Addresses literary theory and criticism, comparative studies in terms of theme, genre movement and influence, and interdisciplinary perspectives.

The onset of the Italian Wars in 1494, subsequently seen as the onset of 'modern warfare', provides the starting point for this impressive survey of European Warfare in early modern Europe. Huge developments in the logistics of war combined with exploration and expansion meant interaction with extra-European forms of military might. Jeremy Black looks at technological aspects of war as well social and political developments and effects during this key period of military history. This sharp and compact analysis contextualises European developments and as establishes the global significance of events in Europe.

While the majority of these essays are about wars fought against Venice's enemies or on the building and defence of Venetian and other fortifications, there are also essays on other aspects of Venetian life and art: on Giorgione's earliest work; on the career of a Venetian pope; on the building of the Ca' d'Oro; and on the Diarii of Marino Sanuto.

This is the first book-length biography of Tudor writer, soldier, and courtier Thomas Churchyard (c.1529-1604), a figure well-known yet long neglected in early modern studies, who lived, wrote, and fought under five different monarchs and enjoyed an unrivalled fifty-year literary career.

Warfare, and the circumstances surrounding it, have often provided important impulses for cultural production. This book explores the relationship between warfare and image-making in the early modern period. Rather than dealing with images simply as reproductions of actual events, the volume demonstrates complex processes by which political, national and social identities are negotiated and fashioned in warfare imagery. The book analyses three main issues: the impact of war on art, the ways in which warfare imagery supports dominant ideologies, and the manner in which such imagery also constructs alternative identities. The essays offer a broad range of methodologies while dealing with a wide array of chronological, geographical and artistic materials. Historians and art historians will find this volume particularly useful in its nuanced examination of the relationship between art and history.

Winner of the 2019 SECAC Award for Excellence in Scholarly Research and Publication In The Riddle of Jael, Peter Scott Brown offers the first history of the Biblical heroine Jael in medieval and Renaissance art. Jael, who betrayed and killed the tyrant Sisera in the Book of Judges by hammering a tent peg through his brain as he slept under her care, was a blessed murderess and an especially fertile moral paradox in the art of the early modern period. Jael’s representations offer insights into key religious, intellectual, and social developments in late medieval and early modern society. They reflect the influence on art of exegesis, the Reformation and Counter-Reformation, humanism and moral philosophy, misogyny and the battle of the sexes, the emergence of syphilis, and the Renaissance ideal of the artist.

The Dutch revolt against Spanish rule in the sixteenth century was a formative event in European history. The Origins and Development of the Dutch Revolt brings together in one volume the latest scholarship from leading experts in the field, to illuminate why the Dutch revolted, the way events unfolded and how they gained independence. In exploring the desire of the Dutch to control their own affairs, it also questions whether Dutch identity came about by accident. The book makes the most recent research available in English for the first time, focusing on: * the role of the aristocracy * religion * the towns and provinces * the Spanish perspective * finance and ideology.