From the celebrated author of the international bestseller Who Killed Daniel Pearl? comes another startlingly original work of literature. In WAR, EVIL AND THE END OF HISTORY, Bernard-Henri Levy continues his daring investigation into the breeding grounds of terrorism with a series of riveting first-person reports from five of the world's most horrific 'forgotten' war zones. In Sri Lanka, he conducts a clandestine interview with a terrified young woman recently escaped from a suicide-bomber training camp. He journeys, blindfolded, into the Colombian jungle to interview a psychotic drug lord who considers himself the successor to Che Guevara and fronts a bloodthirsty 'guerilla' army. Levy surreptitiously observes the nameless slaves working the diamond mines that fund an endless war in Angola, airdrops into a rebel stronghold in the blockaded Nuba mountains of the Sudan and reports on the ongoing carnage in Burundi between Hutus and Tutsis.

'It's been a long time since a text was so useful in helping me think through our present moment and my role within it. The End of The End of History is a clear, powerful and panoramic analysis of our world at the dawn of the 2020s.' Vincent Bevins, author, The Jakarta Method The “End of History” is over. The idea that Western liberal democracy was the “final form of human government” has been exposed as bluster: the old order is crumbling before our eyes. Angry anti-politics have arisen to threaten political establishments across the world. Elites have fallen into hysteria, blaming voters, “populism”, Putin, Facebook... anyone but themselves. They are suffering from Neoliberal Order Breakdown Syndrome. Emerging from four years of interviews and debates on the popular global politics podcast Aufhebunga Bunga, The End of the End of History examines how the political consequences of the 2008 financial crisis have come home to roost. If Trump and Brexit shattered the liberal-democratic consensus in 2016, then the global pandemic of 2020 put a final end to the “End of History”. Politics is back, but it's stranger than ever.

In a narrative-redefining approach, Engaging the Evil Empire dramatically alters how we look at the beginning of the end of the Cold War. Tracking key events in US-Soviet relations across the years between 1980 and 1985, Simon Miles shows that covert engagement gave way to overt conversation as both superpowers determined that open diplomacy was the best means of furthering their own, primarily competitive, goals. Miles narrates the history of these dramatic years, as President Ronald Reagan consistently applied a disciplined carrot-and-stick approach, reaching out to Moscow while at the same time excoriating the Soviet system and building up US military capabilities. The received wisdom in diplomatic circles is that the beginning of the end of the Cold War came from changing policy preferences and that President Reagan in particular opted for a more conciliatory and less bellicose diplomatic approach. In reality, Miles clearly demonstrates, Reagan and ranking officials in the National Security Council had determined that the United States enjoyed a strategic margin of error that permitted it to engage Moscow overtly. As US grand strategy developed, so did that of the Soviet Union. Engaging the Evil Empire covers five critical years of Cold War history when Soviet leaders tried to reduce tensions between the two nations in order to gain economic breathing room and, to ensure domestic political stability, prioritize expenditures on butter over those on guns. Miles's bold narrative shifts the focus of Cold War historians away from exclusive attention on Washington by focusing on the years of back-channel communiqués and internal strategy debates in Moscow as well as Prague and East Berlin.

"[The Book of] Revelation has served as a "language arsenal" in a great many of the social, cultural, and political conflicts in Western history. Again and again, Revelation has stirred some dangerous men and women to act out their own private apocalypses. Above all, the moral calculus of Revelation—the demonization of one's enemies, the sanctification of revenge taking, and the notion that history must end in catastrophe—can be detected in some of the worst atrocities and excesses of every age, including our own. For all of these reasons, the rest of us ignore the book of Revelation only at our impoverishment and, more to the point, at our own peril." The mysterious author of the Book of Revelation (or the Apocalypse, as the last book of the New Testament is also known) never considered that his sermon on the impending end times would last beyond his own life. In fact, he predicted that the destruction of the earth would be witnessed by his contemporaries. Yet Revelation not only outlived its creat∨ this vivid and violent revenge fantasy has played a significant role in the march of Western civilization. Ever since Revelation was first preached as the revealed word of Jesus Christ, it has haunted and inspired hearers and readers alike. The mark of the beast, the Antichrist, 666, the Whore of Babylon, Armageddon, and the Four Horsemen of the Apocalypse are just a few of the images, phrases, and codes that have burned their way into the fabric of our culture. The questions raised go straight to the heart of the human fear of death and obsession with the afterlife. Will we, individually or collectively, ride off to glory, or will we drown in hellfire for all eternity? As those who best manipulate this dark vision learned, which side we fall on is often a matter of life or death. Honed into a weapon in the ongoing culture wars between states, religions, and citizenry, Revelation has significantly altered the course of history. Kirsch, whom the Washington Post calls "a fine storyteller with a flair for rendering ancient tales relevant and appealing to modern audiences," delivers a far-ranging, entertaining, and shocking history of this scandalous book, which was nearly cut from the New Testament. From the fall of the Roman Empire to the Black Death, the Inquisition to the Protestant Reformation, the New World to the rise of the Religious Right, this chronicle of the use and abuse of the Book of Revelation tells the tale of the unfolding of history and the hopes, fears, dreams, and nightmares of all humanity.

The on-camera murder of journalist Daniel Pearl was a horrible tragedy, but was there a darker side to the story. In this book the author traces Pearl's final steps through the Islamic underworld in an investigation that plunges the author into his own heart of darkness.

In Nazi Germany, they were called the Schutzstaffeln. The world would know them as the dreaded SS—the most loyal and ruthless enforcers of the Third Reich. It began as a small squad of political thugs. Yet by the end of 1935, the SS had taken control of all police and internal security duties in Germany—ranging from local village “gendarmes” all the way up to the secret political police and the Gestapo. Eventually, its ranks would grow to rival even Germany’s regular armed forces, the Wehrmacht. Going beyond the myths and characterizations, Army of Evil reveals the reality of the SS as a cadre of unwavering political fanatics and power-seeking opportunists who slavishly followed an ideology that disdained traditional morality—an ideology that they were prepared to implement to the utmost murderous extreme, which ultimately resulted in the Holocaust. This is a definitive historical narrative of the birth, legacy, and demise of one of the most feared political and military organizations ever known—and of those twisted, cruel men who were responsible for one of the most appalling crimes against humanity in history. INCLUDES RARE PHOTOGRAPHS

From the late 1940s until the early 1990s, the Cold War was perhaps the most critical and defining aspect of American culture, influencing television, music, and movies, among other forms of popular entertainment. Films in particular were at the center of the battle for the hearts and minds of the American public. Throughout this period, the Cold War influenced what movies got produced, how such movies were made, and how audiences understood the films they watched. In the post–Cold War era, some genres of film suffered from the shift in our national narratives, while others were quickly reimagined for an audience with different political and social fears. In Hollywood and the End of the Cold War: Signs of Cinematic Change, Bryn Upton compares films from the late Cold War era with movies of similar themes from the post–Cold War era. In this volume, Upton pays particular attention to shifts in narrative that reflect changes in American culture, attitudes, and ideas. In exploring how the absence of the Cold War has changed the way we understand and interpret film, this volume seeks to answer several key questions such as: Has the end of the Cold War altered how we tell our stories? Has it changed how we perceive ourselves? In what ways has our popular culture been affected by the absence of this once dominant presence? With its focus on themes that are central to the concerns of many historians—including civil religion, social fracture, and the culture wars—Hollywood and the End of the Cold War will serve as a useful tool for those seeking to integrate film into the classroom, as well as for film scholars exploring representations of sociopolitical change on screen.

Luke/Acts and the End of History investigates how understandings of history in diverse texts of the Graeco-Roman period illuminate Lukan eschatology. In addition to Luke/Acts, it considers ten comparison texts as detailed case studies throughout the monograph: Polybius's Histories, Diodorus Siculus's Library of History, Virgil's Aeneid, Valerius Maximus's Memorable Doings and Sayings, Tacitus’s Histories, 2 Maccabees, the Qumran War Scroll, Josephus's Jewish War, 4 Ezra, and 2 Baruch. The study makes a contribution both in its method and in the questions it asks. By placing Luke/Acts alongside a broad range of texts from Luke's wider cultural setting, it overcomes two methodological shortfalls frequently evident in recent research: limiting comparisons of key themes to texts of similar genre, and separating non-Jewish from Jewish parallels. Further, by posing fresh questions designed to reveal writers' underlying conceptions of history—such as beliefs about the shape and end of history or divine and human agency in history—this monograph challenges the enduring tendency to underestimate the centrality of eschatology for Luke's account. Influential post-war scholarship reflected powerful concerns about "salvation history" arising from its particular historical setting, and criticised Luke for focusing on history instead of eschatology due to the parousia’s delay. Though some elements of this thesis have been challenged, Luke continues to be associated with concerns about the delayed parousia, affecting contemporary interpretation. By contrast, this study suggests that viewing Luke/Acts within a broader range of texts from Luke's literary context highlights his underlying teleological conception of history. It demonstrates not only that Luke retains a sense of eschatological urgency seen in other New Testament texts, but a structuring of history more akin to the literature of late Second Temple Judaism than the non-Jewish Graeco-Roman historiographies with which Luke/Acts is more commonly compared. The results clarify not only Lukan eschatology, but related concerns or effects of his eschatology, such as Luke’s politics and approach to suffering. This monograph thereby offers an important corrective to readings of Luke/Acts based on established exegetical habits, and will help to inform interpretation for scholars and students of Luke/Acts as well as classicists and theologians interested in these key questions.

Ever since its first publication in 1992, The End of History and the Last Man has provoked controversy and debate. Francis Fukuyama's prescient analysis of religious fundamentalism, politics, scientific progress, ethical codes, and war is as essential for a world fighting fundamentalist terrorists as it was for the end of the Cold War. Now updated with a new afterword, The End of History and the Last Man is a modern classic.

An End to Evil charts the agenda for what’s next in the war on terrorism, as articulated by David Frum, former presidential speechwriter and bestselling author of The Right Man, and Richard Perle, former assistant secretary of defense and one of the most influential foreign-policy leaders in Washington. This world is an unsafe place for Americans—and the U.S. government remains unready to defend its people. In An End to Evil, David Frum and Richard Perle sound the alert about the dangers around us: the continuing threat from terrorism, the crisis with North Korea, the aggressive ambitions of China. Frum and Perle provide a detailed, candid account of America’s vulnerabilities: a military whose leaders resist change, intelligence agencies mired in bureaucracy, diplomats who put friendly relations with their foreign colleagues ahead of the nation’s interests. Perle and Frum lay out a bold program to defend America—and to win the war on terror. Among the topics this book addresses: • why the United States risks its security if it submits to the authority of the United Nations • why France and Saudi Arabia have to be treated as adversaries, not allies, in the war on terror • why the United States must take decisive action against Iran—now • what to do in North Korea if negotiations fail • why everything you read in the newspapers about the Israeli-Arab dispute is wrong • how our government must be changed if we are to fight the war on terror to victory—not just stalemate • where the next great terror threat is coming from—and what we can do to protect ourselves An End to Evil will define the conservative point of view on foreign policy for a new generation—and shape the agenda for the 2004 presidential-election year and beyond. With a keen insiders’ perspective on how our leaders are confronting—or not confronting—the war on terrorism, David Frum and Richard Perle make a convincing argument for why the toughest line is the safest line.