Marking the three hundredth anniversary of Jean Antoine Watteau’s death, this publication takes a close, revealing look at his recently rediscovered painting La Surprise. The painting La Surprise by Jean Antoine Watteau (1684–1721) belongs to a new genre of painting invented by the artist himself—the fête galante. These works, which show graceful open-air gatherings filled with scenes of courtship, music and dance, strolling lovers, and actors, do not so much tell a story as set a mood: one of playful, wistful, nostalgic reverie. Esteemed by collectors in Watteau's day as a work that showed the artist at the height of his skill and success, La Surprise vanished from public view in 1848, not to reemerge for more than a century and a half. Acquired by the Getty Museum in 2017, it has never before been the subject of a dedicated publication. Marking the three hundredth anniversary of Watteau's death, this book considers La Surprise within the context of the artist's oeuvre and discusses the surprising history of collecting Watteau in Los Angeles. This volume is published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Center from November 23, 2021, to February 20, 2022.

"Accompanying an exhibition in honor of Philippe de Montebello, Director Emeritus of The Metropolitan Museum of Art, this engaging book examines the influence of music and theater on the art of Jean-Antoine Watteau (1684-1721). Fifteen major paintings and a number of drawings by Watteau that illustrate the connections between painting and the performing arts in Paris are explored. In addition, drawings and prints by other 18th-century artists featuring musical or theatrical subjects and objects and musical instruments are included."--Publisher description.

"Annie McMorrow, 31 and not recovered from the end of her long-term relationship, is an assistant to film producer Carlo Spinetti and then to his chilling wife Rebecca Winkleman Spinetti whose father started Winkleman Fine Art in Curzon St. Annie has spent her meager savings on a dusty painting from a junk shop to give to her new, unsuitable, boyfriend who never shows up for his birthday dinner. The painting now hers, talks, but only to us. Shrewd, spoiled, charming, world weary and cynical, he comments perceptively on Annie, and the modern world and tells tales about his previous owners: Louis XV, Voltaire, Catherine the Great among others. The story unfolds through this voice and many others--unexpected, entertaining, and strangely authentic. Annie will have her apartment ransacked and be pursued by dealers, buyers and an auctioneer in an attempt to get back the painting. With The Improbability of Love, Rothschild has spun a dazzling tale--both irreverant and entertainng--of a many-layered, devious world where, in the end, love triumphs"--

In Venice, a French writer awaiting the disposal of a stolen painting for which he is the go-between, muses cynically on the art world while romancing a beautiful physics student from America. A meditation on what is art and on its worth by the author of Women.

The first study devoted to classical art’s vital creative impact on the work of the Flemish painter Peter Paul Rubens. For the great Peter Paul Rubens (1577–1640), the classical past afforded lifelong creative stimulus and the camaraderie of humanist friends. A formidable scholar, Rubens ingeniously transmitted the physical ideals of ancient sculptors, visualized the spectacle of imperial occasions, rendered the intricacies of mythological tales, and delineated the character of gods and heroes in his drawings, paintings, and designs for tapestries. His passion for antiquity profoundly informed every aspect of his art and life. Including 170 color illustrations, this volume addresses the creative impact of Rubens’s remarkable knowledge of the art and literature of antiquity through the consideration of key themes. The book’s lively interpretive essays explore the formal and thematic relationships between ancient sources and Baroque expressions: the significance of neo-Stoic philosophy, the compositional and iconographic inspiration provided by exquisite carved gems, Rubens’s study of Roman marble sculpture, and his inventive translation of ancient sources into new subjects made vivid by his dynamic painting style. This volume is published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Villa from November 10, 2021, to January 24, 2022.

Exploring the complex link between art and life, a portrait of pioneering bohemian artist Antoine Watteau describes the evolution of the artist's life and aesthetic vision against the backdrop of eighteenth-century Paris, as well as his seminal influence on such modern figures as Czanne, Picasso, and Samuel Beckett. 20,000 first printing.

In Watteau and the Cultural Politics of Eighteenth-Century France, Julie Anne Plax engages in an interdisciplinary examination of several categories of Watteau's paintings--theatrical, military, fetes, and the art dealer. Arguing that Watteau consistently applied coherent strategies of representation aimed at subverting high art, she shows how his paintings toyed ironically with conventions and genres and confounded traditional categories. Plax connects these strategies to broader cultural themes and political issues that Watteau's art addressed throughout his career, thereby revealing the substantial unity of his oeuvre.

Catalog of an exhibition held at the Metropolitan Museum of Art, New York, October 1, 2013-January 5, 2014.

Offers a new interpretation of Watteau's thoroughly modern vision of war in which the soldier's inner life comes foremost.