Berkeley, California, was the bellwether of the political, social, and cultural upheaval that made the 1960s a unique period of American history--a time when the top-down methods of a conservative establishment collided head-on with the bottom-up, grass-roots ethos of the civil rights movement and an increasingly well-educated and individualistic middle class. W.J. Rorabaugh, who attended the graduate school of the University of California at Berkeley in the early 1970s, presents a lively and informative account of the events that overtook and changed forever what had once been a quiet, conservative white suburb. The rise of the Free Speech Movement, which gave a voice to disfranchised students; the growth and increasing militance of a black community struggling to end segregation; the emergence of radicalism and the anti-war movement; the blossoming of "hippie" culture, with its scorn for materialism and enthusiasm for experimentation with everything from sex and drugs to Eastern philosophies; the beginnings of modern-day feminism and environmentalism--and how all of these coalesced in the explosive conflict over People's Park--are traced in a meticulously researched and authoritative narrative. At issue was the question of power, and the struggle between the establishment and the powerless led to developments that the advocates of a freer society could scarcely have foreseen: Ronald Reagan, elected governor of California in reaction to the events at Berkeley, and Edwin H. Meese III, who battled against the student movement and People's Park, rose to national power in the 1980s (without, however, gaining any popularity in Berkeley, where Walter Mondale won 83 percent of the vote in 1984). An invaluable account of its time and place, this book anchors the '60s in American history, both before and since that colorful decade.

A definitive account of the turbulent 1960s, "America Divided" presents the most sophisticated understanding to date of all sides of the decade's many political, social, and cultural conflicts. 45 photos.

Here is a panoramic history of America from 1954 to 1973, ranging from the buoyant teen-age rebellion first captured by rock and roll, to the drawn-out and dispiriting endgame of Watergate. In America's Uncivil Wars, Mark Hamilton Lytle illuminates the great social, cultural, and political upheavals of the era. He begins his chronicle surprisingly early, in the late '50s and early '60s, when A-bomb protests and books ranging from Catcher in the Rye to Silent Spring and The Feminine Mystique challenged attitudes towards sexuality and the military-industrial complex. As baby boomers went off to college, drug use increased, women won more social freedom, and the widespread availability of birth control pills eased inhibitions against premarital sex. Lytle describes how in 1967 these isolated trends began to merge into the mainstream of American life. The counterculture spread across the nation, Black Power dominated the struggle for racial equality, and political activists mobilized vast numbers of dissidents against the war. It all came to a head in 1968, with the deepening morass of the war, the assassinations of Robert Kennedy and Martin Luther King, Jr., race riots, widespread campus unrest, the violence at the Democratic convention in Chicago, and the election of Richard Nixon. By then, not only did Americans divide over race, class, and gender, but also over matters as simple as the length of a boy's hair or of a girl's skirt. Only in the aftermath of Watergate did the uncivil wars finally crawl to an end, leaving in their wake a new elite that better reflected the nation's social and cultural diversity. Blending a fast-paced narration with broad cultural analysis, America's Uncivil Wars offers an invigorating portrait of the most tumultuous and exciting time in modern American history.

As the Cold War between the United States and the Soviet Union escalated in the 1950s and 1960s, the federal government directed billions of dollars to American universities to promote higher enrollments, studies of foreign languages and cultures, and, especially, scientific research. In Cold War University, Matthew Levin traces the paradox that developed: higher education became increasingly enmeshed in the Cold War struggle even as university campuses became centers of opposition to Cold War policies. The partnerships between the federal government and major research universities sparked a campus backlash that provided the foundation, Levin argues, for much of the student dissent that followed. At the University of Wisconsin in Madison, one of the hubs of student political activism in the 1950s and 1960s, the protests reached their flashpoint with the 1967 demonstrations against campus recruiters from Dow Chemical, the manufacturers of napalm. Levin documents the development of student political organizations in Madison in the 1950s and the emergence of a mass movement in the decade that followed, adding texture to the history of national youth protests of the time. He shows how the University of Wisconsin tolerated political dissent even at the height of McCarthyism, an era named for Wisconsin's own virulently anti-Communist senator, and charts the emergence of an intellectual community of students and professors that encouraged new directions in radical politics. Some of the events in Madison—especially the 1966 draft protests, the 1967 sit-in against Dow Chemical, and the 1970 Sterling Hall bombing—have become part of the fabric of "The Sixties," touchstones in an era that continues to resonate in contemporary culture and politics.

An examination of the political and cultural dynamism of the Republic of Vietnam until its collapse on April 30, 1975.

This collection of original essays represents some of the most exciting ways in which historians are beginning to paint the 1960s onto the larger canvas of American history. While the first literature about this turbulent period was written largely by participants, many of the contributors to this volume are young scholars who came of age intellectually in the 1970s and 1980s and thus write from fresh perspectives. The essayists ask fundamental questions about how much America really changed in the 1960s and why certain changes took place. In separate chapters, they explore how the great issues of the decade--the war in Vietnam, race relations, youth culture, the status of women, the public role of private enterprise--were shaped by evolutions in the nature of cultural authority and political legitimacy. They argue that the whirlwind of events and problems we call the Sixties can only be understood in the context of the larger history of post-World War II America. Contents "Growth Liberalism in the Sixties: Great Societies at Home and Grand Designs Abroad," by Robert M. Collins "The American State and the Vietnam War: A Genealogy of Power," by Mary Sheila McMahon "And That's the Way It Was: The Vietnam War on the Network Nightly News," by Chester J. Pach, Jr. "Race, Ethnicity, and the Evolution of Political Legitimacy," by David R. Colburn and George E. Pozzetta "Nothing Distant about It: Women's Liberation and Sixties Radicalism," by Alice Echols "The New American Revolution: The Movement and Business," by Terry H. Anderson "Who'll Stop the Rain?: Youth Culture, Rock 'n' Roll, and Social Crises," by George Lipsitz "Sexual Revolution(s)," by Beth Bailey "The Politics of Civility," by Kenneth Cmiel "The Silent Majority and Talk about Revolution," by David Farber

'A definitive tome for both Who fans and newcomers alike’ ***** Q Magazine Pete Townshend was once asked how he prepared himself for The Who’s violent live performances. His answer? ‘Pretend you’re in a war.’ For a band as prone to furious infighting as it was notorious for acts of ‘auto-destructive art’ this could have served as a motto. Between 1964 and 1969 The Who released some of the most dramatic and confrontational music of the decade, including ‘I Can’t Explain’, ‘My Generation’ and ‘I Can See For Miles’. This was a body of work driven by bitter rivalry, black humour and dark childhood secrets, but it also held up a mirror to a society in transition. Now, acclaimed rock biographer Mark Blake goes in search of its inspiration to present a unique perspective on both The Who and the sixties. From their breakthrough as Mod figureheads to the rise and fall of psychedelia, he reveals how The Who, in their explorations of sex, drugs, spirituality and class, refracted the growing turbulence of the time. He also lays bare the colourful but crucial role played by their managers, Kit Lambert and Chris Stamp. And – in the uneasy alliance between art-school experimentation and working-class ambition – he locates the motor of the Swinging Sixties. As the decade closed, with The Who performing Tommy in front of 500,000 people at the Woodstock Festival, the ‘rock opera’ was born. In retrospect, it was the crowning achievement of a band who had already embraced pop art and the concept album; who had pioneered the power chord and the guitar smash; and who had embodied – more so than any of their peers – the guiding spirit of the age: war.

A “smart and fascinating” reassessment of postwar American culture and the politics of the 1960s from the author of From Counterculture to Cyberculture (Reason Magazine). We tend to think of the sixties as an explosion of creative energy and freedom that arose in direct revolt against the social restraint and authoritarian hierarchy of the early Cold War years. Yet, as Fred Turner reveals in The Democratic Surround, the decades that brought us the Korean War and communist witch hunts also witnessed an extraordinary turn toward explicitly democratic, open, and inclusive ideas of communication—and with them new, flexible models of social order. Surprisingly, he shows that it was this turn that brought us the revolutionary multimedia and wild-eyed individualism of the 1960s counterculture. In this prequel to his celebrated book From Counterculture to Cyberculture, Turner rewrites the history of postwar America, showing how in the 1940s and ‘50s American liberalism offered a far more radical social vision than we now remember. He tracks the influential mid-century entwining of Bauhaus aesthetics with American social science and psychology. From the Museum of Modern Art in New York to the New Bauhaus in Chicago and Black Mountain College in North Carolina, Turner shows how some of the best-known artists and intellectuals of the forties developed new models of media, new theories of interpersonal and international collaboration, and new visions of an open, tolerant, and democratic self in direct contrast to the repression and conformity associated with the fascist and communist movements. He then shows how their work shaped some of the most significant media events of the Cold War, including Edward Steichen’s Family of Man exhibition, the multimedia performances of John Cage, and, ultimately, the psychedelic Be-Ins of the sixties. Turner demonstrates that by the end of the 1950s this vision of the democratic self and the media built to promote it would actually become part of the mainstream, even shaping American propaganda efforts in Europe. Overturning common misconceptions of these transformational years, The Democratic Surround shows just how much the artistic and social radicalism of the sixties owed to the liberal ideals of Cold War America, a democratic vision that still underlies our hopes for digital media today. “Brilliant . . . [an] excellent and thought-provoking book.” —Tropics of Meta

When John Kennedy won the presidency in 1960, he also won the right to put his own spin on the victory. Rorabaugh cuts through the mythology of this election to explain the operations of the campaign and offer a corrective to Theodore White's flawed classic, 'The Making of the President'.

In 1964, Carl Oglesby, a young copywriter for a Michigan-based defense contractor, was asked by a local Democratic congressman to draft a campaign paper on the Vietnam War. Oglesby's report argued that the conflict was misplaced and unwinnable. He had little idea that its subsequent publication would put him on a fast track to becoming the president of the now-legendary protest movement Students for a Democratic Society (SDS). In this book, Oglesby shares the triumphs and tribulations of an organization that burgeoned across America, only to collapse in the face of surveillance by the U.S. government and infighting. As an SDS leader, Oglesby spoke on the same platform as Coretta Scott King and Benjamin Spock at the storied 1965 antiwar demonstration in Washington, D.C. He traveled to war-ravaged Vietnam and to the international war crimes tribunal in Scandinavia, where he met with Jean-Paul Sartre and Simone de Beauvoir. He helped initiate the Venceremos Brigade, which dispatched thousands of American students to bring in the Cuban sugar harvest. He reluctantly participated in the protest outside the 1968 Democratic National Convention and was a witness for the defense at the trial of the Chicago Seven the following year. Eventually, after extensive battles with those in SDS who saw its future more as a vanguard guerrilla group than as an open mass movement, Oglesby was drummed out of the organization. Shortly after, it collapsed when key members of its leadership quit to set up the Weather Underground. This beautifully written and elegiac memoir is rich in contemporary echoes as America once again must come to terms with an ill-conceived military adventure abroad. Carl Oglesby warns of the destructive frustrations of a peace campaign unable to achieve its goals. But above all, he captures the joyful liberation of joining together to take a stand for what is right and just -- the soaring and swooping of a protest movement in full flight, like ravens in a storm.