DigiCat Publishing presents to you this special edition of "An Autobiography" by Edwin Muir. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

This anthology provides a guide to the Modernist movement in literature. Covering intellectual concerns of the period 1850-1940, it draws on contemporary essays, reviews, articles and manifestos of the political and aesthetic avant-garde.

This is the story of a literary marriage. It tells of the partnership between Edwin and Willa Muir, two intellectuals from small town Scottish backgrounds and their discovery of Europe in the years after the first and second world wars. It tells us about the cultural, social, and political issues of those dynamic and difficult years and much else, in intimate detail, about their own personal struggles. Edwin Muir was to become a leading poet in the twentieth century Scottish literary renaissance, but to make a living the couple also worked as translators of modern German literature, including key works by Hermann Broch and, most famously, Franz Kafka. They were intimate with many of the leading writers of their time, both at home and abroad, and these contacts, and their travels in Europe gave them a special and sometimes painful insight into the trials of the twentieth century. Dr Margery McCulloch's study draws on personal travel and a wealth of new sources from private correspondence, publishers' archives, the recollections of friends, and the diaries, unpublished journals, and autobiographical memoirs of Edwin and Willa themselves. This is the fullest account of the couple's life and times together during a long and loving marriage, not without its difficulties as Willa struggled to find proper acknowledgement of her translation skills, and space for her own creativity as a novelist in the shadow of her own ill health and Edwin's growing status as a major modern poet.

The first full study of the role of 'little magazines' and their contribution to the making of artistic modernism. A major scholarly achievement of immense value to teachers, researchers and students interested in the material culture of the first half of the 20th century and the relation of the arts to social modernity.

By the end of the nineteenth century, Victorians were seeking rational explanations for the world in which they lived. The radical ideas of Charles Darwin had shaken traditional religious beliefs. Sigmund Freud was developing his innovative models of the conscious and unconscious mind. And anthropologist James George Frazer was subjecting magic, myth, and ritual to systematic inquiry. Why, then, in this quintessentially modern moment, did late-Victorian and Edwardian men and women become absorbed by metaphysical quests, heterodox spiritual encounters, and occult experimentation? In answering this question for the first time, The Place of Enchantment breaks new ground in its consideration of the role of occultism in British culture prior to World War I. Rescuing occultism from its status as an "irrational indulgence" and situating it at the center of British intellectual life, Owen argues that an involvement with the occult was a leitmotif of the intellectual avant-garde. Carefully placing a serious engagement with esotericism squarely alongside revolutionary understandings of rationality and consciousness, Owen demonstrates how a newly psychologized magic operated in conjunction with the developing patterns of modern life. She details such fascinating examples of occult practice as the sex magic of Aleister Crowley, the pharmacological experimentation of W. B. Yeats, and complex forms of astral clairvoyance as taught in secret and hierarchical magical societies like the Hermetic Order of the Golden Dawn. Through a remarkable blend of theoretical discussion and intellectual history, Owen has produced a work that moves far beyond a consideration of occultists and their world. Bearing directly on our understanding of modernity, her conclusions will force us to rethink the place of the irrational in modern culture. “An intelligent, well-argued and richly detailed work of cultural history that offers a substantial contribution to our understanding of Britain.”—Nick Freeman, Washington Times

Where did literary modernism happen? This book answers this question, re-evaluating the parameters of modernism in the light of recent developments in literary geography and literary history through an examination of novels, poetry, theatre, and "e;little magazines"e;. Essays identify and appraise the local attachments of modernist texts in particular geographical regions and question the idea of the "e;regional"e; in light of the alienating displacements of transnational modernity.