Vampires. They hunt in every major city, hidden by the crowds, shielded by disbelief. They are Killers, and their prey is human. Not all vampires are Killers. The Guardians of the Night sacrifice the superior physical and psychic strength that comes with feeding on humans to protect them. But the Guardians walk a thin line, for even a single kill could leave them helplessly addicted to murder. When detective-turned-P.I. Carolyn Mathers was left at the altar, she never once thought her fiancé had been turned into a vampire. Two years later, Gray reappears, bringing murder, mystery, and an unbelievable tale of Guardians, blood-thirsty Killers, and his own transformation with him. And he's been accused of murder. A first-rate P.I., Carolyn is determined to help. Gray won't allow what he is now to taint her -- but Carolyn vows to never let him go again. But will helping Gray mean becoming a creature of the night? At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

When detective-turned-P.I. Carolyn Mathers was left at the altar, she never once thought her fiancé Gray had been turned into a vampire. Two years later, Gray reappears, bringing murder, mystery, and an unbelievable tale of Guardians, blood-thirsty Killers, and his own transformation with him--and he's being accused of murder.

From the award-winning author of The Garden of Lost Secrets and The House of One Hundred Clocks, A.M. Howell, comes a gripping new adventure filled with buried secrets and dark lies, set against the evocative backdrop of the Edwardian era. MAY, 1910. As the blazing Halley's comet draws close to the earth, Nancy is uprooted to start a new life in Suffolk with a grandfather she has never met. With every curtain drawn shut, Nancy is forbidden from leaving her grandfather's house: no one must know that her or her mother are there. Yet, when Nancy discovers the house's secret observatory, she watches her mother and grandfather creep out every night... Where are they going? And why mustn't any of them be seen? As the mysteries pile up, Nancy has to bring dark secrets from the past to light - even if doing so will put her own life at risk.

Is life offering fewer and fewer options? Then join the dead. When Annelise meets dark and seductive Ronan, he promises her a new life-if she has the courage to chance the unknown. Now, she's whisked away to a mysterious island and pitted against other female recruits to become a Watcher-girls who are partnered with vampires and assist them in their missions. To survive and become a Watcher, Annelise has to beat out every other girl, but she's determined to do so, because to fail doesn't mean dishonor-it means death.

Bastian and Felix live a simple life, picking pockets and pulling cons on the streets of Westdock, dreaming of the chance to change their stars. But that's all turned upside down on Bastian's 16th birthday, when they are both torn from everything they know and love and thrown into an unexpected adventure that will change their world forever.

"A cohesive and complete system of witchcraft based on traditional sources, assembling and integrating key components from the past and present. Also offers practical instructions and a clear five-step process of empowerment for anyone who wants to walk the path of witchcraft"--

This is the most extensively annotated edition of Macbeth currently available, offering a thorough reconsideration of one of Shakespeare's most popular plays. A full and accessible introduction studies the immediate theatrical and political contexts of Macbeth's composition, especially the Gunpowder Plot and the contemporary account of an early performance at the Globe. It treats such celebrated issues as whether the Witches compel Macbeth to murder; whether Lady Macbeth is herself a witch; whether Banquo is Macbeth's accomplice in crime and what criticism is levelled against Macduff. An extensive, well-illustrated account of the play in performance examines several cinematic versions, such as those by Kurosawa and Roman Polanski, and other dramatic adaptations. Several possible new sources are suggested, and the presence of Thomas Middleton's writing in the play is proposed. Appendixes contain additional text and accompanying music.