Here is a panoramic history of America from 1954 to 1973, ranging from the buoyant teen-age rebellion first captured by rock and roll, to the drawn-out and dispiriting endgame of Watergate. In America's Uncivil Wars, Mark Hamilton Lytle illuminates the great social, cultural, and political upheavals of the era. He begins his chronicle surprisingly early, in the late '50s and early '60s, when A-bomb protests and books ranging from Catcher in the Rye to Silent Spring and The Feminine Mystique challenged attitudes towards sexuality and the military-industrial complex. As baby boomers went off to college, drug use increased, women won more social freedom, and the widespread availability of birth control pills eased inhibitions against premarital sex. Lytle describes how in 1967 these isolated trends began to merge into the mainstream of American life. The counterculture spread across the nation, Black Power dominated the struggle for racial equality, and political activists mobilized vast numbers of dissidents against the war. It all came to a head in 1968, with the deepening morass of the war, the assassinations of Robert Kennedy and Martin Luther King, Jr., race riots, widespread campus unrest, the violence at the Democratic convention in Chicago, and the election of Richard Nixon. By then, not only did Americans divide over race, class, and gender, but also over matters as simple as the length of a boy's hair or of a girl's skirt. Only in the aftermath of Watergate did the uncivil wars finally crawl to an end, leaving in their wake a new elite that better reflected the nation's social and cultural diversity. Blending a fast-paced narration with broad cultural analysis, America's Uncivil Wars offers an invigorating portrait of the most tumultuous and exciting time in modern American history.

In this well researched and carefully argued book, Horowitz traces the origins of the reparations movement and its implications for American education and culture.

Was it really a civil war? Textbooks, popular history books, and documentary films, among others, have established that myth in the collective consciousness of the American people. Yet the war of 1861-1865 was no more a war to overthrow the U.S. government than the American War of Independence was a fight to topple King George and Parliament. - Back cover.

The first English-language book to place the works of Elena Garro (1916–1998) and Octavio Paz (1914–1998) in dialogue with each other, Uncivil Wars evokes the lives of two celebrated literary figures who wrote about many of the same experiences and contributed to the formation of Mexican national identity but were judged quite differently, primarily because of gender. While Paz’s privileged, prize-winning legacy has endured worldwide, Garro’s literary gifts garnered no international prizes and received less attention in Latin American literary circles. Restoring a dual perspective on these two dynamic writers and their world, Uncivil Wars chronicles a collective memory of wars that shaped Mexico, and in turn shaped Garro and Paz, from the Conquest period to the Mexican Revolution; the Spanish Civil War, which the couple witnessed while traveling abroad; and the student massacre at Tlatelolco Plaza in 1968, which brought about social and political changes and further tensions in the battle of the sexes. The cultural contexts of machismo and ethnicity provide an equally rich ground for Sandra Cypess’s exploration of the tandem between the writers’ personal lives and their literary production. Uncivil Wars illuminates the complexities of Mexican society as seen through a tense marriage of two talented, often oppositional writers. The result is an alternative interpretation of the myths and realities that have shaped Mexican identity, and its literary soul, well into the twenty-first century.

Buying and Selling Civil War Memory explores the ways in which Gilded Age manufacturers, advertisers, publishers, and others commercialized Civil War memory. Advertisers used images of the war to sell everything from cigarettes to sewing machines; an entire industry grew up around uniforms made for veterans rather than soldiers; publishing houses built subscription bases by tapping into wartime loyalties; while old and young alike found endless sources of entertainment that harkened back to the war. Moving beyond the discussions of how Civil War memory shaped politics and race relations, the essays assembled by James Marten and Caroline E. Janney provide a new framework for examining the intersections of material culture, consumerism, and contested memory in the everyday lives of late nineteenth-century Americans. Each essay offers a case study of a product, experience, or idea related to how the Civil War was remembered and memorialized. Taken together, these essays trace the ways the buying and selling of the Civil War shaped Americans’ thinking about the conflict, making an important contribution to scholarship on Civil War memory and extending our understanding of subjects as varied as print, visual, and popular culture; finance; and the histories of education, of the book, and of capitalism in this period. This highly teachable volume presents an exciting intellectual fusion by bringing the subfield of memory studies into conversation with the literature on material culture. The volume’s contributors include Amanda Brickell Bellows, Crompton B. Burton, Kevin R. Caprice, Shae Smith Cox, Barbara A. Gannon, Edward John Harcourt, Anna Gibson Holloway, Jonathan S. Jones, Margaret Fairgrieve Milanick, John Neff , Paul Ringel, Natalie Sweet, David K. Thomson, and Jonathan W. White.

In An Uncivil War, the Washington Post’s Greg Sargent sounds an urgent alarm about the deeper roots of our democratic backsliding—and how we can begin to turn things around between now and 2020. American democracy is facing a crisis as fraught as we’ve seen in decades. Donald Trump’s presidency has raised the specter of authoritarian rule. Extreme polarization and the scorched-earth war between the parties drags on with no end in sight. The recent Kavanaugh confirmation hearings are only the latest example of this, and of the GOP’s continued ability to steamroll the Democrats and their supporters. At the heart of this dangerous moment is a paradox: It took a figure as uniquely menacing as Trump to rivet the nation’s attention on the fragility of our democracy. Yet the causes of our dysfunction are long-running—they predate Trump, helped facilitate his rise, and, distressingly, will outlast his presidency. In An Uncivil War, Sargent reveals why we’ve fallen into the ditch—and how to get out of it. Drawing upon years of research and reporting, he exposes the unparalleled sophistication and ambition of GOP tactics, including computer-generated gerrymandering, underhanded voter suppression, and ever-escalating legislative hardball. We are also plagued by other brutal, seemingly intractable problems such as dismal turnout and powerful, built-in temptations to tilt the political playing field with unscrupulous partisan trickery. All of this has been accompanied by foreign-government intervention and an unprecedented level of political disinformation that threatens to undermine the very possibility of shared agreement on facts and poses profound new challenges to the media’s ability to inform the citizenry. Yet the Republican Party is only part of the problem. As Sargent provocatively reveals, Democrats share culpability for helping to accelerate this slide. But our plight is far from hopeless, and Sargent offers a series of doable prescriptions for saving our democracy, including a shift of focus toward state legislatures, creative voter registration policies, innovative approaches to fairer districting, and a new sense of purpose. The result is a book that could not be more essential as we head toward the elections that most matter.

During the Civil War, cities, houses, forests, and soldiers’ bodies were transformed into “dead heaps of ruins,” novel sights in the southern landscape. How did this happen, and why? And what did Americans—northern and southern, black and white, male and female—make of this proliferation of ruins? Ruin Nation is the first book to bring together environmental and cultural histories to consider the evocative power of ruination as an imagined state, an act of destruction, and a process of change. Megan Kate Nelson examines the narratives and images that Americans produced as they confronted the war’s destructiveness. Architectural ruins—cities and houses—dominated the stories that soldiers and civilians told about the “savage” behavior of men and the invasions of domestic privacy. The ruins of living things—trees and bodies—also provoked discussion and debate. People who witnessed forests and men being blown apart were plagued by anxieties about the impact of wartime technologies on nature and on individual identities. The obliteration of cities, houses, trees, and men was a shared experience. Nelson shows that this is one of the ironies of the war’s ruination—in a time of the most extreme national divisiveness people found common ground as they considered the war’s costs. And yet, very few of these ruins still exist, suggesting that the destructive practices that dominated the experiences of Americans during the Civil War have been erased from our national consciousness.

'America's Uncivil Wars' explores the social & cultural issues that preoccupied America in the years 1954-1974.

"Household War is a collection of essays that explores the Civil War through the household. According to the editors, the household served as 'the basic building block for American politics, economics, and social relations.' As such, the scholars of this volume make the case that the Civil War can be understood as a revolutionary moment in the transformation of the household order. From this vantage point, they look at the interplay of family and politics, studying the ways in which the Civil War shaped and was shaped by the American household. The volume offers a unique approach to the study of the Civil War that allows an inclusive examination of how the war 'flowed from, required, and . . . resulted in the restructuring of the household' between regions and those enslaved and free. This volume seeks to address how households redefined and reordered themselves as a result of the changes stemming from the Civil War. Scholars of this volume provide compelling histories of the myriad ways in which the household played a central role during an era of social upheaval and transformation"--

After the Civil War, white Confederate and Union army veterans reentered--or struggled to reenter--the lives and communities they had left behind. In Sing Not War, James Marten explores how the nineteenth century's "Greatest Generation" attempted to blend back into society and how their experiences were treated by nonveterans. Many soldiers, Marten reveals, had a much harder time reintegrating into their communities and returning to their civilian lives than has been previously understood. Although Civil War veterans were generally well taken care of during the Gilded Age, Marten argues that veterans lost control of their legacies, becoming best remembered as others wanted to remember them--for their service in the war and their postwar political activities. Marten finds that while southern veterans were venerated for their service to the Confederacy, Union veterans often encountered resentment and even outright hostility as they aged and made greater demands on the public purse. Drawing on letters, diaries, journals, memoirs, newspapers, and other sources, Sing Not War illustrates that during the Gilded Age "veteran" conjured up several conflicting images and invoked contradicting reactions. Deeply researched and vividly narrated, Marten's book counters the romanticized vision of the lives of Civil War veterans, bringing forth new information about how white veterans were treated and how they lived out their lives.