A history of the numerous attempts of European invaders to conquer North America details the successful efforts of the Native American peoples to repel these invasions

"Nephew of Sitting Bull, chief of the Sioux, Pte San Hunka (White Bull) was a famous warrior in his own right. ... On the afternoon of June 25, 1876, five troops of the U.S. Seventh Cavalry under the command of George Armstrong Custer rode into the valley of Little Big Horn River, confidently expecting to rout the Indian encampments there. Instea, the cavalry met the gathered strength of Sioux and Cheyenne warriors, who did not run as expected but turned the battle toward the soldiers. White Bull charged again and again, fighting until the last soldier was dead. The battle was Custer's Last Stand, and White Bull was later referred to as the warrior who killed Custer. In 1932 White Bull related his life story to Stanley Vestal, who corroborated the details from other sources and prepared this biography."--

From the team's meager beginning as the Dallas Texans in the fledgling American Football League in the sixties, through the ups and downs of the seventies and eighties, to the rebirth of their winning ways in the nineties, Warpaths: The Illustrated History of the Kansas City Chiefs follows one of the NFL's most popular teams through victories, setbacks, and struggles for respect.

'He combines personal experiences with professional observations in a way that makes this sterling book an engrossing blend of anecdotal reminiscence and analytical reflection-Like all good writers of good history, Keegan distils the complex into the essence. He describes the contours of the American land which caused one force to succeed and the other to succumb. And he profiles the leaders who hesitated fatally. And all the while, he chats about the nature of war, casually passing on one arresting observation after another. ' Daily TelegraphMilitary history and geography explain each other in North America as nowhere else in the world. Award-winning historian John Keegan explores their relationship and examines the battles fought over three centuries between Frenchman and Indian, Royalist and colonist, Union and Confederacy.'Keegan visits all the battle sites in turn and brings them to life with the evocative prose that his admirers will remember from The Face of Battle-This opus is a labour of love.' Mail on Sunday

In May 1776 more than two hundred Indian warriors descended the St. Lawrence River to attack Continental forces at the Cedars, west of Montreal. In just three days’ fighting, the Native Americans and their British and Canadian allies forced the American fort to surrender and ambushed a fatally delayed relief column. In Down the Warpath to the Cedars, author Mark R. Anderson flips the usual perspective on this early engagement and focuses on its Native participants—their motivations, battlefield conduct, and the event’s impact in their world. In this way, Anderson’s work establishes and explains Native Americans’ centrality in the Revolutionary War’s northern theater. Anderson’s dramatic, deftly written narrative encompasses decisive diplomatic encounters, political intrigue, and scenes of brutal violence but is rooted in deep archival research and ethnohistorical scholarship. It sheds new light on the alleged massacre and atrocities that other accounts typically focus on. At the same time, Anderson traces the aftermath for Indian captives and military hostages, as well as the political impact of the Cedars reaching all the way to the Declaration of Independence. The action at the Cedars emerges here as a watershed moment, when Indian neutrality frayed to the point that hundreds of northern warriors entered the fight between crown and colonies. Adroitly interweaving the stories of diverse characters—chiefs, officials, agents, soldiers, and warriors—Down the Warpath to the Cedars produces a complex picture, and a definitive account, of the Revolutionary War’s first Indian battles, an account that significantly expands our historical understanding of the northern theater of the American Revolution.

Legendary mountain man Smoke Jensen hits the vengeance trail after an old friend's family is massacred.

“The red man’s on the warpath! The time has come for him to dig up the hatchet and join his paleface brother in his fight to make the world safe for the sacred cause of freedom and democracy.” -- Winnipeg Free Press, May 1941 During the Second World War, thousands of First Nations people joined in the national crusade to defend freedom and democracy. High rates of Native enlistment and public demonstrations of patriotism encouraged Canadians to re-examine the roles and status of Native people in Canadian society. The Red Man’s on the Warpath explores how wartime symbolism and imagery propelled the “Indian problem” onto the national agenda, and why assimilation remained the goal of post-war Canadian Indian policy – even though the war required that it be rationalized in new ways. The word “Indian” conjured up a complex framework of visual imagery, stereotypes, and assumptions that enabled English Canadians to explain the place of First Nations people in the national story. Sheffield examines how First Nations people were discussed in both the administrative and public realms. Drawing upon an impressive array of archival records, newspapers, and popular magazines, he tracks continuities and changes in the image of the “Indian” before, during, and immediately after the Second World War. Informed by current academic debates and theoretical perspectives, this book will interest scholars in the fields of Native-Newcomer and race relations, war and society, communications studies, and post-Confederation Canadian history. Sheffield’s lively style makes it accessible to a broader readership.

A biography of the Apache Indian chief who led one of the last great Indian uprisings in the nineteenth century.

The Austrian artist Ines Doujak presents her highly unusual fashion collections. Citing and at the same time calling into question the glamour of the fashion world, Doujak's works are characterized both by their determined criticism and their beauty. The artist brings into play the exploitative structures and the gender and class order hardwired into haute couture and the garment industry and deliberately blurs the demarcation line separating fashion statement and art. The focus is on textile workers burnt to death in their factories, on total exhaustion as the lot of men and women in the low-wage sector, on dirty secrets, animal and human skins, Carnival and masquerade, drugs, war and the devil himself. Motifs and themes are directly inscribed on the textiles as carrier material. Fabrics, patterns, garments and accessories as well as texts, publications, objects, videos, dance interludes and pieces of music deal with the links between fashion, colonialism and globalized relations of production. Exhibition: Württembergische Kunstverein, Stuttgart, Germany (15.10.2016 - 15.01.2017) / Lentos Kunstmuseum, Linz, Austria (2.2. - 21.5.2018).

This book explores how wartime symbolism and imagery propelled the “Indian problem” onto the national agenda, and why assimilation remained the goal of post-war Canadian Indian policy – even though the war required that it be rationalized in new ways.