Decades of war started by a genocidal faction of aliens threatens the existence of any human or alien resisting their rule on Earth. Dani survives by scavenging enough supplies to live another day while avoiding the local military and human-hunting Wardens. But then she learns that she is part of the nearly immortal alien race of Echoes—not the human she’s always thought herself to be—and suddenly nothing in her life seems certain. Following her discovery of her alien roots, Dani risks her well-being to save a boy from becoming a slave—a move that only serves to make her already-tenuous existence on the fringes of society in Maine even more unstable, and which forces her to revisit events and people from past lives she can’t remember. Dani believes the only way to defeat the Wardens and end their dominance is to unite the Commonwealth’s military and civilians, and she becomes resolved to play her part in this battle. Her attempts to change the bleak future facing the humans and Echoes living on Earth suffering under the Wardens will lead her to clash with a tyrant determined to kill her and all humankind—a confrontation that even her near-immortal heritage may not be able to help her survive.

War Echoes examines how Latina/o cultural production has engaged with U.S. militarism in the post–Viet Nam era. Analyzing literature alongside film, memoir, and activism, Ariana E. Vigil highlights the productive interplay among social, political, and cultural movements while exploring Latina/o responses to U.S. intervention in Central America and the Middle East. These responses evolved over the course of the late twentieth and early twenty-first centuries—from support for anti-imperial war, as seen in Alejandro Murguia's Southern Front, to the disavowal of all war articulated in works such as Demetria Martinez’s Mother Tongue and Camilo Mejia’s Road from Ar Ramadi. With a focus on how issues of race, class, gender, and sexuality intersect and are impacted by war and militarization, War Echoes illustrates how this country’s bellicose foreign policies have played an integral part in shaping U.S. Latina/o culture and identity and given rise to the creation of works that recognize how militarized violence and values, such as patriarchy, hierarchy, and obedience, are both enacted in domestic spheres and propagated abroad.

From the first shots fired at Fort Sumter in 1861 to the final clashes on the Road to Appomattox in 1864, The Atlas of the Civil War reconstructs the battles of America's bloodiest war with unparalleled clarity and precision. Edited by Pulitzer Prize recipient James M. McPherson and written by America's leading military historians, this peerless reference charts the major campaigns and skirmishes of the Civil War. Each battle is meticulously plotted on one of 200 specially commissioned full-color maps. Timelines provide detailed, play-by-play maneuvers, and the accompanying text highlights the strategic aims and tactical considerations of the men in charge. Each of the battle, communications, and locator maps are cross-referenced to provide a comprehensive overview of the fighting as it swept across the country. With more than two hundred photographs and countless personal accounts that vividly describe the experiences of soldiers in the fields, The Atlas of the Civil War brings to life the human drama that pitted state against state and brother against brother.

Presents the stories of six people from different parts of the world whose childhoods were shaped by their experiences during World War II.

From Lexington and Gettysburg to Normandy and Iraq, the wars of the United States have defined the nation. But after the guns fall silent, the army searches the lessons of past conflicts in order to prepare for the next clash of arms. In the echo of battle, the army develops the strategies, weapons, doctrine, and commanders that it hopes will guarantee a future victory. In the face of radically new ways of waging war, Brian Linn surveys the past assumptions--and errors--that underlie the army's many visions of warfare up to the present day. He explores the army's forgotten heritage of deterrence, its long experience with counter-guerrilla operations, and its successive efforts to transform itself. Distinguishing three martial traditions--each with its own concept of warfare, its own strategic views, and its own excuses for failure--he locates the visionaries who prepared the army for its battlefield triumphs and the reactionaries whose mistakes contributed to its defeats. Discussing commanders as diverse as Dwight D. Eisenhower, George S. Patton, and Colin Powell, and technologies from coastal artillery to the Abrams tank, he shows how leadership and weaponry have continually altered the army's approach to conflict. And he demonstrates the army's habit of preparing for wars that seldom occur, while ignoring those it must actually fight. Based on exhaustive research and interviews, The Echo of Battle provides an unprecedented reinterpretation of how the U.S. Army has waged war in the past and how it is meeting the new challenges of tomorrow.

This book presents a passionate first-hand account of the development of the Home Sweet Home (H2S) radar systems during World War II. It provides numerous personal insights into the scientific culture of wartime Britain and details the many personal sacrifices, setbacks, and eventual triumphs made by those actively involved. Sir Bernard Lovell led the group that developed the H2S radar system to identify towns and other targets at night or during heavy cloud cover. H2S was successful during the attack on Hamburg in January 1943 as well as the air war against U-boats in the Bay of Biscay.

Previously published as Echoes of War 'Blanchard at her breathtaking best. Rich in every sight, taste and smell.' Australian Women’s Weekly _________________ Set in Mussolini’s Italy amid great upheaval, this is the story of one woman’s determination to find her place in a world that men are threatening to tear apart. Another heart-rending novel inspired by a true story from Australia's bestselling author of The Girl from Munich. Calabria, Italy, 1936 In a remote farming village nestled in the mountains that descend into the sparkling Ionian Sea, young and spirited Giulia Tallariti longs for something more. While she loves her home and her lively family, she would much rather follow in her nonna’s footsteps and pursue her dream of becoming a healer. But as Mussolini’s focus shifts to the war in Europe, civil unrest looms. Whispers of war are at every corner and her beloved village, once safe from the fascist agenda of the North, is now in very real danger. Caught between her desire to forge her own path and her duty to her family, Giulia must draw on the passion in her heart and the strength of her conviction. Can she find a way to fulfill her dreams without sacrificing all she holds dear? _________________ ‘Richly imagined, heartbreaking and utterly captivating ... yet another outstanding piece of historical fiction from Blanchard, cementing her place at the top of this genre.’ Better Reading ‘This is emotional reading for anyone born of immigrant stock as it explores the pain of leaving your homeland and your family to find opportunity elsewhere … an entertaining tale of fiction that will make your heart melt and sing and shatter.’ Glam Adelaide ‘A powerful novel about powerful women … a powerful evocation of a time, a place and a cultural vision which provided a significant boost to Australia’s population and its development as a multi-cultural destination of choice for refugees – both voluntary and choiceless.’ Carpe Librum

A discussion of the events from both sides of the conflict, with eyewitness accounts, documents, photographs, illustrations, and notes that augment the material, covering soldier's stories and political and military strategies.

Lady Admiral Honor Harrington, a genetically engineered space warrior, embarks on a mission to free prisoners of war held by the People's Republic on the planet Hades.