Epigrammatic and bitterly satirical verses by the well-known English poet convey the shocking brutality and pointlessness of World War I. Includes "Counter-Attack," "They," "The General," "Base Details," and other poems.

Though Siegfried Sassoon would argue the point throughout his life, most critics regard his war poetry, written during World War I, as the best of his writings. Like many of his artistic contemporaries, Sassoon embraced the "Great War for Civilization" with great fervor, and it was this passion that he brought to his earliest writings about the war. "Absolution," his first war poem, published in 1915, summed up his feelings: "fighting for our freedom, we are free." Fighting on the frontlines, Sassoon soon came to the conviction that his war for civilization was anything but civilized. And thus his writings took on a new tone, courageously denouncing a conflict that was no longer about "defense and liberation" but was for "aggression and conquest." Through primary documents and extensive research, the current work provides critical analyses of Sassoon's war poetry. Detailed examinations of each of the so-called trench poems show how the poet and his poetry were transformed through his wartime experiences and give the rationale for the critical consensus that the Sassoon canon is among the most significant in the literature of modern warfare.

“The very content of Owen’s poems was, and still is, pertinent to the feelings of young men facing death and the terrors of war.” —The New York Times Book Review Wilfred Owen was twenty-two when he enlisted in the Artists’ Rifle Corps during World War I. By the time Owen was killed at the age of 25 at the Battle of Sambre, he had written what are considered the most important British poems of WWI. This definitive edition is based on manuscripts of Owen’s papers in the British Museum and other archives.

The complete edition of Wilfred Owen's, War Poems and Others. " What passing-bells for those who die as castle? — Only the monstrous anger of the guns.'' This edition contains all Wilfred Owen's war poetry with an Introduction and Notes on Owen as a poet by Dominic Hibberd. It also includes an Historical Introduction & Study Guide written for Australian students by William Hovey, formerly History Co-ordinator at Santa Sabina College, Strathfield NSW. Mr Hovey provides an Historical Introduction to the western front and relates Owen's poetry to the Australian troops in the trenches and to the factors that motivated them to enlist. The Study Guide has a full list of books and other resources relevant to the study of the Australian experience of World War One and a selection of assignments and activities for student use.

A selection of poetry written during World War I. In the introduction Jon Silkin traces the changing mood of the poets - from patriotism through anger and compassion to an active desire for social change. The book includes work by Sassoon, Owen, Blunden, Rosenberg, Hardy and Lawrence.

The life of Siegfried Sassoon has been recorded and interpreted in literature and film for over half a century. He is one of the great figures of the First World War, and Memoirs of a Fox-Hunting Man and Memoirs of an Infantry Officer are still widely read, as are his poems, which did much to shape our present ideas about the Great War. Sassoon was a genuine hero, a brave young officer who also became the war's most famous opponent, risking imprisonment and even a death sentence by throwing his Military Cross into the Mersey. He was friend to Robert Graves, mentor to Wilfred Owen and much admired by Churchill. But Sassoon was more than the embodiment of a romantic ideal; he was in many senses the perfect product of a vanished age. And many questions about his character, unique experience and motivations have remained unanswered until now. Siegfried Sassoon’s life has been recorded and interpreted in literature and film for over half a century. But this poet, First World War hero, friend to Robert Graves and mentor to Wilfred Owen, was more than the embodiment of a romantic ideal. Passionately involved with the aristocratic aesthete Stephen Tennant, married abruptly to the beautiful Hester Gatty, estranged, isolated, and a late Catholic convert, his private story has never before been told in such depth. Egremont discovers a man born in a vanished age, unhappy with his homosexuality and the modernist revolution that appeared to threaten the survival of his work, and engaged in an enduring personal battle between idealism and the world in which he moved. Shortlisted for the 2005 James Tait Black Memorial Prize for Autobiography