Social Transformations of the Victorian age. A survey of court and country. Original version 1897

The international "Atheist Bus Campaign" generated news coverage and controversy, and this volume is the first to systematically and thoroughly explore and analyze each manifestation of that campaign. It includes a chapter for each of the countries which enacted – or attempted to enact – localized versions of the original United Kingdom campaign which ran the slogan, "There’s Probably No God. Now Stop Worrying and Enjoy Your Life," prominently on public buses. Its novel focus, using a singular micro-level event as a prism for analysis, allows for cross-country comparison of legal and social reactions to each campaign, as well as an understanding of issues pertaining to the historical and contemporary status of religion and the regulation of nonreligion in various national settings. Contributors are Katie Aston, Nikolina Hazdovac Bajić, Lori G. Beaman, Spencer Culham Bullivant, Ryan T. Cragun, Leon Dempsey, Eduardo Dullo, Vanni Gasbarri, Magnus Hedelind, Casey P. Homan, William James Hoverd, Dinka Marinovic Jerolimov, Teuvo Laitila, Hanna Lehtinen, Marcus Mann, Javier Martinez-Torron, Björn Mastiaux, Paula Montero, Alan Nixon, Katja Strehle, Teemu Taira, Steven Tomlins, and Silvia Meseguer Velasco.

In this book, his own account of the crises that beset his country from 1990 to 1993, Yeltsin reveals how close he came to losing control, how he made his fatal mistakes and key choices, and how he regards his achievements, his opponents and his allies, and assesses what remains to be done.

The twelfth-century French poet Chrétien de Troyes is a major figure in European literature. His courtly romances fathered the Arthurian tradition and influenced countless other poets in England as well as on the continent. Yet because of the difficulty of capturing his swift-moving style in translation, English-speaking audiences are largely unfamiliar with the pleasures of reading his poems. Now, for the first time, an experienced translator of medieval verse who is himself a poet provides a translation of Chrétien’s major poem, Yvain, in verse that fully and satisfyingly captures the movement, the sense, and the spirit of the Old French original. Yvain is a courtly romance with a moral tenor; it is ironic and sometimes bawdy; the poetry is crisp and vivid. In addition, the psychological and the socio-historical perceptions of the poem are of profound literary and historical importance, for it evokes the emotions and the values of a flourishing, vibrant medieval past.