With World War II on the horizon, Nazi sympathizers and fascists have taken root on American soil in alarming numbers, intending to push the U.S. towards and alliance with Germany. When the lone hope of stopping the American Nazi movement falls to Jewish-American gangsters currently entrenched in a violent turf war, the gangsters find that there’s only one thing they hate more than each other: Nazis. Collects We Only Kill Each Other from the ComiXology original digital series in print for the first time.

Traces the life of Bugsy Siegel, the successful bootlegger who helped build the Las Vegas Strip and was mysteriously murdered at age forty-one

'Tomorrow morning, the men will sing again. Their spears, pangas, inculas and sticks will clatter menacingly. They will recite battle cries from their homelands, and move about in organised columns, raising clouds of dust. But 34 of them will sing for the very last time.' In August 2012, after a standoff lasting several days, South African police opened fire on armed mineworkers who had gathered on a koppie at Marikana in North West Province. The mineworkers were on strike in defiance of their employer, their trade union, formal wage agreements, and ultimately, the South African state. Thirty-four were killed, and many more were wounded. The shootings provoked a national and international outcry, and invited comparisons with the Sharpeville massacre that happened under apartheid. Describing the loss of life among workers and others as 'tragic and regrettable', the government appointed a commission of inquiry which was still in session ten months later. Among the people drawn to Marikana were reporters and photographers working for the newspaper City Press. Profoundly affected by their experiences, they embarked on a journey to uncover the 'story behind the story' - where the mineworkers had come from, how they had lived, the impacts of their deaths on their families and communities, and what had driven them to take such drastic action. Their quest took them into the sprawling shack settlements around Marikana, poverty-stricken neighbouring states, and the desolate hinterlands of the Eastern Cape. Their reportage won the 'story of the year' category in the 2013 Standard Bank Sikuvile Journalism Awards. This book draws on and extends their prize-winning work. Poignant, revealing, and sometimes shocking, it provides a riveting account of the events before, during, and after the strike, and its significance for post-apartheid South Africa. In this book their accounts are enriched with valuable source material, including edited versions of evidence by key witnesses to the commission of inquiry, and a seminal analysis of the causal role played by the migrant labour system in the ongoing labour crisis in the South African mining industry.

Told in their separate voices, sixteen-year-old Prince Oliver, who wants to break free of his fairy-tale existence, and fifteen-year-old Delilah, a loner obsessed with Prince Oliver and the book in which he exists, work together to seek his freedom.

This classic yet controversial Japanese novel is available for the first time in English--a high-octane thriller about senseless youth violence that is a potent allegory of what it means to be young and survive in today's dog-eat-dog world.

Best friends Lucy, Elena, and Michael are excited to see "To Kill A Mockingbird" on their summer reading list. But not everyone in their class shares the same enthusiasm. So they hatch a plot to get the entire town talking about Harper Lee's classic novel.

It's K.J.'s junior year in the small town of West End, Montana, and whether she likes it or not, things are different this year. Over the summer, she turned from the blah daughter of a hunting and fishing guide into a noticeably cuter version of the outdoor loner. Normally, K.J. wouldn't care less, but then she meets Virgil, whose mom is studying the controversial wolf packs in nearby Yellowstone Park. And from the moment Virgil casts a glance at her from under his shaggy blond hair, K.J. is uncharacteristically smitten. Soon, both K.J. and Virgil are spending a lot of their time watching the wolves (and each other), and K.J. begins to see herself and her town in a whole new light.

* 2018 "12 best books to give this holiday season" —TODAY (Elizabeth Acevedo) * A "Best Book of 2017" —Rolling Stone (2018), NPR, Buzzfeed, Paste Magazine, Esquire, Chicago Tribune, Vol. 1 Brooklyn, CBC, Stereogum, National Post, Entropy, Heavy, Book Riot, Chicago Review of Books, The Los Angeles Review, Michigan Daily * American Booksellers Association (ABA) 'December 2017 Indie Next List Great Reads' * Midwest Indie Bestseller In an age of confusion, fear, and loss, Hanif Abdurraqib's is a voice that matters. Whether he's attending a Bruce Springsteen concert the day after visiting Michael Brown's grave, or discussing public displays of affection at a Carly Rae Jepsen show, he writes with a poignancy and magnetism that resonates profoundly. In the wake of the nightclub attacks in Paris, he recalls how he sought refuge as a teenager in music, at shows, and wonders whether the next generation of young Muslims will not be afforded that opportunity now. While discussing the everyday threat to the lives of Black Americans, Abdurraqib recounts the first time he was ordered to the ground by police officers: for attempting to enter his own car. In essays that have been published by the New York Times, MTV, and Pitchfork, among others—along with original, previously unreleased essays—Abdurraqib uses music and culture as a lens through which to view our world, so that we might better understand ourselves, and in so doing proves himself a bellwether for our times.