Rivers in India are commonly associated with certain worldly religious values: wealth, beauty, long life, good health, food, love, and the birth of children. However, these "domestic" values have been relatively neglected by Indologists, who have tended to view India and Hinduism through the prism of poverty, misery, asceticism, and themes of purity or pollution. Following recent scholarship by arguing that the earthly pursuits are equally vital to an understanding of popular Hinduism, Feldhaus examines the role of these ideals in the religious meanings of rivers in Maharashtra, a large region of western India. Drawing both on written religious texts and on a wide range of oral, iconographic, and ritual materials gathered in the course of field work in India, she shows that these values, which are usually associated with women or represented by goddesses, are an important motif in popular religious practices and oral traditions associated with the rivers of Maharashtra, and she presents the many different ways in which rivers are imagined, enshrined, worshipped, and feared.

'Jennifer Makumbi is a genius storyteller.' Reni Eddo-Lodge An intoxicating mix of Ugandan folklore and modern feminism, from a multi-award-winning author As Kirabo enters her teens, questions begin to gnaw at her – questions which the adults in her life will do anything to ignore. Where is the mother she has never known? And why would she choose to leave her daughter behind? Inquisitive, headstrong, and unwilling to take no for an answer, Kirabo sets out to find the truth for herself. Her search will take her away from the safety of her prosperous Ugandan family, plunging her into a very different world of magic, tradition, and the haunting legend of 'The First Woman'. 'In Jennifer Makumbi, we have a giant of literature living among us.' Peter Kalu, Jhalak Prize Judge A SUNDAY TIMES, OBSERVER, DAILY MAIL, BBC CULTURE & IRISH INDEPENDENT BOOK OF THE YEAR

The New York Times–bestselling author of Bad Feminist shares a collection of stories about hardscrabble lives, passionate loves and vexed human connection. The women in these stories live lives of privilege and of poverty, are in marriages both loving and haunted by past crimes or emotional blackmail. A pair of sisters, grown now, have been inseparable ever since they were abducted together as children, and must negotiate the elder sister’s marriage. A woman married to a twin pretends not to realize when her husband and his brother impersonate each other. A stripper putting herself through college fends off the advances of an overzealous customer. A black engineer moves to Upper Michigan for a job and faces the malign curiosity of her colleagues and the difficulty of leaving her past behind. From a girls’ fight club to a wealthy subdivision in Florida where neighbors conform, compete, and spy on each other, Roxanne Gay delivers a wry, beautiful, haunting vision of modern America with her “signature wry wit and piercing psychological depth” (Harper’s Bazaar).

"Haunting ... teems with raw emotion, and McCullough deftly captures the experience of learning to behave in a male-driven society and then breaking outside of it."—The New Yorker "I will be haunted and empowered by Artemisia Gentileschi's story for the rest of my life."—Amanda Lovelace, bestselling author of the princess saves herself in this one A William C. Morris Debut Award Finalist 2018 National Book Award Longlist Her mother died when she was twelve, and suddenly Artemisia Gentileschi had a stark choice: a life as a nun in a convent or a life grinding pigment for her father's paint. She chose paint. By the time she was seventeen, Artemisia did more than grind pigment. She was one of Rome's most talented painters, even if no one knew her name. But Rome in 1610 was a city where men took what they wanted from women, and in the aftermath of rape Artemisia faced another terrible choice: a life of silence or a life of truth, no matter the cost. He will not consume my every thought. I am a painter. I will paint. Joy McCullough's bold novel in verse is a portrait of an artist as a young woman, filled with the soaring highs of creative inspiration and the devastating setbacks of a system built to break her. McCullough weaves Artemisia's heartbreaking story with the stories of the ancient heroines, Susanna and Judith, who become not only the subjects of two of Artemisia's most famous paintings but sources of strength as she battles to paint a woman's timeless truth in the face of unspeakable and all-too-familiar violence. I will show you what a woman can do. ★"A captivating and impressive."—Booklist, starred review ★"Belongs on every YA shelf."—SLJ, starred review ★"Haunting."—Publishers Weekly, starred review ★"Luminous."—Shelf Awareness, starred review

The twentieth anniversary edition of a transformative blueprint for ancestral healing—featuring new material and gateways, from the renowned herbalist, natural health expert, and healer of women’s bodies and souls “This book was one of the first that helped me start practices as a young woman that focused on my body and spirit as one.”—Jada Pinkett Smith Through extraordinary meditations, affirmations, holistic healing plant-based medicine, KMT temple teachings, and The Rites of Passage guidance, Queen Afua teaches us how to love and rejoice in our bodies by spiritualizing the words we speak, the foods we eat, the relationships we attract, the spaces we live and work in, and the transcendent woman spirit we manifest. With love, wisdom, and passion, Queen Afua guides us to accept our mission and our mantle as Sacred Women—to heal ourselves, the generations of women in our families, our communities, and our world.

A NEW YORK TIMES EDITOR'S CHOICE · A NEW YORK TIMES BOOK REVIEW NOTABLE BOOK · REVIEWED ON THE FRONT COVER From GMA BOOK CLUB PICK and WOMEN'S PRIZE FINALIST Angie Cruz, author of Dominicana, an electrifying new novel about a woman who has lost everything but the chance to finally tell her story “Will have you LAUGHING line after line...Cruz AIMS FOR THE HEART, and fires.” —Los Angeles Times "An endearing portrait of a FIERCE, FUNNY woman." —The Washington Post Cara Romero thought she would work at the factory of little lamps for the rest of her life. But when, in her mid-50s, she loses her job in the Great Recession, she is forced back into the job market for the first time in decades. Set up with a job counselor, Cara instead begins to narrate the story of her life. Over the course of twelve sessions, Cara recounts her tempestuous love affairs, her alternately biting and loving relationships with her neighbor Lulu and her sister Angela, her struggles with debt, gentrification and loss, and, eventually, what really happened between her and her estranged son, Fernando. As Cara confronts her darkest secrets and regrets, we see a woman buffeted by life but still full of fight. Structurally inventive and emotionally kaleidoscopic, How Not to Drown in a Glass of Water is Angie Cruz’s most ambitious and moving novel yet, and Cara is a heroine for the ages.

USA Today Bestseller Christianity Today 2022 Book Award Finalist (History & Biography) "A powerful work of skillful research and personal insight."--Publishers Weekly Biblical womanhood--the belief that God designed women to be submissive wives, virtuous mothers, and joyful homemakers--pervades North American Christianity. From choices about careers to roles in local churches to relationship dynamics, this belief shapes the everyday lives of evangelical women. Yet biblical womanhood isn't biblical, says Baylor University historian Beth Allison Barr. It arose from a series of clearly definable historical moments. This book moves the conversation about biblical womanhood beyond Greek grammar and into the realm of church history--ancient, medieval, and modern--to show that this belief is not divinely ordained but a product of human civilization that continues to creep into the church. Barr's historical insights provide context for contemporary teachings about women's roles in the church and help move the conversation forward. Interweaving her story as a Baptist pastor's wife, Barr sheds light on the #ChurchToo movement and abuse scandals in Southern Baptist circles and the broader evangelical world, helping readers understand why biblical womanhood is more about human power structures than the message of Christ.

There are many questions that surround Christian womanhood: What does it mean? When does it happen; at a certain age, status, or maturity? How do we know we're no longer girls? And when we've figured that out, how will others know how to recognise us as a woman rather than a girl? After all, Christian women don't usually get a rite of passage in which they are named a woman. Seeing this need, Amy Davis Abdallah has created such a rite, and this book accompanies it; there is no need to go through her rite of passage, however, to name yourself a woman. The Book of Womanhood creates a path through the confusion that surrounds the identity of women by its flexible framework, developing the reader's understanding of a woman's relationship with God, their self, others and creation. Amy writes simply as one perhaps further along in her journey of womanhood than most, and she doesn't write alone; she includes the stories of Biblical women, of friends young and old, and even more. The diverse voices come together as a cloud of witnesses encouraging us in our individual journeys. The Book of Womanhood is about recognition, reaching out not only to women, but also to men who seek to understand and empower their wives, daughters, andfriends to be the women God has formed them to be. Read for empowerment; read for transformation. Read and become the woman of God you were created to be.

This book dismantles every mistruth that you've heard about the role of women in the Bible, her place in the church, and the patriarchal lie of so-called “biblical manhood and womanhood.” In its place, Aimee Byrd details a truly biblical vision of women as equal partners in Christ's church and kingdom. The church is the school of Christ, commissioned to discipleship. The responsibility of every believer—men and women together—is being active and equal participants in and witnesses to the faith. And yet many women are trying to figure out what their place is in the church, fighting to have their voices heard and filled with questions: Do men and women benefit equally from God's word? Are we equally responsible in sharpening one another in the faith and passing it down to the next generation? Do we really need men's Bibles and women's Bibles, or can the one Holy Bible guide us all? The answers lie neither with radical feminists, who claim that the Bible is hopelessly patriarchal, nor with the defenders of “biblical manhood,” whose understanding of Scripture is captive to the culture they claim to distance themselves from. Recovering from Biblical Manhood and Womanhood presents a more biblical account of gender, marriage, and ministry. It explores the feminine voice in Scripture as synergistic with the dominant male voice. It fortifies churches in a biblical understanding of brotherhood and sisterhood in God's household and the necessity of learning from one another in studying God's word. Until both men and women grow in their understanding of their relationship to Scripture, there will continue to be tension between the sexes in the church. Church leaders can be engaged in thoughtful critique of the biblical manhood and womanhood movement, the effects it has on their congregation, and the homage it ironically pays to the culture of individualism that works against church, family, and a Christ-like vision of community.

A Woman Through and Through In a culture that can belittle womanhood on the one hand—making it irrelevant—and glorify it on the other—making it everything—it’s hard to know what it really means to be a woman. But when we understand womanhood through the lens of Scripture, we see that we need a bigger category for what God has called “woman.” This book breathes fresh air into our womanhood, reminding us what life in Christ—as a woman—looks like. When we see that we are women in all we do, we can be at peace with how God has created us, recognizing womanhood as an essential part of Christ’s mission and work.