I wrote and created We Are All Kings - A Parent's Guide to Help Motivate Your Child's Greatness to motivate and inspire all young men across the world and let them know that anything is possible if they just believe in themselves as kings of greatness. I am asking parents and teachers to please read about my actual journey to your children or students. The story of my journey will impact the children the most. I want them to see that I am a growing child just like they are, achieving my dreams at a young age.One of my goals is to tour schools and communities across the country to motivate, inspire and deliver words of encouragement, while personally reading my book, make new friends across the globe, and most importantly I would love to crown each of them We Are All Kings. My journey has taught me to unselfishly understand the power of positive thinking. I simply want to give back. Thank you for supporting my motivational messages and inspiring your child to achieve their greatness!"Expose your child to a broad spectrum of experiences. Let them explore and tap into their greatness - every moment counts!" - Nyeeam Hudson

When British and American leaders today talk of the nation—whether it is Boris Johnson, Barack Obama, or Donald Trump—they do so, in part, in terms established by eighteenth-century British literature. The city on a hill and the sovereign individual are tropes at the center of modern Anglo-American political thought, and the literature that accompanied Britain’s rise to imperial prominence played a key role in creating them. We Are Kings is the first book to interpret eighteenth-century British literature from the perspective of political theology. Spencer Jackson returns here to a body of literature long associated with modernity’s origins without assuming that modernity entails a separation of the religious from the profane. The result is a study that casts this literature in a surprisingly new light. From the patriot to the marriage plot, the narratives and characters of eighteenth-century British literature are the products of the politicization of religion, Jackson argues; the real story of this literature is neither secularization nor the survival of orthodox Judeo-Christianity but rather the expansion of a movement beginning in the High Middle Ages to transfer the transcendent authority of the Catholic Church to the English political sphere. The novel and the modern individual, then, are in a sense both secular and religious at once—products of a modern political faith that has authorized Anglo-American exceptionalism from the eighteenth century to the present.

We were Kings and Queens is a short story illustration of African-American History before the time of slavery. It explores the realities of the rich lineage, royal status, and the truth that must not be forgotten concerning the beginnings of Black History.

Born a princess, Leyli never expected to find herself in a gladiatorial arena. Her cousin's plot to secure himself as heir means she got thrown in with the criminals and debtors, sentenced to fight until she either wins her freedom or dies. But Leyli comes from a line of warriors. Raised to be demure and gentle, she might not know how to fight - but she knows how to not give up. That spirit draws the attention of the Lion of Lenlochlien, one of the best gladiators in the arena. Becoming his partner is the opportunity she needs to survive this nightmare. Chained at his side, they will live - or die - together. She is his shield. He is her sword. Yet, around every corner is a threat. Their opponents want to kill them. The wrong people are looking for her. Her owner wants to make a profit above all else. Hidden in a mess of forged papers and secrets is Leyli's past; it's the only thing she refuses to share with her partner. As far as the world knows, the Princess is dead.He named her the Wolf of Oberhame, and she's willing to embrace it. Each day they're locked together, they grow closer, until his life matters as much as her own. When their owner changes the rules, the Princess must risk everything. She was put on the sands to die, but it may be the Lion who pays the ultimate price.

Willie Stark's obsession with political power leads to the ultimate corruption of his gubernatorial administration.

A twenty-year-old crime, an accelerated death penalty, and an elitist family cover-up: Nyla races against the death row clock to save a woman the world is rooting for . . . and against. Which side will you choose? Twenty years ago, eighteen-year-old Francis Quick was convicted of murdering her best friend, Cora King, and sentenced to death. Now the highly debated Accelerated Death Penalty Act has passed giving Frankie thirty final days to live. Surprising everyone, one of the King family members sets out to challenge the woefully inadequate evidence and potential innocence of Frankie Quick. The at-first reluctant but soon-fiery Nyla and her unexpected ally—handsome country island boy Sam Stack—bring Frankie’s case to the international stage through her YouTube channel, Death Daze. They step into fame and a hometown battle that someone’s still willing to kill over. But who? The senator? The philanthropist? The pawn shop owner? Nyla’s own mother? Best advice: Don’t go to family dinner at the Kings’ estate. More people will leave in body bags than on their own two feet. And as for Frankie Quick, she’s a gem . . . even if she’s guilty. Praise for We Were Kings: “We Were Kings is the best kind of mystery novel—intelligent and bursting with heart. As Nyla untangled her family’s secrets, the twists left me breathless.” —Brittany Cavallaro, New York Times bestselling author “Bingeable. Atmospheric. A book that grabs hold and doesn’t let go. We Were Kings offers a delicious mystery perfect for fans of We Were Liars and A Good Girl’s Guide to Murder. I savored every word from beginning to end.” —Caroline George, author of The Summer We Forgot Young Adult suspense with some romance Stand-alone novel Includes discussion questions for book clubs

A new epic fantasy series from the New York Times bestselling author chosen to complete Robert Jordan's The Wheel of Time® Series

An illustrated edition of the traditional Christmas song.

Six years ago Tom’s brother died. The next day he came back. It’s Tom and Jack’s 18th birthday, but it isn’t a cause for celebration. For the past three years they’ve been in a home for troubled children, where Dr Smith tries to silence the voice of Jack in Tom’s head. But Tom's already lost his brother once, he’s not going to lose him again. And so they will have to pretend Jack has gone. Because one way or another they’ve got to get out of this place. Because Tom and Jack need to find out what happened that summer six years ago that changed everything... We Used To Be Kings is the story of a young boy’s descent into madness following the loss of everything he knows. Set in the 1970s, it is reminiscent of unusually hot summers, pictures of Russians in space and war on our doorstep. It’s an audacious, at times hilarious story that is ultimately heartbreaking and unforgettable.

THE STORY: Lenny is a recently released ex-convict. Despite his imposing size, he was gang raped repeatedly while incarcerated and struggles to find his manhood on the outside. Daisy, his alcoholic girlfriend, craves a real life with a real man