The beyond-great Hollywood star returns in seven pyrotechnic tales that become--somehow--a family saga spread over seventeen years. Wayfaring at Waverly in Silver Lake encompasses friends, relations, and some passersby--as James McCourt cocks a cast eye on the seven deadly sins. Some samples . . . In a story evoking pride, fountainhead of the other deadly sins, Hollywood star Kaye Wayfaring, semiretired now atop the Silver Lake Hills, like Marion Davis at San Simeon, is at home during the 1984 Olympics, contemplating the translucent Norma Jean ("Nobody ever went at lines the way she did"), while over at the studio, her colleagues review the highlights of her career, culminating in her scandalous, headline-grabbing Oscar snub. Lust is represented by Kaye, now back in business on location in Ireland, starring as the wanton Irish pirate queen, Granuaile. Kaye is sheathed in the part, waiting for the light, in County Donegal, balancing visions of sacred and profane love, during the first (and always lustful) day of principal photography. Gluttony is personified by Kaye Wayfaring's son, Tristan, in the throes of adolescent meltdown, telling his beloved uncle the demented tale of his cross-country bus trip, forced landing, and rescue by south-of-L.A. beach bums, as he floats in and out of consciousness. And sin itself, as in "sinfully delicious," is exemplified by James McCourt's new book, "Wayfaring at Waverly in Silver Lake, from beginning to end.

Los Angeles magazine is a regional magazine of national stature. Our combination of award-winning feature writing, investigative reporting, service journalism, and design covers the people, lifestyle, culture, entertainment, fashion, art and architecture, and news that define Southern California. Started in the spring of 1961, Los Angeles magazine has been addressing the needs and interests of our region for 48 years. The magazine continues to be the definitive resource for an affluent population that is intensely interested in a lifestyle that is uniquely Southern Californian.

A Kirkus Reviews Best Book of 2013 A profoundly American work with distinct echoes of Samuel Beckett, Lasting City hypnotizes with its symphonic lyricism. Enjoined by his dying mother to "tell everything," James McCourt was liberated by this deathbed wish to do just that. The result is Lasting City, a gripping, uniquely McCourt invention: an operatic recollection that braids a nostalgic portrait of old-Irish New York with a boy’s funny, gutter-snipe precocity and hardly innocent coming-of-age in the 1940s and '50s. A literary outlaw in the poetic tradition of Verlaine and Baudelaire, McCourt tells his own story, his mother's, his family's, and that of a lost New York, the lasting city. While ostensibly an account of the author's first seven years, Lasting City expands into a philosophical exploration of memory, perhaps as daring a statement on perception as anything since Faulkner—a kaleidoscopic unraveling of time. Mating fact with fantasy, or fantasy with fact, McCourt takes us from his deeply moving bedside account of his mother Catherine’s death to its traumatic aftermaths both real and imagined, which are—as McCourt tells it—equally real. He revisits the fantasy city of his youth, sometimes in soliloquy, as well as in the plaintive threnody of an older man who recounts his tales of woe to a Hindu cabdriver named Pramit Banarjee on Broadway, only hours after leaving his mother’s bedside. By celebrating our powerlessness over memory, he explores the darkly intense Irish-American family romance and the love-hate relationship between an unusually bright boy and his eternally wise mother, who harbored an excruciating guilty secret. With Joycean panache, McCourt then takes us to the wake, where his aunts recall their sister as if they are the Fates; he has a late-night dialogue with a former showgirl turned hash-slinging waitress; and he then anticipates his own death with the some of the most lyrical cadences in recent literature, wondering whether his ashes will be scattered on the waters of that little rivulet emerging from Central Park's Ramble, where in his grandfather’s day, real Venetian gondoliers, imported from Venice, plied their trade. Reflecting McCourt's belief that "the perfectly diagrammed sentence has become the secret weapon of nice people," Lasting City, written as much for the ear as the reading eye, unfolds in multiple voices that are at times like theater and at times the reverie of a mind lost in memory. It is a heartfelt aria to a lost time and to an eternal city.

"A heroically imaginative account of gay metropolitan culture, an elegy and an apologia for a generation."—New York Times Book Review A fierce critical intelligence animates every page of Queer Street. Its sentences are dizzying divagations. The postwar generation of queer New York has found a sophisticated bard singing 'the elders' history' (The New York Times). James McCourt's seminal Queer Street has proven unrivaled in its ability to capture the voices of a mad, bygone era. Beginning with the influx of liberated veterans into downtown New York and barreling through four decades of crisis and triumph up to the era of the floodtide of AIDS, McCourt positions his own exhilarating experience against the whirlwind history of the era. The result is a commanding and persuasive interlocking of personal, intellectual, and social history that will be read, dissected, and honored as the masterpiece it is for decades to come. A Publishers Weekly Best Book of 2003; a Lambda Award finalist.

Los Angeles magazine is a regional magazine of national stature. Our combination of award-winning feature writing, investigative reporting, service journalism, and design covers the people, lifestyle, culture, entertainment, fashion, art and architecture, and news that define Southern California. Started in the spring of 1961, Los Angeles magazine has been addressing the needs and interests of our region for 48 years. The magazine continues to be the definitive resource for an affluent population that is intensely interested in a lifestyle that is uniquely Southern Californian.

"100 Wagner Moments: Have you had one?" The music dramas of Richard Wagner have, for the last 150 years, thrilled and amazed listeners everywhere. In Wagner Moments, author J. K. Holman has assembled 100 such moments, from the living and dead, famous and not so famous, from Charles Baudelaire to Placido Domingo, musicians and non-musicians. Mr. Holman edits these stories, placing them in their biographical and historical context.

Lambda Literary Award-winning editor Richard Canning brings together all new work by Edmund White, Dale Peck, James McCourt, Andrew Holleran, and others.

This is the first complete biography of actress Peg Entwistle, known as the "Hollywood Sign Girl" because of her suicide fall from the HOLLYWOODLAND sign in 1932. It details her childhood, stage and film career, marriage and divorce, and her suicide and almost cult-like pop culture status today. Extensively researched and written with the complete cooperation of the Entwistle family, this work includes excerpts from interviews with Peg Entwistle's brother Milton and her cousin Helen Reid, both of whom recalled much of Peg's years living in Hollywood, her career and private life, and her final weeks. It also features many of Peg Entwistle's own words from extant letters to her family and newly discovered interviews with theatrical reporters. Nearly 30 previously unpublished images from the author's collection, the Entwistle family, and a number of other sources complete an intimate look at a life that was defined by far more than its famously unhappy end.