"Brij V. Lal is a singular scholar. His work has spanned disciplines—from history to politics—and genres—from conventional monograph history, to participant history, political commentary, encyclopaedia, biography and faction. Brij is without doubt the most eminent scholar Fiji has ever produced. He also remains the most significant public intellectual of his country, despite having been banned from entering it in 2009. He is also one of the leading Pacific historians of his generation, and an internationally recognised authority on the Indian diaspora. This Festschrift volume celebrates, reflects upon and extends the life and work of this colourful scholar. The essays, whose contributors are drawn from across the globe, do more than review Brij’s work; they also probe his contribution to both scholarly and political life. This book will therefore serve as an invaluable guide for readers from all walks of life seeking to better situate and understand the impact of Brij’s scholarly activism on Fiji and beyond." — Clive Moore, University of Queensland "It is a pleasure to commend this collection of very different essays that celebrate, reflect upon and extend the life and work of a remarkable scholar. Although I have had, at times, a close association with Brij Lal’s life and work, I have learned much from reading this book. It provokes further thought about the course of democracy in Fiji, and the very sorry state and future of Pacific history and the humanities in academia. Here is a timely assertion of the significance and major contribution that courageous scholars such as Brij have made to the study and public awareness of these areas of concern." — Jacqueline Leckie, University of Otago

“A wonderfully rich, insightful and personally touching collection of essays by the Pacific region’s most prolific and engaging historian. Brij Lal writes eloquently and poetically about his professional and political journeys, and the many different people and worlds he has encountered on the way. Readers will be inspired by this collective account of a courageous life committed to the achievement of democratic freedom and social justice. What shines through these pages is Lal’s love of and commitment to Fiji, from which he has been painfully exiled.” - David Hanlon, Professor of History & Former Director of the Center for Pacific Islands Studies, University of Hawaii at Manoa.

This provocative analysis and critique of American representations of Oceania and Oceanians from the nineteenth century to the present, argues that imperial fantasies have glossed over a complex, violent history. It introduces the concept of ‘American Pacificism’, a theoretical framework that draws on contemporary theories of friendship, hospitality and tourism to refigure established debates around ‘orientalism’ for an Oceanian context. Paul Lyons explores American-Islander relations and traces the ways in which two fundamental conceptions of Oceania have been entwined in the American imagination. On the one hand, the Pacific islands are seen as economic and geopolitical ‘stepping stones’, rather than ends in themselves, whilst on the other they are viewed as ends of the earth or ‘cultural limits’, unencumbered by notions of sin, antitheses to the industrial worlds of economic and political modernity. However, both conceptions obscure not only Islander cultures, but also innovative responses to incursion. The islands instead emerge in relation to American national identity, as places for scientific discovery, soul-saving and civilizing missions, manhood-testing adventure, nuclear testing and eroticized furloughs between maritime work and warfare. Ranging from first contact and the colonial archive through to postcolonialism and global tourism, this thought-provoking volume draws upon a wide, rewarding collection of literary works, historical and cultural scholarship, government documents and tourist literature.

Oceania has a rich and growing literary tradition. The imaginative literature that emerged in the 1960s often reflected the forms and structures of European literature, though the ideas expressed were typically anticolonial. After three decades, the literature of Oceania has become much more complex, in terms of style as well as content; and authors write in a multiplicity of styles and voices. While the written literature of Oceania is continuously gaining more critical attention, questions about the imposition of European literary standards and values as a further extension of colonialism in the Pacific have become a central issue. This book is a detailed survey of the expanding amount of critical and interpretive material written about the imaginative literature of authors from Oceania. It focuses on commentary and scholarship concerned with the poetry, fiction, and drama written in English by indigenous peoples of the Pacific Islands, New Zealand, and Australia. The criticisms have appeared in academic books and journals since the mid-1960s. They have developed to the point at which critical issues, related to decolonization and the expression of ideas without having to first satisfy foreign expectations, often determine the direction of such discussions. Entries are grouped in topical chapters, and each entry includes an extensive annotation. An introductory essay summarizes the evolution of Pacific literature.

This book is inspired by the University of the South Pacific, the leading institution of higher education in the Pacific Islands region. Founded in 1968, USP has expanded the intellectual horizons of generations of students from its 12 member countries—Cook Islands, Fiji, Kiribati, Marshall Islands, Nauru, Niue, Samoa, Solomon Islands, Tokelau, Tonga, Tuvalu and Vanuatu—and been responsible for the formation of a regional elite of educated Pacific Islanders who can be found in key positions in government and commerce across the region. At the same time, this book celebrates the collaboration of USP with The Australian National University in research, doctoral training, teaching and joint activities. Twelve of our 19 contributors gained their doctorates at ANU, most of them before or after being students and/or teaching staff at USP, and the remaining five embody the cross-fertilisation in teaching, research and consultancy of the two institutions. The contributions to this collection, with a few exceptions, are republications of key articles on the Pacific Islands by scholars with extensive experience and knowledge of the region.

There is a tradition of “participant history” among historians of the Pacific Islands, unafraid to show their hands on issues of public importance and risking controversy to make their voices heard. This book explores the theme of the participant historian by delving into the lives of J.C. Beaglehole, J.W. Davidson, Richard Gilson, Harry Maude and Brij V. Lal. They lived at the interface of scholarship and practical engagement in such capacities as constitutional advisers, defenders of civil liberties, or upholders of the principles of academic freedom. As well as writing history, they “made” history, and their excursions beyond the ivory tower informed their scholarship. Doug Munro’s sympathetic engagement with these five historians is likewise informed by his own long-term involvement with the sub-discipline of Pacific History.

This Element considers patterns of violent behaviour among the inhabitants of the Pacific Islands while their vast region has been undergoing religious change, overwhelmingly toward Christianity. Major topics researched are religion-based violent reactions to early intruders (including missionaries); new religious movements resisting unwanted interference (including 'cargo cults'); anti-colonial rebellions inspired by spiritual impetuses both indigenous and introduced; and the persistence of traditional modes of violence (tribal fighting, sorcery and tough punishments) adapted to altered conditions.

ASALH 2023 Book Prize Winner A lively living history of anti-colonialist movements across the Atlantic, Pacific, and Indian Oceans Oceania is a vast sea of islands, large scale political struggles and immensely significant historical phenomena. Pasifika Black is a compelling history of understudied anti-colonial movements in this region, exploring how indigenous Oceanic activists intentionally forged international connections with the African world in their fights for liberation. Drawing from research conducted across Fiji, Australia, Vanuatu, Papua New Guinea, Britain, and the United States, Quito Swan shows how liberation struggles in Oceania actively engaged Black internationalism in their diverse battles against colonial rule. Pasifika Black features as its protagonists Oceania's many playwrights, organizers, religious leaders, scholars, Black Power advocates, musicians, environmental justice activists, feminists, and revolutionaries who carried the banners of Black liberation across the globe. It puts artists like Aboriginal poet Oodgeroo Noonuccal and her 1976 call for a Black Pacific into an extended conversation with Nigeria’s Wole Soyinka, the Nuclear Free and Independent Pacific’s Amelia Rokotuivuna, Samoa’s Albert Wendt, African American anthropologist Angela Gilliam, the NAACP’s Roy Wilkins, West Papua’s Ben Tanggahma, New Caledonia’s Déwé Gorodey, and Polynesian Panther Will ‘Ilolahia. In so doing, Swan displays the links Oceanic activists consciously and painstakingly formed in order to connect Black metropoles across the Atlantic, Pacific, and Indian Oceans. In a world grappling with the global significance of Black Lives Matter and state-sanctioned violence against Black and Brown bodies, Pasifika Black is a both triumphant history and tragic reminder of the ongoing quests for decolonization in Oceania, the African world, and the Global South.

In Waiting for the Cool Moon Wendy Matsumura interrogates the erasure of colonial violence at the heart of Japanese nation-state formation. She critiques Japan studies’ role in this effacement and contends that the field must engage with anti-Blackness and anti-Indigeneity as the grounds on which to understand imperialism, colonialism, fascism, and other forces that shape national consciousness. Drawing on Black radical thinkers’ critique of the erasure of the Middle Passage in universalizing theories of modernity’s imbrication with fascism, Matsumura traces the consequences of the Japanese empire’s categorization of people as human and less-than-human as manifested in the 1920s and 1930s, and the struggles of racialized and colonized people against imperialist violence. She treats the archives safeguarded by racialized, colonized women throughout the empire as traces of these struggles, including the work they performed to keep certain stories out of view. Matsumura demonstrates that tracing colonial sensibility and struggle is central to grappling with their enduring consequences for the present.