Distinguished historian Martin Pugh offers a colourful and controversial revisionist history of Britain in the 1920s-30s.

The popular romance author recounts her experiences back in the 1920s, when life was carefree

On a future Earth, what is left of humanity lives life to the hilt while denying a harsh truth… One man, Kaloyan, has lived through that truth and knows what his friends are about to face, including one friend in particular…. And We Danced All Night is a science fiction short story by award-winning SF author Cameron Cooper. Dystopian Science Fiction Short Story __ Praise for Cameron Cooper’s SF: Epic science fiction at its finest. Realistic far future worlds. Incredible characters and scenarios. The concepts are staggering and intensely interesting. This story is terrific! It's intriguing and futuristic and human in its telling. __ Cameron Cooper is the author of the Imperial Hammer series, an Amazon best-selling space opera series, among others. Cameron tends to write space opera short stories and novels, but also roams across the science fiction landscape. Cameron was raised on a steady diet of Asimov, Heinlein, Herbert, McCaffrey, and others. Peter F. Hamilton, John Scalzi, Martha Wells and Cory Doctorow are contemporary heroes. An Australian Canadian, Cam lives near the Canadian Rockies.

"A memoir of the creator My fair lady, Camelot, and Gigi"--Jacket subtitle.

A story of one man's journey from the orphanage to his discovery of Northern Soul. Through the turmoil of violence, racism and drugs he found a love for music and dancing as he swept through the 1970's in England. Finding true love and Soul music helped him erase the torment of his childhood.

A conversation between a Tel Aviv waitress and her elderly customer sparks a journey of healing in this compelling novel by the author of Light Fell. At eighty-four, Teo, one of the world’s most influential choreographers, is ready to withdraw from the bombast and romance surrounding his long and illustrious career. But then he meets Vivi, a waitress at a Tel Aviv café, and the slumbering passions of his youth are rouses once more. Suddenly and unexpectedly, his desire for a woman’s touch, his anguished memories of World War II, and his complex, soulful engagement with dance all come rushing back. Vivi’s life will change, too, as Teo’s affection forces her to confront her guilt over an illicit relationship during her days as a soldier. Soon their interactions with art, their very investment in living, will reawaken ghosts of their painful, suppressed pasts—from Warsaw to Copenhagen, from Berlin to Tel Aviv—that cry out for forgiveness and peace.

“Captivating…equal parts memoir and cultural history, Henry Alford seamlessly interweaves heartwarming and hilarious anecdotes about his deep dive into all things dance” (Misty Copeland, The New York Times Book Review). When Henry Alford wrote about his experience with a Zumba class for The New York Times, little did he realize that it was the start of something much bigger. Dance would grow and take on many roles for Henry: exercise, stress reliever, confidence builder, an excuse to travel, a source of ongoing wonder, and—when he dances with Alzheimer’s patients—even a kind of community service. Tackling a wide range of forms (including ballet, hip-hop, jazz, ballroom, tap, contact improvisation, Zumba, swing), Alford’s grand tour takes us through the works and careers of luminaries ranging from Bob Fosse to George Balanchine, Twyla Tharp to Arthur Murray. Rich in insight and humor, Alford mines both personal experience and fascinating cultural history to offer a witty and ultimately moving portrait of how dance can express all things human. And Then We Danced “is in one sense a celebration of hoofer in all its wonder and variety, from abandon to refinement. But it is also history, investigation, memoir, and even, in its smart, sly way, self-help…very funny, but more, it is joyful—a dance all its own” (Vanity Fair).

“A piece of lesbian history from the ‘girl with a guitar’ who truly sang for her supper. Jamie brings the road to you in color and out loud.” —Suzanne Westenhoefer She’s opened for Holly Near, closed a church coffeehouse by saying “uterus” and danced with a tornado. From taking her shirt off for Amy Ray to housing with a pig, she’s always looking for the perfect gig. With a delightful mix of horror road stories, fan girl name dropping and commentary on the people and times, Anderson describes the joys and travails of the touring circuit as she creates the music and stories of our lives. “An extraordinary glimpse into the life of a touring musician.” —Nancy Manahan “Jamie’s as endlessly funny an entertainer on the page as on the stage.” —Lee Lynch “She leads with her sense of humor and heart…” —Lisa Koch

This New York Times–bestselling novel is “lively, topical, and fantasy filled. Watch out, Terry McMillian. Cleage is on your tail” (Kirkus Reviews, starred review). After a decade of elegant pleasures and luxe living with the Atlanta brothers and sisters with the best clothes and biggest dreams, Ava Johnson has temporarily returned home to Idlewild—her fabulous career and power plans smashed to bits by cold reality. But what she imagines to be the end is, instead, a beginning. Because, in the ten-plus years since Ava left, all the problems of the big city have come to roost in the sleepy North Michigan community whose ordinariness once drove her away; and she cannot turn her back on friends and family who sorely need her in the face of impending trouble and tragedy. Besides which, that one unthinkable, unmistakable thing is now happening to her: Ava Johnson is falling in love. Acclaimed playwright, essayist, New York Times–bestselling author, and columnist Pearl Cleage has created a world rich in character, human drama, and deep, compassionate understanding, in a remarkable novel that sizzles with sensuality, hums with gritty truth, and sings and crackles with life-affirming energy. “Very funny and charming . . . Following Cleage’s twists and turns of the human spirit, readers may find themselves on a very inspired and uplifted plane well before the last page.” —Washington Post Book World “Cleage . . . delivers a work of intelligence and integrity. . . . [A] memorable tale.” —-Publishers Weekly, starred review

The Winter We Danced is a vivid collection of writing, poetry, lyrics, art and images from the many diverse voices that make up the past, present, and future of the Idle No More movement. Calling for pathways into healthy, just, equitable and sustainable communities while drawing on a wide-ranging body of narratives, journalism, editorials and creative pieces, this collection consolidates some of the most powerful, creative and insightful moments from the winter we danced and gestures towards next steps in an on-going movement for justice and Indigenous self-determination.