In a world where her peers are too busy monitoring their social media accounts, one young woman decides to be different. In an effort to live beyond herself, she moves away from the comforts of 21st Century America to the wild, untamed jungles of the Central African Republic to work in a small village of refugees fleeing violence. Once there, amongst squalid conditions and back-breaking labor, she must face mercenaries, renegade militia, wild animals, and an old flame who left her behind. But as she cooks meals, tends crops, explores the jungle, and teaches Sunday School, she learns what “true love” truly means. Exciting and beautiful, yet thought-provoking, We Bleed For Each Other is for those readers looking for an adventure story with a heart of gold.

The New York Times bestselling epic tale of the last great rock band From the bestselling author of Hammer of the Gods comes the complete story of Guns N? Roses ? from their drug-fueled blastoff in the 80s to the turbulent life of legendary singer Axl Rose, and his fifteen-year, multimillion dollar quest to make the perfect hard rock album. Riotous world tours. Drug-induced rampages. One hundred millions albums sold. In his sixth major rock biography, Stephen Davis details the riveting story of the last great rock band. Watch You Bleed documents the life of every band member, including the improbable story of W. Axl Rose. Davis brilliantly captures the Guns? raw power ? from the gutters of Sunset Strip to the biggest stadiums on the planet. Based on exclusive interviews, private archives, and packed with stunning revelations, Watch You Bleed is the savage, definitive, and highly unauthorized story of Guns N? Roses. For the first time, millions of fans will learn the whole truth about this legendary band.

Literary Nonfiction. Art. Mandy-Suzanne Wong does something far beyond 'giving voice' to animals and the artists that record them. She listens: quietly, carefully, truthfully. And the animals speak for themselves. Listen, we all bleed is a powerful and much needed book for our times. Now more than ever, we need to listen to the voices of all beings. And collectively, hopefully, we can save our beautiful Earth.--Kathryn Eddy In this beautifully subtle, intricately woven text, Mandy-Suzanne Wong entreats you to listen, to really listen, to the nonhuman. And even if this listening makes you feel uncomfortable, ashamed, guilty, she dares you to persist. Moving seamlessly among the works of artists devoted to nonhuman voices, she manages to relay a myriad of worlds beyond our own, each with its own infinite complexity and beauty. Reading this book, hearing and loving the nonhuman, should prompt you to be passionate about saving this world that we have so thoroughly ravaged.--Tracy McDonald Haunting, vivid, confrontational, unafraid--a new beat to penetrate our hearts and lead an awakening dance in which we stop refusing to see. Wong's descriptions call up Sue Coe in prose. To read about my own work this way--alchemized from sounds in the air and projections on walls and embroidered onto the page--is pure and powerful magic.--Colleen Plumb LISTEN, WE ALL BLEED is both an informative and invigorating shock to the system...with striking and evocative prose...Wong's text compels the reader to brave the often ignored sounds of nonhumans and endure the raw emotion behind them. Whether the bleating sheep now turned leg of lamb or the symphonic wanderings of lost snails, in that moment the reader doesn't just listen--we become. As we hurt alongside the torment of nonhumans, Wong gently exposes our very hand in causing it. This book is a heart-wrenching albeit imperative rattling of the human soul. A must read for any Earth-goer.--Rich Andrew

The author, an Indian himself, profiles the lives of many Native Americans and how people treat them just because of their race. Even in today's society the uneasy relations between Indians and white's is still fueled by mistrust, stereo-types and casual violence.

Do We Not Bleed? Reflections of a 21st-Century Pakistani is a passionate, illuminating book about contemporary Pakistan. Comprising original profiles of diverse Pakistanis-some of whom are internationally feted and many others who are relatively unknown-as well as essays that examine the major fault lines in Pakistani society, the book offers the reader an insider's perspective on the state of affairs in the country today. The book is divided into five thematic sections, each corresponding to a subject that the author feels strongly about. 'Religious Persecution and Other Discontents' delves into the killings and oppression generated by religious discord that are now a routine feature of life in Pakistan. In this section we find stories of people like Ambreen, the girl who dared to take on the patriarchy and repressive customs and was burned to death for her defiance, and Qandeel Baloch, the self-proclaimed selfie queen, who was killed by her own brother, for daring to flaunt her sexuality and contempt for the hypocrisy that permeated the society she was part of; 'The Pakistan You Do Not Know' shows us little known aspects of everyday life in Pakistan; 'Remarkable Pakistanis' tells the story of, among others, Muniba Mazari, a quadriplegic whose inspiring story proves the resilience of the human mind and spirit and Shazia Mushtaq, the selfless educator of Yahounabad;'Family and Friends' contains personal narratives about members of the author's immediate circle; and 'The India Connection' crosses the border to profile aspects of India that the author cherishes, including Delhi and Amitabh Bachchan. Written in her inimitable style, Mehr Tarar's first book is a remarkably honest account of her beloved country.

The first novel from National Book Award winner and author of Sing, Unburied, Sing Jesmyn Ward, a timeless Southern fable of brotherly love and familial conflict—“a lyrical yet clear-eyed portrait of a rural South and an African American reality that are rarely depicted” (The Boston Globe). Where the Line Bleeds is Jesmyn Ward’s gorgeous first novel and the first of three novels set in Bois Sauvage—followed by Salvage the Bones and Sing, Unburied, Sing—comprising a loose trilogy about small town sourthern family life. Described as “starkly beautiful” (Publishers Weekly, starred review), “fearless” (Essence), and “emotionally honest” (The Dallas Morning News), it was a finalist for the Hurston/Wright Legacy Award and the Virginia Commonwealth University Cabell First Novelist Award. Joshua and Christophe are twins, raised by a blind grandmother and a large extended family in rural Bois Sauvage, on Mississippi’s Gulf Coast. They’ve just finished high school and need to find jobs, but after Katrina, it’s not easy. Joshua gets work on the docks, but Christophe’s not so lucky and starts to sell drugs. Christophe’s downward spiral is accelerated first by crack, then by the reappearance of the twins’ parents: Cille, who left for a better job, and Sandman, a dangerous addict. Sandman taunts Christophe, eventually provoking a shocking confrontation that will ultimately damn or save both twins. Where the Line Bleeds takes place over the course of a single, life-changing summer. It is a delicate and closely observed portrait of fraternal love and strife, of the relentless grind of poverty, of the toll of addiction on a family, and of the bonds that can sustain or torment us. Bois Sauvage, based on Ward’s own hometown, is a character in its own right, as stiflingly hot and as rich with history as it is bereft of opportunity. Ward’s “lushly descriptive prose…and her prodigious talent and fearless portrayal of a world too often overlooked” (Essence) make this novel an essential addition to her incredible body of work.

Over the course of a single summer day, ten teenagers in Salem, Massachusetts, will discover important truths about themselves and each other. There is Nicole, whose decision to betray her best friend will shock everyone, most of all herself; Kelly, who meets the convicted felon she has been writing to for years; Maria, whose definition of a true friend is someone who will cut her. Then there is Sadie, a chubby eleven-year-old whose mother forces her to wear a "please don't feed me" sign stapled to her shirt; while Joy, a fifteen-year-old waitress hoping for true intimacy narrowly escapes a very dark fate. Derik discovers that his usual good looks and charm won't help him hold onto the girl he wants, while nineteen-year-old drifter, Mearl, is desperately looking for a place to call home. Sean is torn between his loyalty to his girlfriend and the possibility of finding something more with her friend, while Ginger's single-minded pursuit to bring down her nemesis only proves that they may be more alike than she thought. Seamlessly woven together, this incredibly powerful and compelling collection of stories chronicles the very real trials of today's teen experience.

She's standing at the front door. Covered in blood. Is she the victim of a crime? Or the perpetrator? A teenage girl--Sienna, a troubled friend of his daughter--comes to Joe O'Loughlin's door one night. She is terrorized, incoherent-and covered in blood. The police find Sienna's father, a celebrated former cop, murdered in the home he shared with Sienna. Tests confirm that it's his blood on Sienna. She says she remembers nothing. Joe O'Loughlin is a psychologist with troubles of his own. His marriage is coming to an end and his daughter will barely speak to him. He tries to help Sienna, hoping that if he succeeds it will win back his daughter's affection. But Sienna is unreachable, unable to mourn her father's death or to explain it. Investigators take aim at Sienna. O'Loughlin senses something different is happening, something subterranean and terrifying to Sienna. It may be something in her mind. Or it may be something real. Someone real. Someone capable of the most grim and gruesome murder, and willing to kill again if anyone gets too close. His newest thriller is further evidence that Michael Robotham is, as David Baldacci has said, "the real deal--we only hope he will write faster."

From the author of Fault Line comes an edgy and heartbreaking novel about two self-destructive teens in a Sid and Nancy–like romance full of passion, chaos, and dyed hair. Seventeen-year-old Amelia Gannon (just “Gannon” to her friends) is invisible to almost everyone in her life. To her parents, to her teachers—even her best friend, who is more interested in bumming cigarettes than bonding. Some days the only way Gannon knows she is real is by carving bloody lines into the flesh of her stomach. Then she meets Michael Brooks, and for the first time, she feels like she is being seen to the core of her being. Obnoxious, controlling, damaged, and addictive, he inserts himself into her life until all her scars are exposed. Each moment together is a passionate, painful relief. But as the relationship deepens, Gannon starts to feel as if she’s standing at the foot of a dam about to burst. She’s given up everything and everyone in her life for him, but somehow nothing is enough for Brooks—until he poses the ultimate test. Bleed Like Me is a piercing, intimate portrayal of the danger of a love so obsessive it becomes its own biggest threat.

A collection of fifteen biographical profiles provides a look at legendary musicians and songwriters captured in moments of crisis, despair, revelation, and glory, in portraits of Leiber and Stoller, Doc Pomus, Ronnie Spector, Keith Ferguson and Tommy Shannon, and others. Original.