Robeson "Crease" Battlefield gets his nickname from his iron-pressed pants. For Pacino Clapton, pants-and live- are rougher than the asphalt streets where he hangs most days. When the boys meet up in the underworld of Mr. Patt's PSS (Post School Suspension), they're quck to see that clean-and-tidy don't mix with grit. But hey-even opposites can find something in common. And for Crease and Pacino, that "something" is a kid named Tariq, the reason both of them have been forced to take the long walk down the infamous "Bermuda Hallway" to serve time in detention at Alain Locke Junior High. With piercing insight and humor, We Could Be Brothers dellivers an engaging portrayal of urban life and offers a powerful look at how the differences among three boys change them forever.

“We Were Brothers, Barry Moser's beautiful--and beautifully illustrated--new book, tells the wrenching and redeeming story of brothers who take different paths and yet ultimately find their ways back to each other . . . Their careful reconciliation after decades of strife and avoidance is sad, moving, and joyful all at the same time." —Andrew Hudgins, author ofThe Joker Preeminent illustrator Barry Moser and his brother, Tommy, were born of the same parents, were raised in the same small Tennessee community, and were poisoned by their family's deep racism and anti-Semitism. But as they grew older, their perspectives and their paths grew further and further apart. From attitudes about race, to food, politics, and money, the brothers began to think so differently that they could no longer find common ground, no longer knew how to talk to each other, and for years there was more strife between them than affection. When Barry was in his late fifties and Tommy in his early sixties, their fragile brotherhood reached a tipping point and blew apart. From that day forward they did not speak. But fortunately, their story does not end there. With the raw emotions that so often surface when we talk of our siblings, Barry recalls why and how they were finally able to traverse that great divide and reconcile their kinship before it was too late. Including fifteen of Moser's stunning drawings, this powerful true story captures the essence of sibling relationships--their complexities, contradictions, and mixed blessings.

A NEW YORK TIMES NOTABLE BOOK Once in a great while a writer comes along who can truly capture the drama and passion of the life of a family. David James Duncan, author of the novel The River Why and the collection River Teeth, is just such a writer. And in The Brothers K he tells a story both striking and in its originality and poignant in its universality. This touching, uplifting novel spans decades of loyalty, anger, regret, and love in the lives of the Chance family. A father whose dreams of glory on a baseball field are shattered by a mill accident. A mother who clings obsessively to religion as a ward against the darkest hour of her past. Four brothers who come of age during the seismic upheavals of the sixties and who each choose their own way to deal with what the world has become. By turns uproariously funny and deeply moving, and beautifully written throughout, The Brothers K is one of the finest chronicles of our lives in many years. Praise for The Brothers K “The pages of The Brothers K sparkle.”—The New York Times Book Review “Duncan is a wonderfully engaging writer.”—Los Angeles Times “This ambitious book succeeds on almost every level and every page.”—USA Today “Duncan’s prose is a blend of lyrical rhapsody, sassy hyperbole and all-American vernacular.”—San Francisco Chronicle “The Brothers K affords the . . . deep pleasures of novels that exhaustively create, and alter, complex worlds. . . . One always senses an enthusiastic and abundantly talented and versatile writer at work.”—The Washington Post Book World “Duncan . . . tells the larger story of an entire popular culture struggling to redefine itself—something he does with the comic excitement and depth of feeling one expects from Tom Robbins.”—Chicago Tribune

“You don’t look like brothers . . .” Peace activist and cofounder of the Enough Project, John Prendergast is known as a champion of human rights in Africa. But the not-so-public face of J.P. is the life he’s led as a Big Brother to Michael Mattocks. As a curious, driven, and emotionally wounded twenty-year-old, J.P. made the life-changing decision to form a “Big Brother/Little Brother” relationship with then seven-year-old Michael, who was living out of plastic bags and drifting from one homeless shelter to the next with his mother and siblings. Lacking a connection with his own brother and distancing himself from a disastrous relationship with his father, J.P. formed a unique bond with Michael the moment they met. Michael and J.P. became like family, with Michael and some of his siblings even living with J.P. one summer. In the years that followed, J.P. took Michael and his brothers on outings, whether it was fishing, playing basketball, patronizing cheap restaurants, or going on road trips. This friendship would continue for over twenty-five years as the two coped with varying degrees of violence, instability, and trauma in their own lives. Told in duet, Unlikely Brothers follows Michael as he grows up on the tough streets of Washington, D.C., where as a young teenager he watched his best friend get shot, dropped out of school, and started dealing crack cocaine shortly thereafter. By sixteen, Michael had become the kingpin of his neighborhood, guns and drugs always close at hand. Meanwhile, J.P. was traveling to and from African war zones. J.P. offered Michael a refuge from the streets, never really confronting the gravity of what Michael was going through in his adolescence. In turn, Michael afforded J.P. an escape from his own turbulent personal and professional life. As the years go by, the two swoop in and out of each other’s lives, slowly disconnecting as they disappear into their respective worlds, but making their way back to each other at a critical moment for both of them. The effect the two have on each other is extremely significant to both of their paths to redemption. Inspirational and deeply moving, Unlikely Brothers beautifully showcases how life’s most random moments can often be the most profound.

The gripping tale about two boys, once as close as brothers, who find themselves on opposite sides of the Holocaust. "A novel of survival, justice and redemption...riveting." —Chicago Tribune, on Once We Were Brothers Elliot Rosenzweig, a respected civic leader and wealthy philanthropist, is attending a fundraiser when he is suddenly accosted and accused of being a former Nazi SS officer named Otto Piatek, the Butcher of Zamosc. Although the charges are denounced as preposterous, his accuser is convinced he is right and engages attorney Catherine Lockhart to bring Rosenzweig to justice. Solomon persuades attorney Catherine Lockhart to take his case, revealing that the true Piatek was abandoned as a child and raised by Solomon's own family only to betray them during the Nazi occupation. But has Solomon accused the right man? Once We Were Brothers is Ronald H. Balson's compelling tale of two boys and a family who struggle to survive in war-torn Poland, and a young love that struggles to endure the unspeakable cruelty of the Holocaust. Two lives, two worlds, and sixty years converge in an explosive race to redemption that makes for a moving and powerful tale of love, survival, and ultimately the triumph of the human spirit.

The multitalented writers, directors, producers, and actors (as seen on The League, Transparent, and The Mindy Project) share the secrets of their lifelong partnership in this unique memoir. “A book that anyone will love . . . You can enjoy it even if you have no idea who the Duplass brothers are.”—Janet Maslin, The New York Times Whether producing, writing, directing, or acting, the Duplass Brothers have made their mark in the world of independent film and television on the strength of their quirky and empathetic approach to storytelling. Now, for the first time, Mark and Jay take readers on a tour of their lifelong partnership in this unique memoir told in essays that share the secrets of their success, the joys and frustrations of intimate collaboration, and the lessons they’ve learned the hard way. From a childhood spent wielding an oversized home video camera in the suburbs of New Orleans to their shared years at the University of Texas in early-nineties Austin, and from the breakthrough short they made on a three-dollar budget to the night their feature film Baghead became the center of a Sundance bidding war, Mark and Jay tell the story of a bond that’s resilient, affectionate, mutually empowering, and only mildly dysfunctional. They are brutally honest about how their closeness sabotaged their youthful romantic relationships, about the jealousy each felt when the other stole the spotlight as an actor (Mark in The League, Jay in Transparent), and about the challenges they faced on the set of their HBO series Togetherness—namely, too much togetherness. But Like Brothers is also a surprisingly practical road map to a rewarding creative partnership. Rather than split all their responsibilities fifty-fifty, the brothers learned to capitalize on each other’s strengths. They’re not afraid to call each other out, because they’re also not afraid to compromise. Most relationships aren’t—and frankly shouldn’t be—as intense as Mark and Jay’s, but their brand of trust, validation, and healthy disagreement has taken them far. Part coming-of-age memoir, part underdog story, and part insider account of succeeding in Hollywood on their own terms, Like Brothers is as openhearted and lovably offbeat as Mark and Jay themselves. “Wright. Ringling. Jonas. I’m sure you could name a bunch of famous brother teams. They’re all garbage compared to Mark and Jay. I can’t wait for you to read this book.”—from the foreword by Mindy Kaling

Two eighth-graders from very different backgrounds, Robeson "Crease" Battlefield and Pacino Clapton, discover in afterschool detention that they have a great deal in common.

Brothers is an honest account of a boy's fears, patriotism, and devotion to his brothers. It is based on true everyday experiences of a seven-year-old boy in 1943, during the darkest and most threatening days of World War II.