Warsaw Boy is the remarkable true story of a sixteen-year old boy soldier in war-torn Poland. Poland suffered terribly under the Nazis. By the end of the war six million had been killed: some were innocent civilians - half of them were Jews - but the rest died as a result of a ferocious guerrilla war the Poles had waged. On 1 August 1944 Andrew Borowiec, a fifteen-year-old volunteer in the Resistance, lobbed a grenade through the shattered window of a Warsaw apartment block onto some German soldiers running below. 'I felt I had come of age. I was a soldier and I'd just tried to kill some of our enemies'. The Warsaw Uprising lasted for 63 days: Himmler described it as 'the worst street fighting since Stalingrad'. Yet for the most part the insurgents were poorly equipped local men and teenagers - some of them were even younger than Andrew. Over that summer Andrew faced danger at every moment, both above and below ground as the Poles took to the city's sewers to creep beneath the German lines during lulls in the fierce counterattacks. Wounded in a fire fight the day after his sixteenth birthday and unable to face another visit to the sewers, he was captured as he lay in a makeshift cellar hospital wondering whether he was about to be shot or saved. Here he learned a lesson: there were decent Germans as well as bad. From one of the most harrowing episodes of the Second World War, this is an extraordinary tale of survival and defiance recounted by one of the few remaining veterans of Poland's bravest summer. Andrew Borowiec dedicates this book to all the Warsaw boys, 'especially those who never grew up'.

Warsaw Boy is the remarkable true story of a sixteen-year old boy soldier in war-torn Poland. Poland suffered terribly under the Nazis. By the end of the war six million had been killed: some were innocent civilians - half of them were Jews - but the rest died as a result of a ferocious guerrilla war the Poles had waged. On 1 August 1944 Andrew Borowiec, a fifteen-year-old volunteer in the Resistance, lobbed a grenade through the shattered window of a Warsaw apartment block onto some German soldiers running below. 'I felt I had come of age. I was a soldier and I'd just tried to kill some of our enemies'. The Warsaw Uprising lasted for 63 days: Himmler described it as 'the worst street fighting since Stalingrad'. Yet for the most part the insurgents were poorly equipped local men and teenagers - some of them were even younger than Andrew. Over that summer Andrew faced danger at every moment, both above and below ground as the Poles took to the city's sewers to creep beneath the German lines during lulls in the fierce counterattacks. Wounded in a fire fight the day after his sixteenth birthday and unable to face another visit to the sewers, he was captured as he lay in a makeshift cellar hospital wondering whether he was about to be shot or saved. Here he learned a lesson: there were decent Germans as well as bad. From one of the most harrowing episodes of the Second World War, this is an extraordinary tale of survival and defiance recounted by one of the few remaining veterans of Poland's bravest summer. Andrew Borowiec dedicates this book to all the Warsaw boys, 'especially those who never grew up'. Andrew Borowiec was born at Lodz in Poland in 1928. At fifteen he joined the Home Army, the main Polish resistance during the Second World War, and fought in the ill-fated Warsaw Uprising. After the war he left Poland and attended Columbia University's Graduate School of Journalism. He lives in Cyprus with his English wife Juliet.

A cobblestone road. A sunny day. A soldier. A gun. A child, arms high in the air. A moment captured on film. But what is the history behind arguably the most recognizable photograph of the Holocaust? In The Boy: A Holocaust Story, the historian Dan Porat unpacks this split second that was immortalized on film and unravels the stories of the individuals—both Jews and Nazis—associated with it. The Boy presents the stories of three Nazi criminals, ranging in status from SS sergeant to low-ranking SS officer to SS general. It is also the story of two Jewish victims, a teenage girl and a young boy, who encounter these Nazis in Warsaw in the spring of 1943. The book is remarkable in its scope, picking up the lives of these participants in the years preceding World War I and following them to their deaths. One of the Nazis managed to stay at large for twenty-two years. One of the survivors lived long enough to lose a son in the Yom Kippur War. Nearly sixty photographs dispersed throughout help narrate these five lives. And, in keeping with the emotional immediacy of those photographs, Porat has deliberately used a narrative style that, drawing upon extensive research, experience, and oral interviews, places the reader in the middle of unfolding events.

The story of Mika, a Jewish boy, who becomes a puppeteer in the Warsaw ghetto - a stunning debut for fans of The Tattooist of Auschwitz, The Boy with the Striped Pyjamas and Schindler's List I was twelve when the coat was made. Nathan, our tailor and dear friend, cut it for Grandfather in the first week of March 1938. It was the last week of freedom for Warsaw and for us... Even in the most difficult of lives, there is hope. And sometimes that hope comes in the form of a small boy, armed with a troupe of puppets - a prince, a girl, a fool, a crocodile with half-painted teeth.... When Mika's grandfather dies in the Warsaw ghetto, he inherits not only his great coat, but its treasure trove of secrets. In one remote pocket, he finds a papier mache head, a scrap of cloth...the prince. And what better way to cheer the cousin who has lost her father, the little boy who his ill, the neighbours living in one cramped room, than a puppet show? Soon the whole ghetto is talking about the puppet boy - until the day when Mika is stopped by a German officer and is forced into a secret life... This is a story about survival. It is an epic journey, spanning continents and generations, from Warsaw to the gulags of Siberia, and two lives that intertwine amid the chaos of war. Because even in wartime, there is hope...

The photographs of the unknown Warsaw Ghetto little boy and the well-known Anne Frank became famous documents worldwide, representing the Holocaust. Many artists adopted them as a source of inspiration to express their feelings and ideas about Holocaust events in general and to deal with the fate of these two victims in particular. Moreover, the artists emphasized the uniqueness of both children, but at the same time used their image to convey social and political messages. By using images of these children, the artists both evoke our attention and sympathy and our anger against the Nazis’ crime of killing one and a half million Jewish children in the Holocaust. Because they represent different sexes, and different aspects - Western and Eastern Jewry - of Holocaust experience, artists used them in many contexts. This book will complete the lack of comprehensive research referring to the visual representations of these children in artworks.

This is a story of the Warsaw Ghetto told through the eyes of Froim Baum, who was born in Warsaw on April 15, 1926. After his father died, he was placed in Janusz Korczak's orphanage, where he spent some of the happiest years of his childhood. When Germany invaded Poland on September 1, 1939, Froim and other Jews were forced by Nazi soldiers to live in a walled-off part of the city. Froim sneaked outside the walls to the market, where he bought food and smuggled it in to his family and friends. A few years later, he was sent to the death camps. He managed to survive until he was liberated at dachau by American soldiers at the end of the war. Mr. Adler hopes that by reading Froim's story, people will be reminded of those millions who perished.

On the eve of Passover, April 19, 1943, Jews in the Warsaw Ghetto staged a now legendary revolt against their Nazi oppressors. Since that day, the deprivation and despair of life in the ghetto and the dramatic uprising of its inhabitants have captured the American cultural imagination. The Warsaw Ghetto in American Art and Culture looks at how this place and its story have been remembered in fine art, film, television, radio, theater, fiction, poetry, and comics. Samantha Baskind explores seventy years’ worth of artistic representations of the ghetto and revolt to understand why they became and remain touchstones in the American mind. Her study includes iconic works such as Leon Uris’s best-selling novel Mila 18, Roman Polanski’s Academy Award–winning film The Pianist, and Rod Serling’s teleplay In the Presence of Mine Enemies, as well as accounts in the American Jewish Yearbook and the New York Times, the art of Samuel Bak and Arthur Szyk, and the poetry of Yala Korwin and Charles Reznikoff. In probing these works, Baskind pursues key questions of Jewish identity: What links artistic representations of the ghetto to the Jewish diaspora? How is art politicized or depoliticized? Why have Americans made such a strong cultural claim on the uprising? Vibrantly illustrated and vividly told, The Warsaw Ghetto in American Art and Culture shows the importance of the ghetto as a site of memory and creative struggle and reveals how this seminal event and locale served as a staging ground for the forging of Jewish American identity.

Inspired by true events, David Safier's 28 Days: A Novel of Resistance in the Warsaw Ghetto is a harrowing historical YA that chronicles the brutality of the Holocaust. Warsaw, 1942. Sixteen-year old Mira smuggles food into the Ghetto to keep herself and her family alive. When she discovers that the entire Ghetto is to be "liquidated"—killed or "resettled" to concentration camps—she desperately tries to find a way to save her family. She meets a group of young people who are planning the unthinkable: an uprising against the occupying forces. Mira joins the resistance fighters who, with minimal supplies and weapons, end up holding out for twenty-eight days, longer than anyone had thought possible.

An ALA Notable Book. A Day of Pleasure is the winner of the 1970 National Book Award for Children's Books.

Winner of the EBRD Literature Prize awarded by the European Bank for Reconstruction and Development. A city ignited by hate. A man in thrall to power. The ferociously original award-winning bestseller by Poland's literary phenomenon--his first to be translated into English. It's 1937. Poland is about to catch fire. In the boxing ring, Jakub Szapiro commands respect, revered as a hero by the Jewish community. Outside, he instills fear as he muscles through Warsaw as enforcer for a powerful crime lord. Murder and intimidation have their rewards. He revels in luxury, spends lavishly, and indulges in all the pleasures that barbarity offers. For a man battling to be king of the underworld, life is good. Especially when it's a frightening time to be alive. Hitler is rising. Fascism is escalating. As a specter of violence hangs over Poland like a black cloud, its marginalized and vilified Jewish population hopes for a promise of sanctuary in Palestine. Jakub isn't blind to the changing tide. What's unimaginable to him is abandoning the city he feels destined to rule. With the raging instincts that guide him in the ring and on the streets, Jakub feels untouchable. He must maintain the order he knows--even as a new world order threatens to consume him.