Sophie Yanow's concise, smart, and politically engaged cartoon history reveals the buried connections between urban planning and urban warfare.

Between 1830 and 1848, Paris was rocked by two successful revolutions, three failed insurrections, and seven serious assassination attempts against King Louis-Phillippe and his sons. The June Days of 1848 - the worst urban insurrection in history until that time - finally brought this period to a close. Using a wide variety of sources, including detailed court records and hundreds of depositions of witnesses and suspects, Jill Harsin examines revolutionary republicanism during the violent underground movement of the July Monarchy, and describes these events in vivid detail. The lives of 'ordinary men' are captured in their own words as Harsin illuminates the political aspirations of the working class. Harsin's original writing style and compelling discussions shed new light on the particular turbulence of this era, a period of disruption that stemmed from the contemporary working class codes of masculinity and honour.

One hundred years ago, French troops fired tear gas grenades into German trenches. Designed to force people out from behind barricades and trenches, tear gas causes burning of the eyes and skin, tearing, and gagging. Chemical weapons are now banned from war zones. But today, tear gas has become the most commonly used form of "less-lethal" police force. In 2011, the year that protests exploded from the Arab Spring to Occupy Wall Street, tear gas sales tripled. Most tear gas is produced in the United States, and many images of protestors in Tahrir Square showed tear gas canisters with "Made in USA" printed on them, while Britain continues to sell tear gas to countries on its own human-rights blacklist. An engrossing century-spanning narrative, Tear Gas is the first history of this weapon, and takes us from military labs and chemical weapons expos to union assemblies and protest camps, drawing on declassified reports and witness testimonies to show how policing with poison came to be.

On April 16th, 1945 the Red Army launched their fourth largest offensive along the Eastern Front during World War II. The objective was to seize Berlin before the Western Allies.Sixteen days later, the former capital of the Third Reich fell to the conquering armies of Generals Georgi Zhukov and his rival Ivan Koniev. The cost to capture the largest urban complex on mainland Europe from a handful of understrength Heer and Waffen-SS divisions, supported by Volkssturm and Hitlerjugend formations armed mainly with Panzerfaust anti-armour rockets, was exceptionally high. The Red Army suffered more casualties among its soldiers than during the six month siege of Stalingrad, and it lost more armoured vehicles than during the Battle of Kursk.Total losses among the defenders and civilian population remain unknown. Central Berlin was left a wasteland. The scars of the street fighting are still visible today, seventy-five years after the battle.When Bloody Streets was first published in 2008 it detailed the tactical street fighting in Berlin day-by-day for the first time through vivid first person accounts and period aerial imagery of the city. Ten years later this ground breaking study is back in print completely revised. Previously unpublished first person accounts from both the German and Soviet perspectives supplement archival documents that include new data from the operational war diaries of the 1st Belorussian and 1st Ukrainian Fronts. The book is highly illustrated throughout with period images of the city, aerial overviews, and wartime photos.Building on more than 15 years of research, the second edition of Bloody Streets is a capstone to the author's prior works on the final climatic battles along the Eastern Front. It will remain a benchmark study of the Battle of Berlin for years to come.

By turns harrowing, moving, and ultimately redemptive, this is a war story -- a war that rages out of control on the streets of the United States, claiming the lives of our loved ones and neighbors. In this memoir, complete with child soldiers, unspeakable violence, and eventual salvation, we witness the journey of an East Coast member of the notorious Bloods gang coming to terms with the lost boy he was and the transformation into the man he wants to become. Unlike the child warriors of Mozambique and Sierra Leone, gang members and the wars they wage are the United States' homegrown nightmare. Lacking protection, support, or any alternatives, Dashaun Morris is forced into battle for the first time at age eleven, in the streets of Phoenix, when a friend's older brothers put him in a car filled with 40s and weed smoke, put a gun in his hands, then make him point it at the men on the corner and squeeze the trigger. The targets are Crips, of course, and, as Morris writes, "In the darkness of the streets, my childhood is murdered.... I am reborn -- a gangster." In this haunting, violent memoir, Morris takes us through an American childhood turned grotesquely inside out. In the fourth grade, he loses his first friend in a drive-by shooting. By high school he is the man, a champion on the football field by day and a reputable banger on his 'hood turf by night. Living the life of a gang banger, Morris does it all -- drug dealing, jacking, and continuing the aimless war with rival gang members -- almost opening fire one night on a close friend, a cheerleader, as she hangs out with young men he mistakes for Crips. He eventually makes it to college on a football scholarship, but on the verge of being drafted by the NFL, Morris can't escape his gang-banging mentality and gets caught up in crimes that snatch away all future hopes. Sitting in a prison cell, he anticipates the birth of his first child while counting the friends he's buried. War of the Bloods in My Veins is part of Morris's redemption, a cry to his brothers that gang life is mental illness. It is a rare and brutally honest look into the relentless storm of abandonment, violence, crime, death, and the endless rush toward the complete and utter self-annihilation that plagues the lives of the young "soldiers" who die every day in our streets.

Blood on the Streets explores the people, the places and the context of the real events of the battle for Mount Street Bridge. Based around the bridge over the canal at Mount Street, three well-positioned groups of volunteers led by Lieutenant Michael Malone held out against a far greater number of British soldiers arriving from Kingstown. In scenes that were reminiscent of the terrible warfare of the Western Front in World War I, British soldiers advanced under heavy fire against rebel positions.This book contextualises the battle and the events surrounding the Rising itself and features the only account written by a British army officer of the executions at Kilmainham jail in the aftermath of the Rising. It also features a fascinating analysis of the tactics and strategy not just of the battle but of the whole Rising.

Party in the Street explores the interaction between political parties and social movements in the United States. Examining the collapse of the post-9/11 antiwar movement against the wars in Iraq and Afghanistan, this book focuses on activism and protest in the United States. It argues that the electoral success of the Democratic Party and President Barack Obama, as well as antipathy toward President George W. Bush, played a greater role in this collapse than did changes in foreign policy. It shows that how people identify with social movements and political parties matters a great deal, and it considers the Tea Party and Occupy Wall Street as comparison cases.

Brandon Novak, an actor known for the films Jackass and Viva La Bam, among others, was a teenage skateboarder, but his lust for heroin led to a junkie’s destiny on the streets of Baltimore. Arrests, rehabs, and drug-tortured love triangles consumed Novak’s life, until his childhood friend and Jackass alumnus Bam Margera guided him to MTV fame. But Novak’s stardom led him down a self-destructive path that forced him to sculpt his future. This suspenseful memoir is interspersed with action, humor, and inspiration.