This biologist’s “monumental cri de Coeur” for our planet offers a holistic view of our species, the waste we produce, and a path toward sustainability (Nature). In Wasted World, Rob Hengeveld traces the entwined histories of population growth and resource consumption to reveal how our global waste crises came about. As Hengeveld explains, human life depends on energy, which we first obtained through food. Later, we supplemented this with energy from water, wind, animals, and finally fossil fuels, as one source after another fell short of our ever-growing needs. Greater energy consumption has created greater waste, including the atmospheric waste that is driving climate change. As we face a web of interconnected problems, addressing them individually will not work. Instead, Hengeveld argues, we need to tackle their common cause: our staggering population growth. A practical look at the sustainability of our planet from a biologist and expert in the abundances and distributions of species, Wasted World examines the whole process of using, wasting, and exhausting energy and material resources. And by elucidating the complexity of the causes of our current global state, Hengeveld offers us a way forward.

Deals with the issues of global warming and climate change: What are the sickening secrets of gruesome greenhouse gases? Which is the deadliest toxic waste? Will the Earth make it to the year 2100? Find out in this book!

Discusses resource consumption, population growth, and waste in relation to humanity's impact on the planet.

All the Wasted Beauty of the World, a finalist for the 2012 Able Muse Book Award, extols the beautiful as readily as it expounds on the blemished. The reasoned commingles with the rambunctious, as in the case of the speaker who declares that “our lives span diaper to diaper,/ and in between we piss on anyone/ we can.” Little escapes notice in these poems of gutsy realism and formal deftness, which freely highlight the fringes of society-the speaker in “Bellefontaine Cemetery” exhorts teens to “party on people’s graves” and have “a few close shaves with county sheriffs,” the carcass of a Ford truck intrudes on a hiking trail’s gully, the homeless are lullabied to “find rest behind our dumpster/ . . . score a fifth of bourbon/ and find your stomach full.” Richard Newman brings us a collection that prods and soars with the grit and beauty of the real world. PRAISE FOR ALL THE WASTED BEAUTY OF THE WORLD: Richard Newman’s All the Wasted Beauty of the World is masterful and magnetic, from the “galaxy of gnats” hovering in the St. Louis twilight to the way a backwoods junkyard “gnaws on a pile of old Ford bones.” He sees a group of bored high school kids with “nothing to lose/ but stupid summer jobs and innocence,” and captures with perfect acuity how “September rain in streetlight/ silvers the cypress needles, scatters new dimes/ among the nuisance alley mulberry trees.” Newman’s poems, with their formal, lapidary precision, their indelible portraits of life in the cheap bars, back alleys, and rough-hewn edges of the Midwest, surprise a hunger in us for a language larger, wilder, and unabashedly loftier than daily speech. -George Bilgere, author of Imperial The poems in Richard Newman's remarkable third collection, All the Wasted Beauty of the World, are heady explorers. They roam from Lost Man Pass to Benton Park, from downtown St. Louis to Southern Indiana, all the while balancing gorgeous musicality with lyric originality. In the midst of the wandering, there is longing in these poems-for place, for order, for morning. There is urgency, too, and beauty, wasted and otherwise, in places we don't always expect it. Newman is a bold and masterful formalist in a free-verse world, and he uses sonnets, aubades, villanelles, and odes to reconcile the geographies of the interior and exterior. Again and again, this collection makes us recalibrate our true north and forces us to reconsider the world for all of the unpredictable places where we can find beauty. -Adrian Matejka, author of The Big Smoke Newman uses the power of recollection and imagery to craft odes, sonnets, villanelles, ballads, and free verse with titles like “Four Kids Pissing off the Overpass after a Cardinals Game.” Each poem calls our attention to a rough-and-tumble, everyday America we often drive past but overlook. All the Wasted Beauty of the World returns us to the real and, consequently, the new by putting on the brakes and asking us to look, if only briefly, beyond our rear-views. -Dorianne Laux, author of The Book of Men

Speaking out when it's unpopular. Back in the day, Henry David Thoreau raged at the robber barons-the big shots of their age, despoiling the environment in the name of progress. Deep in the throes of the seemingly unstoppable growth of tech, a modern-day Thoreau has emerged in the guise of Gerry McGovern-decrying the massive, hidden negative impacts of tech on the environment. McGovern has thoroughly documented in World Wide Waste how tech damages the Earth-and what we should be doing about it. It is not just the acres of discarded computer hardware conveniently dumped in Third World countries. Every time an email is downloaded it contributes to global warming. Every tweet, search, check of a webpage creates pollution. Digital is physical. Those data centers are not in the Cloud. They're on land in massive physical buildings packed full of computers hungry for energy. It seems invisible. It seems cheap and free. It's not. Digital costs the Earth.

The next revolution in business will provide for a sustainable future, from founder, CEO and circular economy expert Ron Gonen Our take-make-waste economy has cost consumers and taxpayers billions while cheating us out of a habitable planet. But it doesn’t have to be this way. The Waste-Free World makes a persuasive, forward-looking case for a circular economic model, a “closed-loop” system that wastes no natural resources. Entrepreneur, CEO and sustainability expert Ron Gonen argues that circularity is not only crucial for the planet but holds immense business opportunity. As the founder of an investment firm focused on the circular economy, Gonen reveals brilliant innovations emerging worldwide— “smart” packaging, robotics that optimize recycling, nutrient rich fabrics, technologies that convert food waste into energy for your home, and many more. Drawing on his experience in technology, business, and city government and interviews with leading entrepreneurs and top companies, he introduces a vital and growing movement. The Waste-Free World invites us all to take part in a sustainable and prosperous future where companies foster innovation, investors recognize long term value creation, and consumers can align their values with the products they buy.

Wasted is a riveting exploration of the complicated, and often surprising, ways that waste occurs in our businesses, our communities, and our lives “A smart, unconventional book that takes readers far beyond what they think they know about a complex subject.”—Kari Byron, former cast member of MythBusters Waste. We spend a great deal of energy trying to avoid it, but once you train your eyes to look for it, you’ll see it all around you—in your home, your business, and your everyday life. In Wasted, futurist Byron Reese and entrepreneur Scott Hoffman take readers on a fascinating journey through this modern world of waste, drawing on science, economics, and human behavior to envision what a world with far less of it—or none of it at all—might look like. Along the way, they explore thought-provoking issues such as • why the United States got a higher proportion of its energy from renewable sources in 1950 than it does today • whether the amount of gold in unused mobile phones can be extracted for profit • how switching to water fountains on a single route from Singapore to Newark could prevent the use of 3,400 plastic bottles—on each flight • whether the amount of money you save buying goods in bulk is offset by the amount you lose when some spoil. Ultimately, the question of reducing waste is scientific, philosophical, and, most of all, complex. According to Reese and Hoffman, the rush toward simple answers has often led to well-meaning efforts that cause more waste than they save. The only way we can hope to make progress is to treat waste as the complicated issue it is. While the authors don’t promise easy answers, in this compelling book they take an important step toward solutions by examining the questions at play, giving actionable steps, and ensuring that you’ll never see the world of waste the same way again.

The production of ‘human waste’ – or more precisely, wasted lives, the ‘superfluous’ populations of migrants, refugees and other outcasts – is an inevitable outcome of modernization. It is an unavoidable side-effect of economic progress and the quest for order which is characteristic of modernity. As long as large parts of the world remained wholly or partly unaffected by modernization, they were treated by modernizing societies as lands that were able to absorb the excess of population in the ‘developed countries’. Global solutions were sought, and temporarily found, to locally produced overpopulation problems. But as modernization has reached the furthest lands of the planet, ‘redundant population’ is produced everywhere and all localities have to bear the consequences of modernity’s global triumph. They are now confronted with the need to seek – in vain, it seems – local solutions to globally produced problems. The global spread of the modernity has given rise to growing quantities of human beings who are deprived of adequate means of survival, but the planet is fast running out of places to put them. Hence the new anxieties about ‘immigrants’ and ‘asylum seekers’ and the growing role played by diffuse ‘security fears’ on the contemporary political agenda. With characteristic brilliance, this new book by Zygmunt Bauman unravels the impact of this transformation on our contemporary culture and politics and shows that the problem of coping with ‘human waste’ provides a key for understanding some otherwise baffling features of our shared life, from the strategies of global domination to the most intimate aspects of human relationships.

A drug-fueled lesbian love triangle leads to murder in this New York Times–bestselling true crime—updated with shocking revelations and a second trial! In 1995, Austin, Texas was rocked by the brutal murder of Regina Hartwell. Even though Regina's body was burned beyond recognition, police had two suspects within days. One was the beautiful ex-cheerleader who was the object of Regina's desire. The other was a man who would take the fall for murder . . . In this new edition of her bestselling book Wasted, true crime master Suzy Spencer chronicles a fatal love triangle as three lives are driven out of control by sexual desire, drugs, and shocking childhood demons. Four years after Regina Hartwell's murder, a new charge was brought against one of her suspected killers. Now, Suzy Spencer adds a new chapter to Wasted—detailing a killer gone wild, a nerve-wracking legal standoff, the shocking twists that would take place in a second, explosive trial . . . Sixteen pages of shocking photos!

Poetry. ALL THE WASTED BEAUTY OF THE WORLD, a finalist for the 2012 Able Muse Book Award, extols the beautiful as readily as it expounds on the blemished. The reasoned commingles with the rambunctious, as in the case of the speaker who declares that "our lives span diaper to diaper, / and in between we piss on anyone / we can." Little escapes notice in these poems of gutsy realism and formal deftness, which freely highlight the fringes of society the speaker in "Bellefontaine Cemetery" exhorts teens to "party on people's graves" and have "a few close shaves with county sheriffs," the carcass of a Ford truck intrudes on a hiking trail's gully, the homeless are lullabied to "find rest behind our dumpster / . . . score a fifth of bourbon / and find your stomach full." Richard Newman brings us a collection that prods and soars with the grit and beauty of the real world. "Richard Newman's ALL THE WASTED BEAUTY OF THE WORLD is masterful and magnetic, from the 'galaxy of gnats' hovering in the St. Louis twilight to the way a backwoods junkyard 'gnaws on a pile of old Ford bones.' He sees a group of bored high school kids with 'nothing to lose / but stupid summer jobs and innocence, ' and captures with perfect acuity how 'September rain in streetlight / silvers the cypress needles, scatters new dimes / among the nuisance alley mulberry trees.' Newman's poems, with their formal, lapidary precision, their indelible portraits of life in the cheap bars, back alleys, and rough-hewn edges of the Midwest, surprise a hunger in us for a language larger, wilder, and unabashedly loftier than daily speech." George Bilgere "The poems in Richard Newman's remarkable third collection, ALL THE WASTED BEAUTY OF THE WORLD, are heady explorers. They roam from Lost Man Pass to Benton Park, from downtown St. Louis to Southern Indiana, all the while balancing gorgeous musicality with lyric originality. In the midst of the wandering, there is longing in these poems for place, for order, for morning. There is urgency, too, and beauty, wasted and otherwise, in places we don't always expect it. Newman is a bold and masterful formalist in a free-verse world, and he uses sonnets, aubades, villanelles, and odes to reconcile the geographies of the interior and exterior. Again and again, this collection makes us recalibrate our true north and forces us to reconsider the world for all of the unpredictable places where we can find beauty." Adrian Matejka "Newman uses the power of recollection and imagery to craft odes, sonnets, villanelles, ballads, and free verse with titles like 'Four Kids Pissing off the Overpass after a Cardinals Game.' Each poem calls our attention to a rough-and-tumble, everyday America we often drive past but overlook. ALL THE WASTED BEAUTY OF THE WORLD returns us to the real and, consequently, the new by putting on the brakes and asking us to look, if only briefly, beyond our rear- views." Dorianne Laux"