Don't catch a leopard by the tail, but if you do, don't let it go - Ethiopian Proverb Author Sam McManus has collated 15-years' worth of adventure travel writing in Ethiopia, Japan, Bolivia, Egypt, Kyrgyzstan, Iran, Mongolia, Lebanon, Oman & Costa Rica in this collection of travel stories, which revolve around a central solo journey exploring the mountains of Ethiopia over a three-month period in 2015, which led to the founding of sustainable adventure travel company YellowWood Adventures. The most prized form of Ethiopian Amharic prose and poetry, loosely translated as 'wax and gold' ሰምና ወርቅ [sam-enna warq], is meticulously comprised with a focus on the duality of its meanings. The surface meaning, the wax, must be stripped away to reveal the hidden core of gold underneath. Ethiopia as a country also encourages you to look deeper within yourself, to fully understand and appreciate a deeply rich spiritual significance, that often resonates beneath simple or plain exteriors. McManus grew up in the countryside of Kent in the UK until he walked out one midsummer morning into a lifetime of travel and adventure. Travel and books: these two passions have fuelled journeys to over 60 countries whilst living on four continents. He has always favoured the road less travelled: whilst living in Japan he took his tent and surfboard and spent three months island-hopping down the 1100km of Ryukyu archipelago; in the Amazon rainforest he spent two weeks with an Indian guide carrying only a machete, fishhooks, salt, sugar and cocoa leaves, learning to live off the land. Be it the highest plateau in Africa, ice-climbing in the Tian Shan Mountains or exploring the lost assassins' castles in the Alborz Mountains of Iran; a veritable mountain of banana sandwiches, history books, novels, travel writings and biographies always accompany these adventures, and wherever possible a horse or two. This is pure travel writing: "Ethiopia can be difficult, prickly, cutting, ruthless, unforgiving, infuriating, stark, confused and complex. Yet, like a densely constructed novel exposing the fundamental contradictions of human nature, or, say, the bright plumage of a flowering cactus, when her treasures are revealed, they are all the more exceptional for the contrasts they manifest. Rarely do I open a book or read a travel article on Ethiopia that does not include the famous line from 18th century historian Edward Gibbon's masterwork The History of the Decline and Fall of the Roman Empire: "Encompassed on all sides by the enemies of their religion, the Ethiopians slept near a thousand years, forgetful of the world by whom they were forgotten." It still perfectly encapsulates what makes this land so unique, so much from ancient times still remaining. Although the modern world now has a stable foothold in the cities of Ethiopia, when one ventures out to the interior, this thin veneer rapidly falls away, unveiling the unchanged soul of the nation. One memory illustrates this perfectly: A man and his young son were ploughing a terraced wheat field below their grass hut with two oxen. Their field on the edge of a small river, this fell away off the high plateau in a series of three waterfalls. Their plough had a small sharp metal tip lashed to its wooden triangular sides, the long beam and ploughman's handle comprised of bark-stripped eucalyptus. They wore a few items of Western clothing - a shirt and a raggedy pair of trousers, both in bare feet. Aside from these few tiny elements that have seeped in from the outside world, the scene was timeless. I believe it is the search for this timelessness that continues to drive me to travel to the wilder corners of this world." In partnership with www.yellowwoodadventures.com

More than just a technical guide, this book provides comprehensive information for those new to cold wax medium, as well as technical expertise and inspiration to those with experience. Featuring nearly 100 artists from around the world, Cold Wax Medium will strengthen your work and studio practice, suggest new directions, and support thoughtful self-critique.

Greater Ethiopia combines history, anthropology, and sociology to answer two major questions. Why did Ethiopia remain independent under the onslaught of European expansionism while other African political entities were colonized? And why must Ethiopia be considered a single cultural region despite its political, religious, and linguistic diversity? Donald Levine's interdisciplinary study makes a substantial contribution both to Ethiopian interpretive history and to sociological analysis. In his new preface, Levine examines Ethiopia since the overthrow of the monarchy in the 1970s. "Ethiopian scholarship is in Professor Levine's debt. . . . He has performed an important task with panache, urbanity, and learning."—Edward Ullendorff, Times Literary Supplement "Upon rereading this book, it strikes the reader how broad in scope, how innovative in approach, and how stimulating in arguments this book was when it came out. . . . In the past twenty years it has inspired anthropological and historical research, stimulated theoretical debate about Ethiopia's cultural and historical development, and given the impetus to modern political thinking about the complexities and challenges of Ethiopia as a country. The text thus easily remains an absolute must for any Ethiopianist scholar to read and digest."-J. Abbink, Journal of Modern African Studies

Twenty years ago, Emma, Mackenzie and Serena bonded over their New York City dreams. Then, each summer, they spent one week together at the lake. It's been five years since Emma has seen her friends, but now she's in desperate need of their support. But when a terrible accident keeps Emma from saying her piece, Serena and Mackenzie begin to learn about the past on their own. Now, to heal their friendship and their broken lives, the three women will have to return to the lake that once united them and discover which relationships are worth holding on to.

Finalist for the 2021 Glenna Luschei Prize for African Poetry.This is the very first anthology of Ethiopian poetry in English, packed with all the energy, wit and heartache of a beautiful country and language. From folk and religious poems, warrior boasts, praises of women and kings and modern plumbing; through a flowering of literary poets in the twentieth century; right up to thirty of the most exciting contemporary Amharic poets working both inside and outside the country.These poems ask what it means to be Ethiopian today, part of a young fast-growing economy, heirs to the one African state which was never colonised, but beset by deep political, ethnic and moral problems.

Mr. Hiroshi Tsuyuki, the Japanese authority on Jewelry Wax Modeling, uses an innovative approach to teaching the technique of wax modeling. Often a process is easier shown than described in so many words. This book was conceived through the author's teaching experience -- more photos and sketches and less text resulting in less over-the-shoulder supervision. By introducing new techniques in each project, his students were able to progress more rapidly towards independence in design concepts. While preparing a model for casting and the actual casting process are adequately explained in most casting books, very little space is devoted to the design and creation of wax models. Mr. Tsuyuki presents 11 basic projects in this book, each one designed to teach the use of certain tools and types of waxes in a progressive manner as one's skills improve. Each step of every project is accompanied by a photo and text and in some cases supplementary sketches and notes are provided to clarify those particular processes. Paying careful attention to the photos, noting the demonstrator's hand position and the type of tool being used, eliminates any confusion which may result from the text. After each basic model is completed the author offers a number of sketches suggesting design possibilities using the techniques learned in the construction of the basic model. Mr. Tsyuki states that by conscientiously completing each project, the student should be well on the way to becoming a designer/modeler. This book is 112 pages and has 283 photos and illustrations.

Paraffin, Vermont, is home to the Grosholtz Candle Factory. There, seventeen-year-old Poppy finds something dark and unsettling: a room filled with dozens of startlingly lifelike wax sculptures. Later, she’s shocked when one of the figures—a teenage boy who doesn’t seem to know what he is—jumps naked and screaming out of the trunk of her car. Poppy wants to return him to the factory, but before she can, a fire destroys the mysterious workshop. With the help of the wax boy, who answers to the name Dud, Poppy tries to find out who was behind the fire. Along the way, she discovers that some of the townspeople are starting to look a little . . . waxy. Can they extinguish the evil plot?

The real acheivement of Dervla's trip across Ethiopia was not surviving three armed robberies or a mountainous thousand-mile trail, but rather her growing affection for and understanding of another race.