themes such as marriage and divorce, the societal beauty standards we hold, and the intricacies of living out our faith. With an eloquence born of pain and longing, Patrice’s reflections guide us as we consider our own journeys toward belonging, challenging us to wonder if the very differences dividing us might bring us together after all.

From the critically acclaimed author of Honor Girl, comes a “sassy, sultry whodunit” (School Library Journal) set in an Atlanta boarding school that’s infused with subversive humor and featuring a cast of bizarre and unforgettable characters. It’s better to know the truth. At least sometimes. Halfway through Friday night’s football game, beautiful cheerleader Brittany Montague—dressed as the giant Winship Wildcat mascot—hurls herself off a bridge into Atlanta’s surging Chattahoochee River. Just like that, she’s gone. Eight days later, Benny Flax and Virginia Leeds will be the only ones who know why. Their search for the truth reveals a web of depravity hiding in plain sight at their picture perfect school. When love becomes obsession, how far will someone go to make their twisted fantasies a reality? And who has the power to stop them? A twisty, turny mystery loaded with the perfect punch of satire and heart.