Paul Mellon (1907--1999) assembled one of the world’s greatest collections of British drawings and watercolors. In his memoirs he wrote of their “beauty and freshness… their immediacy and sureness of technique, their comprehensiveness of subject matter, their vital qualities, their Englishness.” This catalogue celebrating the centenary of Mellon's birth features eighty-eight outstanding watercolors from the fifty thousand works of art on paper with which he endowed the Yale Center for British Art. The selection spans the emergence of watercolor painting in the mid-18th century to its apogee in the mid-19th. These works highlight the diversity of British watercolors, showcasing both landscape and figurative works by some of the principal artists working in the medium, including Thomas Gainsborough, Thomas Rowlandson, William Blake, and J. M.W. Turner.

Artists & Illustrators magazine's Book of the Month Taking inspiration from iconic paintings in the Tate collection, discover the techniques of the masters and improve your own painting skills with 30 guided projects. As you work through the exercises, you'll learn how to work 'wet into wet' with Maggi Hambling, master colour temperature with John Singer Sargent and create rhythm and unity in your paintings with John Nash. Whether you are looking to reinvigorate your watercolour practice with new techniques, try your hand at a wide variety of painting styles, or discover a new, inspiring master of the art, this book offers something new for every watercolourist.

This is an illustrated survey of watercolour painting from 1750 to the present day, including the finest examples of work by Sandby, Cozens, Girtin, Turner, Rowlandson, Cotman, De Wint, Constable, Blake, Palmer, Prout, Rossetti, Whistler and many other famous and not so famous artists, with full notes on each. The author relates the English School to earlier continental artists and sums up the special characteristics and achievements of each artist. He has written twenty books including Victorian Painting, Constable, The Natural Painter and Turner and has won the Mitchell Prize for the History of Art for his catalogue raisonne on The Later Paintings and Drawings of Constable.

Recent interest in the economic aspects of the history of art have taken traditional studies into new areas of enquiry. Going well beyond provenances or prices of individual objects, our understanding of the arts has been advanced by research into the demands, intermediaries and clients in the market. Eighteenth-century Rome offers a privileged view of such activities, given the continuity of remarkable investments by the local ruling class, combined with the decisive impact of external agents, largely linked to the Grand Tour. This book, the result of collaboration between international specialists, brings back into the spotlight protagonists, facts and dynamics that have remained unexplored for many years.

The words 'amateur artist' conjure up a picture of Victorian ladies and gentlemen sketching in watercolours out of doors. This text challenges such an image, describing and illustrating over 200 works from the British Museum's collections.

William Blake, John Constable, and Joseph Mallord William Turner are among the ten British watercolorists whose works are analyzed and reproduced in color and black and white.

English artists have made a unique contribution to the art of watercolor painting. In no other Western country has this very attractive medium been used so consistently, or for works of such stature, as in England between 1750 and the present day. In this general survey of the whole period, Graham Reynolds, formerly Keeper of Paintings and of Prints and Drawings at the Victoria & Albert Museum, discusses the paintings of over 100 artists including the well-known watercolorists such as Cozens, Girtin, Cotman and De Wint, as well as artists who are equally known for their work in other media - Gainsborough, Turner, Constable, Sargent, Henry Moore. The 140 illustrations, 64 in color, show the work of these and lesser-known artists and reveal the versatility of this medium, so the reader will be introduced to its use for illustrative caricature and portraiture as well as to the finest examples of traditional landscape watercolors.