Annotation Julie Mertus contends that attempts by humanitarian groups to provide assistance and protection for women will fall short unless they enlist the same women as major actors in such efforts. Case studies from Bosnia, Kosovo and Afghanistan describe experiences in tackling gender issues in humanitarian organizations and in situations of conflict. Mertus goes on to show how international human rights law has begun to address gender-based violence and how agencies can make use of these developments.

Inspired by a conference held at Northeastern University on the topic of Women, War, and Violence, editors Robin M. Chandler, Lihua Wang, and Linda K. Fuller bring together research and real-life stories from twenty-one international contributors who document gender involvement from victims to valiant in wartime and activism.

Where are the women? In traditional historical and scholarly accounts of the making and fighting of wars, women are often nowhere to be seen. With few exceptions, war stories are told as if men were the only ones who plan, fight, are injured by, and negotiate ends to wars. As the pages of this book tell, though, those accounts are far from complete. Women can be found at every turn in the (gendered) phenomena of war. Women have participated in the making, fighting, and concluding of wars throughout history, and their participation is only increasing at the turn of the 21st century. Women experience war in multiple ways: as soldiers, as fighters, as civilians, as caregivers, as sex workers, as sexual slaves, refugees and internally displaced persons, as anti-war activists, as community peace-builders, and more. This book at once provides a glimpse into where women are in war, and gives readers the tools to understood women’s (told and untold) war experiences in the greater context of the gendered nature of global social and political life.

Essays analyze the two world wars in respect to gender politics and reassesses the differences between men and women in relation to war

Rwanda and Bosnia both experienced mass violence in the early 1990s. Less than ten years later, Rwandans surprisingly elected the world's highest level of women to parliament. In Bosnia, women launched thousands of community organizations that became spaces for informal political participation. The political mobilization of women in both countries complicates the popular image of women as merely the victims and spoils of war. Through a close examination of these cases, Marie E. Berry unpacks the puzzling relationship between war and women's political mobilization. Drawing from over 260 interviews with women in both countries, she argues that war can reconfigure gendered power relations by precipitating demographic, economic, and cultural shifts. In the aftermath, however, many of the gains women made were set back. This book offers an entirely new view of women and war and includes concrete suggestions for policy makers, development organizations, and activists supporting women's rights.

Discover eight remarkable women war photographers who have documented harrowing and unforgettable crises and combat around the world for the past eighty years. Women have been on the front lines of war for more than a century. With access to places men cannot go, the women who photograph war lend a unique perspective to the consequences of conflict. From intimate glimpses of daily life to the atrocities of war, this exhibition catalog reveals the range and depth of eight women photographers' contributions to wartime photojournalism. Each photographer is introduced by a brief, informative essay followed by reproductions of a selection of their works. Included here are images by Lee Miller, who documented the liberation of Dachau and Buchenwald. The first woman journalist to parachute into Vietnam, Catherine Leroy was on the ground during the Tet Offensive. Susan Meiselas raised international awareness around the Somoza regime's catastrophic effects in Nicaragua. German reporter Anja Niedringhaus worked on assignment in nearly every major conflict of the 1990s, from the Balkans to Libya, Iraq to Afghanistan. The work of Carolyn Cole, Françoise Demulder, Christine Spengler, and Gerda Taro round out this collective profile of courage under pressure and of humanity in the face of war.

Since the 1970s, when the dominance of military histories of the World Wars ended, and social historical histories of conflict rose to prominence, women have come to play an increasingly important role in mainstream stories about the Second World War. Although this is undeniably a valuable development, the perspectives on women that arose have in many respects remained limiting – although in new ways. Women have been portrayed as carers, as victims (notably of sexual violence), but rarely as agents of their own fate. This volume focuses on this last group. In spite of the undeniable suffering and victimization that befell so many women during the war, for others the war also opened opportunities and awakened ambitions. The articles in this volume, which cover both Europe and Asia, bring together some of the women who took initiatives, of which they sometimes suffered the dire consequences, sometimes enjoyed the fruits.

"An extremely important book. The author, a major figure in 20th century international intellectual debates, dares to enter the discourses of war and politics, nationalism and gender, from a specifically internationalist feminist position."—Jane Marcus, author of Art and Anger: Reading like a Woman "To the canonical list of Crane, Sassoon, Remarque, and Malraux, we now must add Khalifa, Talib, and Nasrallah. These and other Arab women writers, Miriam Cooke reveals, have used their literary crafts to upset and destabilize the oddly comfortable codified 'War Story.' Cooke is a wonderful guide into their radically alternative visions of war and of the nation in whose name war is waged."—Cynthia Enloe