Recounts the life of the Irish poet and nationalist, describes his relationships with his contemporaries, and traces his interest in the occult.

The second and final volume in Roy Foster's acclaimed biography of W. B. Yeats covers the second half of Yeats's life, taking in his controversial political involvements, continued supernatural experiments, his extraordinary marriage, a series of love affairs, and the writing of his greatest poetry. Life and work are woven closely together to create a rich, new, uniquely authoritative, and immensely involving treatment of one of the greatest lives of modern times.

The acclaimed first volume of this definitive biography of W. B. Yeats left him in his fiftieth year, at a crossroads in his life. The subsequent quarter-century surveyed in The Arch-Poet takes in his rediscovery of advanced nationalism and his struggle for an independent Irish culture, his continued pursuit of supernatural truths through occult experimentation, his extraordinary marriage, and a series of tumultuous love affairs. Throughout he was writing his greatest poems: 'The Fisherman' and 'The Wild Swans at Coole' in their stark simplicity; the magnificently complex sequences on the Troubles and Civil War; the Byzantium poems; and the radically compressed last work - some of it literally written on his deathbed. The drama of his life is mapped against the history of the Irish revolution and the new Irish state founded in 1922. Yeats's many political roles and his controversial involvement in a right-wing movement during the early 1930s are covered more closely than ever before, and his complex and passionate relationship with the developing history of his country remains a central theme. Throughout this book, the genesis, alteration, and presentation of his work (memoirs and polemic as well as poetry) is explored through his private and public life. The enormous and varied circle of Yeats's friends, lovers, family, collaborators, and antagonists inhabit and enrich a personal world of astounding energy, artistic commitment, and verve. Yeats constantly re-created himself and his work, believing that art was 'not the chief end of life but an accident in one's search for reality': a search which brought him again and again back to his governing preoccupations: sex and death. He also held that 'all knowledge is biography', a belief reflected in this study of one of the greatest lives of modern times.

William Butler Yeats has cast his long shadow over the history of both modern poetry and modern Ireland for so long that his preeminence is taken for granted. Now, in the first authorized biography of Yeats to appear in over fifty years, leading Irish historian R.F. Foster travels beyond Yeats's towering image as arguably the century's greatest poet to restore a real sense of Yeats's extraordinary life as Yeats himself experienced it--what he saw, what he did, the passions and the petty squabbles that consumed him, and his alchemical ability to transmute the events of his crowded and contradictory life into enduring art. In the first volume of this long-awaited biography, Foster covers the poet's first fifty years, bringing new light to bear on Yeats's heroic and often ruthless efforts to invent himself as a poet and public figure. Drawn from a fascinating archive of personal and contemporary documents with the cooperation of surviving members of the Yeats family, it dramatically alters long-held assumptions about the poet's background, his relationship with Maud Gonne and other women, and his roles in the great cultural and political upheavals that transformed Ireland in his lifetime. A rich and entertaining account of Yeats's boyhood days amidst the talented but troubled members of the Yeats and Pollexfen clans provides important insight into the poet's deep and lifelong connection to the Irish landscape, his early, impassioned embrace of the nationalist cause, and his later retreat to the traditions of the once grand Protestant aristocracy. In his own day Yeats attracted enemies and admirers with equal passion, and Foster vividly recreates the friendships, love affairs, and simmering rivalries that swirled about the poet's circles in London, Dublin, and Coole Park. Complementing his meticulous scholarship with a shrewd wit and a novelist's eye for detail, he chronicles the romantic disappointments, financial difficulties, experimentation with hashish and mescal, and the growing preoccupation with the occult that prefaced Yeats's attempt to unite Irish politics with high culture and his creation of an Irish national theater. Here are the poet's memorable encounters with many of the most interesting people of his time, including Oscar Wilde, George Bernard Shaw, Lady Gregory, J.M. Synge, Ezra Pound, James Joyce, and the wildly diverse leaders of the Irish independence movement. And here at last is a full accounting of the complex bond between Yeats and the incomparable Maud Gonne, revealed as an influence eternally recreated 'like the phoenix,' affecting almost everything he did. Poet, playwright, mystic and revolutionary; lover, confidant, and friend. This brilliant account of the public and private lives of William Butler Yeats illuminates not only the wellspring of his artistic vision, but the modern Irish identity he helped to create. It is essential reading for anyone intrigued by one of the most original and influential voices of the twentieth century.

William Butter Yeats, who some critics feel was the greatest English language poet of our century, led a life of many contradictions. He was Ireland's most revered writer and won the Nobel Prize for Literature. But in his private life, Yeats struggled with passionate, if unrequited, relationships with women and was haunted by the spirits of his ancestors. Renowned biographer Brenda Maddox examines the poet's life through the prism of his personal obsession with the supernatural and otherworldly. She considers for the first time the Automatic Script, the trancelike communication with supposed spirits that he and his much younger wife. Georgie, conducted during the early years of their marriage. Writing with edge, wit, and energy, she finds the essential clues to Yeats's life and work in his unusual relationships with women, most particularly Maude and Iseult Gonne, his wife Georgie, and his rarely discussed mother.

This biography of Ireland's greatest poet does not simply tell the story of his life - it explains it.

Twelve-year old Jason is accused of the brutal murder of a young girl. Is he innocent or guilty? The shocked town calls on an interrogator with a stellar reputation: he always gets a confession. The confrontation between Jason and his interrogator forms the chilling climax of this terrifying look at what can happen when the pursuit of justice becomes a personal crusade for victory at any cost.

W. B. Yeats is usually seen as a great innovator who put his stamp so decisively on modern Irish literature that most of his successors worked in his shadow. R. F. Foster's eloquent and authoritative book weaves together literature and history to present an alternative perspective. By returning to the rich seed-bed of nineteenth-century Irish writing, Words Alone charts some of the influences, including romantic 'national tales' in post-Union Ireland, the poetry and polemic of the Young Ireland movement, the occult and supernatural novels of Sheridan LeFanu, William Carleton's 'peasant fictions', and fairy-lore and folktale collectors that created the unique and powerful Yeatsian voice of the decade from 1885 to 1895. As well as placing these literary movements in a vivid contemporary context of politics, polemic and social tension, Foster discusses recent critical and interpretive approaches to these phenomena. He shows that the use Yeats made of his predecessors during his apprenticeship, and the part that a self-conscious use of Irish literary tradition played in the construction of his path-breaking early work as he attempted to 'hammer his thoughts into a unity' made him an inheritor as much as an inventor.

Unlocking the Poetry of W.B. Yeats undertakes a thorough re-reading of Yeats' oeuvre as an extended meditation on the image and theme of the heart as it is evident within the poetry. It places the heart at the centre of a complex web of Yeatsian preoccupations and associations—from the biographical, to the poetic and philosophical, to the mythological and mystical. In particular, the book seeks to unlock Yeats’ mystifying aesthetic vision via his understanding of the ancient Egyptian "Weighing of the Heart" ceremony. The work provides a chronological narrative arc that looks to use the theme of the heart as it recurs in the poetry in order to circumvent and overcome more established frameworks. Its purpose is to offer refreshing ways of conceptualizing and building alternatives to more deeply entrenched, but not entirely satisfactory arguments that have been offered since Yeats' death in 1939, while demonstrating the centrality of the occult to Yeats' art.