We Dont Own Our Memories Anymore, is a fictional journey that chronicles the fate of the memories that Nora, our main character, entrusted to the Internet for safe-keeping. Convinced that the on-line facilities are cheaper, for her storage and access needs, she spends a good part of her young life, digitizing all her memories and family heirloom. After uploading the digitized version, she would discard the live images, believing the digital versions to be real-life replacements and also that, the on-line facilities will always be available to her on demand. Her generation and employer embrace the same beliefs, driven though, by profit motives that masqueraded as the pursuit of efficiency. A cosmic event prevents her and many major corporations from accessing the data and capability they entrusted to on-line facilities they dont own or control. Facing a life without access to her memories, she sets out in search of her memories only to discover that a grand conspiracy now requires that she pay incredibly over-priced charges to regain access to her priced memories. Large global corporations also suffer the same fate; they have also been held hostage by operatives of the on-line facilities that use nuance to exact compensation. Nora finds cause to reflect very deeply, about the interaction between the information she holds dear and priceless, the technologies around that information, and decisions about how she used these technologies in the past. Nora urges cautions.

An introduction to programming by the inventor of C++, Programming prepares students for programming in the real world. This book assumes that they aim eventually to write non-trivial programs, whether for work in software development or in some other technical field. It explains fundamental concepts and techniques in greater depth than traditional introductions. This approach gives students a solid foundation for writing useful, correct, maintainable, and efficient code. This book is an introduction to programming in general, including object-oriented programming and generic programming. It is also a solid introduction to the C++ programming language, one of the most widely used languages for real-world software. It presents modern C++ programming techniques from the start, introducing the C++ standard library to simplify programming tasks.

Our memory gives the human species a unique evolutionary advantage. Our stories, ideas, and innovations--in a word, our "culture"--can be recorded and passed on to future generations. Our enduring culture and restless curiosity have enabled us to invent powerful information technologies that give us invaluable perspective on our past and define our future. Today, we stand at the very edge of a vast, uncharted digital landscape, where our collective memory is stored in ephemeral bits and bytes and lives in air-conditioned server rooms. What sources will historians turn to in 100, let alone 1,000 years to understand our own time if all of our memory lives in digital codes that may no longer be decipherable? In When We Are No More Abby Smith Rumsey explores human memory from pre-history to the present to shed light on the grand challenge facing our world--the abundance of information and scarcity of human attention. Tracing the story from cuneiform tablets and papyrus scrolls, to movable type, books, and the birth of the Library of Congress, Rumsey weaves a compelling narrative that explores how humans have dealt with the problem of too much information throughout our history, and indeed how we might begin solve the same problem for our digital future. Serving as a call to consciousness, When We Are No More explains why data storage is not memory; why forgetting is the first step towards remembering; and above all, why memory is about the future, not the past. "If we're thinking 1,000 years, 3,000 years ahead in the future, we have to ask ourselves, how do we preserve all the bits that we need in order to correctly interpret the digital objects we create? We are nonchalantly throwing all of our data into what could become an information black hole without realizing it." --Vint Cerf, Chief Evangelist at Google, at a press conference in February, 2015.

Robert Shultz, author, philosophy professor and renowned expert on mythology and demonology, has been treading out the dregs of a life void of satisfaction. Suddenly, he finds his cynicism challenged by the most unlikely of visitors. His guest materializes out of the thin air, hovering several feet above the ground. She stands just less than four feet tall, her skin and hair are shades of golden white, and her eyes dance with sparks of color, like perpetual fireworks. She tells Robert she desires him to determine exactly what she is. Thus, the master of writing fictional accounts of angels is faced with the problem of naming this entity, who refuses to be considered an angel. Could she be an alien? Or perhaps a ghost drifting between planes? His questions lead him in circles as his guest provides only cryptic answers. At her request, he agrees to hear her life story. She hopes that he will catch something that she may have missed; something that will be clarified if he can answer what appears to be her most vital question, "What purpose do I serve?" The tale of her life leads Robert to a new world outside of human experience. Her story reflects many of the plights endured by humans, but taken to impossible extremes. There are beings that draw their power from light and others that thrive on darkness, living in the material world while exercising supernatural powers that none of them truly understand. Music permeates the air and shadows gain new treachery. It is a tale of dragons, wars and miracles; and it is a tale of true love.

Euphoria and Dystopia: The Banff New Media Institute Dialogues is a compendium of some of the most important thinking about art and technology to have taken place in the last few decades at the international level. Based on the research of the Banff New Media Institute (BNMI) from 1995 to 2005, the book celebrates the belief that the creative sector, artists and cultural industries, in collaboration with scientists, social scientists and humanists, have a critical role to play in developing technologies that work for human betterment and allow for a more participatory culture. The book is organized by key themes that have underscored the dialogues of the BNMI and within each are carefully edited transcriptions drawn from thousands of hours of audio material documenting BNMI events such as the annual Interactive Screen and the numerous summits and workshops. Each chapter is introduced by an essay from the book editors that discusses the roles of research and artistic co-production at Banff from 1990 to 2005 and a commissioned essay from a leading new media theorist. Includes the catalogue for ‘The Art Formerly Known As New Media’ exhibition, Walter Phillips Gallery, 2005. Edited by Sarah Cook and Sara Diamond. Foreword by Kellogg Booth and Sidney Fels. Essays by Sandra Buckley; Steve Dietz; Jean Gagnon; N. Katherine Hayles; Eric Kluitenberg; Jeff Leiper, Allucquere Rosanne Stone. Afterword by Susan Kennard.

Drawing from hundreds of intimate interviews with African-American parents and adolescents and 15 years of cutting-edge research on the moral and psychological development of black children, Ward shows parents how to better nurture, discipline, and support their teenagers.

Right Livelihoods begins with a cataclysmic vision of New York City after the leveling of 50 square blocks of Manhattan. Four million have died. Albertine, the "street name for the buzz of a lifetime," is a mind-altering drug that sets The Albertine Notes in motion. The collection's second novella, K & K, concerns a lonely young office manager at an insurance agency, where the office suggestion box is yielding unpleasant messages that escalate to a scary pitch. Ellie Knight-Cameron's responses to these random diatribes illuminate the toll that a lack of self-awareness can take. At the center of The Omega Force is a buffoonish former government official in rocky recovery. Dr. "Jamie" Van Deusen is determined to protect his habitat -- its golf courses (and Bloody Marys), pizza places (and beers) from "dark-complected" foreign nationals. His patriotism and wild imagination are mainly fueled by a fall off the wagon. Only Rick Moody could lead us to feel affection for this man and the other misguided, earnestly striving characters in these alternately unsettling, warm, trio of stories.

Our natural awakening—or buddha-nature—is inherent within all of us and waiting to be realized. Buddha-nature has the qualities of both silence and illumination, and by working with silent illumination meditation you can find your own awakening. Distinguished Chan Buddhist teacher Guo Gu introduces you to the significance and methods of this practice through in-depth explanations and guided instructions. To help establish a foundation for realizing silent illumination, he has translated twenty-five teachings from the influential master Hongzhi Zhengjue into English, accompanied by his personal commentary. This book will be an indispensable resource for meditators interested in beginning or deepening their silent illumination practice.

This book is aimed at giving novice coders an understanding of the methods and techniques used in professional games development. Designed to help develop and strengthen problem solving and basic C/C++ skills, it also will help to develop familiarity targeting and using fixed/restricted hardware, which are key skills in console development. It allows the reader to increase their confidence as game programmers by walking them through increasingly involved game concepts, while maintaining the understanding that despite the increased complexity, the core methods remain consistent with the advancement of the technology; the technology only enhances the gaming experience. It also demonstrates underlying principles of game coding in practical step by step ways to increase exposure and confidence in game coding concepts. Key Features: Increases the confidence of new coders by demonstrating how to get things done. Introduces evolving projects to reinforce concepts, both directly and indirectly that the reader will use to produce and then enhance the project. Provides tutorials on Graphics API’s that can be easily understood by a novice. Demystifies hardware used to gain new effects without blinding the user to the technical wizardry going on under the system. Gives a sense of achievement to the reader and pushes them toward improvement.

**You don't need to have read the 1st Freak House series to enjoy this book. The 2nd Freak House Trilogy can stand on its own.** Charity Evans wants nothing more than to leave her troubled past behind and start afresh. The teacher at a London school for orphans is encouraged to have her memories blocked by hypnotist Samuel Gladstone, but when they experience visions with an unknown third person, they realize the past can never be truly erased. Now her past is returning to haunt Charity all over again. Samuel is determined to help her, but how can a woman who trusts no man trust a hypnotist? And what dark secrets changed the charming gentleman into a desperate one who'll do anything to keep those secrets buried?