Ward Hall ran across town and joined the circus for a part time gig in 1944 when he was a "kid" living in Colorado. A year later, as a 15 year old 10th grade dropout, he ran away for good, joining the Dailey Bros. Circus. He never looked back. By 16 he was performing in a sideshow and by age 21, he owned a sideshow! Today, 70 years later and countless circus and side show, vaudeville and burlesque house performances under his belt, Ward Hall is still in the business. Ward has worked with a monkey girl, a half-lady/half man, numerous fat men, countless sword swallowers, fire eaters, several giants, big snakes, big rats and little horses. He has mastered juggling, ventriloquism and the art of enticing thousands of curious onlookers to part with their money and go inside the tent of his world-famous sideshows. Ward has owned and operated sideshows, animal shows, magic shows, and illusion shows with such fashionable names as Magic on Parade; Wondercade: Aquarama water circus; Gladiators vs. Mankillers wild animal show; World Attractions; Sky High Circus; the Wonder Circus; the Pygmy Village; and the World of Wonders. He has exhibited the World's smallest woman, the World's tallest giant, and employed Pete Terhune, the mighty fire-eating dwarf for 55 years. In addition to owning or co-owning sideshows and circuses during his career, Ward has written four books, four musical stage productions, been in seven movies and more than 100 videos and TV specials, performed at Madison Square Garden and the Lincoln Center in New York City and has sung at Carnegie Hall. He is in the Hall of Fame of both the Outdoor Amusement Business Assoc. and the International Independent Showmen's Assoc. and is a member of the prestigious Circus Ring of Fame in Sarasota, Fla. Ward is the only person in all three of those halls of honor. Ward has operated the sideshow for many big time circuses, including: Ringling Bros. and Barnum & Bailey Circus, the Toby Tyler Circus, the Al G. Miller Circus, Circus Vargas (where he was part owner of the circus for a while), Beatty Cole, and the E.K. Fernandez Circus. Ward Hall's title of King of the Sideshows is not a new or recent act of coronation, and as the ruler of his own little world of misfits and human anomalies, Ward's title isn't self-awarded, but is a judgment rendered by his peers. The year 2014 is the King's 70th year anniversary in show business. This is his story.

As the world's only publication devoted to sideshow, James Taylor's Shocked and Amazed! On & Off the Midway is chock-full of carnival and circus midway madness and mayhem. Hear the truth behind this uniquely American art form from the lips of the human marvels themselves! Shocked and Amazed! invites you to explore and satisfy your curiosity for the strange, the weird, the bizarre, the odd and the unusual.Witness never-before-seen photographs from the personal collections of sideshow superstars from yesteryear! Marvel at the sideshow stories presented personally for your pleasure by sideshow performers! Thrill to these titillating tales of laughter and woe on the sawdust trail from the likes of: Frank Lentini, who could kick a football the length of the midway with his third leg; Melvin Burkhart, the Human Blockhead who could pound six-inch spikes into his head; Harold Huge, the sideshow fat man who needs "Six Gals to Hug Him, and a Boxcar to Lug Him"; Percilla the Monkey Girl and her husband, Emmitt the Alligator Skin Man; Bill Durks, the Man with Three Eyes and many, many more. (7 x 10, 288 pages, b&w photos)

A fascinating look into the history of the American sideshow and its performers. Learn what's real, what's fake, and what's just downright bizarre. You've probably heard of Tom Thumb. The Elephant Man. Perhaps even Chang and Eng, the original Siamese twins. But what about Eli Bowen, the legless acrobat? Or Prince Randian, the human torso? These were just a few of the many stars that shone during the heyday of the American sideshow, from 1840 to 1950. American Sideshow chronicles the lives of truly amazing performers, examining these brave and extraordinary curiosities not just as sideshow performers but as people, delving into the lives they led and the ways they were able to triumph over and even benefit from their abnormalities. American Sideshow discusses the rise and fall of the original sideshows and their subsequent replacement by today's self-made freaks. With the progress of modern medicine, technological advancements, and the wonderful world of body modification, abnormalities are being overcome, treated and even prevented: Siamese twins can now be separated, and in addition to this, tongues can be forked, horns surgically implanted, and earlobes removed. There are also, of course, modern-day giants, fire eaters, sword swallowers, glass eaters, human blockheads, and oh, so much more. These fascinating personalities are celebrated through intimate biographies paired with stunning photographs. Approximately two hundred performers from the past one hundred and sixty years are featured, giving readers a comprehensive and sometimes astonishing look into the history of the American sideshow

Society has long been fascinated with the freakish, shocking and strange. In this book Gary Cross shows how freakish elements have been embedded in modern popular culture over the course of the 20th century despite the evident disenchantment with this once widespread cultural outlet. Exploring how the spectacle of freakishness conflicted with genteel culture, he shows how the condemnation of the freak show by middle-class America led to a transformation and merging of genteel and freak culture through the cute, the camp and the creepy. Though the carnival and circus freak was marginalised by the 1960s and had largely disappeared by the 1980s, forms of freakish culture survived and today appear in reality TV, horror movies, dark comedies and the popularity of tattoos. Freak Show Legacies will focus less on the individual 'freak' as 'the other' in society, and more on the audience for the freakish and the transformation of wonder, sensibility and sensitivity that this phenomenon entailed. It will use the phenomenon of 'the freak' to understand the transformation of American popular culture across the 20th century, identify elements of 'the freak' in popular culture both past and present, and ask how it has prevailed despite its apparent unpopularity.

When the great fire of 1835 burns New York City's downtown, Archie Prescott thinks he's lost everything. In the midst of ancient magic and a crafty demon-god, Archie soon finds himself with the power to save the world--or drown it in sacrificial blood.

Soon to be a major motion picture from Academy Award–winning director Guillermo del Toro and starring Bradley Cooper, Cate Blanchett, Rooney Mara, and Toni Collette. Nightmare Alley begins with an extraordinary description of a carnival-show geek—alcoholic and abject and the object of the voyeuristic crowd’s gleeful disgust and derision—going about his work at a county fair. Young Stan Carlisle is working as a carny, and he wonders how a man could fall so low. There’s no way in hell, he vows, that anything like that will ever happen to him. And since Stan is clever and ambitious and not without a useful streak of ruthlessness, soon enough he’s going places. Onstage he plays the mentalist with a cute assistant (before long his harried wife), then he graduates to full-blown spiritualist, catering to the needs of the rich and gullible in their well-upholstered homes. It looks like the world is Stan’s for the taking. At least for now.

A graphic biography of the real-life sideshow performer who inspired Zippy the Pinhead: “An uplifting, wonderfully humane book.” —The New York Times From Coney Island and the Ringling Bros. Circus to small-town carnivals and big-city sideshows, Nobody’s Fool follows the long, legendary career of Schlitzie, today best known for his appearance in the cult classic film Freaks, the making of which is a centerpiece of the story. In researching Schlitzie’s life, Griffith has tracked down primary sources and archives throughout the country, conducting interviews with those who worked with him and had intimate knowledge of his personality, his likes and dislikes, how he responded to being a sideshow “freak,” and much more. This graphic biography provides never-before-revealed details of his life, offering a unique look into his world and contributions to popular culture, including the immortal phrase “Are we having fun yet?” “Virtuoso comic-strip artist Bill Griffith gives voice to a true outcast—the sideshow attraction born Simon Metz (probably) in the Bronx (probably) in 1901.” —The New York Times “The underlying message of Nobody’s Fool? I get it—underneath our grandiose opinions of ourselves we’re all pinheads and freaks . . . The best graphic novel of the year.” —R. Crumb “A captivating labor of love that integrates American sideshow history and autobiographical segments . . . an astonishing life, beautifully told. Or, as Schlitzie would say, it’s boffo!” —Booklist (starred review) “A masterpiece of absurdity and humanity. After all these years Schlitzie still triggers laughter and tears.” —Steve Heller, Print

A breathtaking survey of 20 years of fashion designs by Martin Margiela Timed to coincide with a major exhibition, this volume revisits the years during which celebrated designer Martin Margiela achieved the status as one of the most important designers at work today. One of the "Antwerp group of six" who changed the face of contemporary fashion, Margiela created 41 runway shows between 1989 and 2009 which promoted a unique vision of understated luxury -- monochromes, oversize volumes, and his signature "constructed-deconstructed" cuts - whose credo is comfort, timelessness, sensuality, and authenticity. Famously reclusive, Margiela never showed his face even at his own shows in order that the work could stand purely on its own, free from any link to celebrity or self-promotion. This volume chronicles these amazing fashion shows in careful detail: the extraordinary spaces, the music, the designer's intentions, the iconic pieces. Over the years, recurring motifs and inspirations become more apparent including anonymity, whiteness, past and anteriority, diversion. The book reveals the sensitive, poetic and incredibly innovative universe of this most influential contemporary fashion designer.

Part memoir, part cultural history, part linguistic exploration, The Secret History of Carnival Talk traces the evolution of this curious manner of speech from its origins on the midway to its use by wrestlers, rappers and children at play. The text is accompanied by 30 fascinating photographs of a Depression-era travelling carnival, taken by the author's grandfather.