From the #1 internationally bestselling author of The Miniaturist comes a captivating and brilliantly realized story of two young women—a Caribbean immigrant in 1960s London, and a bohemian woman in 1930s Spain—and the powerful mystery that ties them together. England, 1967. Odelle Bastien is a Caribbean émigré trying to make her way in London. When she starts working at the prestigious Skelton Institute of Art, she discovers a painting rumored to be the work of Isaac Robles, a young artist of immense talent and vision whose mysterious death has confounded the art world for decades. The excitement over the painting is matched by the intrigue around the conflicting stories of its discovery. Drawn into a complex web of secrets and deceptions, Odelle does not know what to believe or who she can trust, including her mesmerizing colleague, Marjorie Quick. Spain, 1936. Olive Schloss, the daughter of a Viennese Jewish art dealer and an English heiress, follows her parents to Arazuelo, a poor, restless village on the southern coast. She grows close to Teresa, a young housekeeper, and Teresa’s half-brother, Isaac Robles, an idealistic and ambitious painter newly returned from the Barcelona salons. A dilettante buoyed by the revolutionary fervor that will soon erupt into civil war, Isaac dreams of being a painter as famous as his countryman Picasso. Raised in poverty, these illegitimate children of the local landowner revel in exploiting the wealthy Anglo-Austrians. Insinuating themselves into the Schloss family’s lives, Teresa and Isaac help Olive conceal her artistic talents with devastating consequences that will echo into the decades to come. Rendered in exquisite detail, The Muse is a passionate and enthralling tale of desire, ambition, and the ways in which the tides of history inevitably shape and define our lives.

The third book in Morris Berman's much acclaimed trilogy on the evolution of human consciousness, Wandering God continues his earlier work which garnered such praise as "solid lessons in the history of ideas" (KIRKUS Reviews), "filled with piquant details" (Common Boundary), and "an informative synthesis and a remarkably friendly, good-natured jeremiad" (The Village Voice). Here, in a remarkable discussion of our hunter-gatherer ancestry and the "paradoxical" mode of perception that it involved, Berman shows how a sense of alertness, or secular/sacred immediacy, subsequently got buried by the rise of sedentary civilization, religion, and vertical power relationships. In an integrated tour de force, Wandering God explores the meaning of Paleolithic art, the origins of social inequality, the nature of cross-cultural child rearing, the relationship between women and agriculture, and the world view of present-day nomadic peoples, as well as the emergence of "paradoxical" consciousness in the philosophical writings of the twentieth century.

From the publisher of Farrar, Straus and Giroux: a first novel, at once hilarious and tender, about the decades-long rivalry between two publishing lions, and the iconic, alluring writer who has obsessed them both. Paul Dukach is heir apparent at Purcell & Stern, one of the last independent publishing houses in New York, whose shabby offices on Union Square belie the treasures on its list. Working with his boss, the flamboyant Homer Stern, Paul learns the ins and outs of the book trade—how to work an agent over lunch; how to swim with the literary sharks at the Frankfurt Book Fair; and, most important, how to nurse the fragile egos of the dazzling, volatile authors he adores. But Paul’s deepest admiration has always been reserved for one writer: poet Ida Perkins, whose audacious verse and notorious private life have shaped America’s contemporary literary landscape, and whose longtime publisher—also her cousin and erstwhile lover—happens to be Homer’s biggest rival. And when Paul at last has the chance to meet Ida at her Venetian palazzo, she entrusts him with her greatest secret—one that will change all of their lives forever. Studded with juicy details only a quintessential insider could know, written with both satiric verve and openhearted nostalgia, Muse is a brilliant, haunting book about the beguiling interplay between life and art, and the eternal romance of literature.

“Be prepared to stay up late with this one.”—NPR.org “[A] must-have story.”—School Library Journal (starred review) “Evocative and refreshingly unique.”—Tor A young woman with a dangerous power she barely understands. A smuggler with secrets of his own. A country torn between a merciless colonial army, a terrifying tyrant, and a feared rebel leader. The first book in acclaimed author Heidi Heilig’s Shadow Players trilogy blends traditional storytelling with ephemera for a lush, page-turning tale of escape and rebellion. For a Muse of Fire will captivate fans of Sabaa Tahir, Leigh Bardugo, and Renée Ahdieh. Jetta’s family is famed as the most talented troupe of shadow players in the land. With Jetta behind the scrim, their puppets seem to move without string or stick—a trade secret, they say. In truth, Jetta can see the souls of the recently departed and bind them to the puppets with her blood. But ever since the colonizing army conquered their country, the old ways are forbidden. Jetta must never show, never tell. Her skill and fame are her family’s way to earn a spot aboard the royal ship to Aquitan, where shadow plays are the latest rage, and where rumor has it the Mad King has a spring that cures his ills. Because seeing spirits is not the only thing that plagues Jetta. But as rebellion seethes and as Jetta meets a young smuggler, she will face truths and decisions that she never imagined—and safety will never seem so far away. Heidi Heilig creates a vivid, rich world inspired by Southeast Asian cultures and French colonialism. Told from Jetta’s first-person point-of-view, as well as chapters written as play scripts and ephemera such as telegrams and letters, For a Muse of Fire is an engrossing journey that weaves magic, simmering romance, and the deep bonds of family with the high stakes of epic adventure.

The last volumes in the series of William Blake's Illuminated Books reveal the writer and artist as a prophet driven by a sense of apocalyptic urgency. Blake conceived and executed The Continental Prophecies and The Urizen Books in the early 1790s, capturing the intellectual and spiritual turmoil of the American and French revolutions. Here, for the first time, the general reader will encounter Blake's most intense vision in reproductions that do justice to the originals, accompanied by texts, comprehensive notes and commentaries, and detailed interpretations of the designs. The Continental Prophecies, which comprises "America," "Europe," and "The Song of Los," presents Blake's critical reckoning with the history of his own times. Marked by a particularly close integration of word and image, the books form a mythical plot from historical events and criticize the intricate structure of social oppression that the author attributes to organized state religion. Each of the three books attempts to point a way toward the process of millennial liberation. These volumes complete the six-part series of William Blake's Illuminated Books, including Jerusalem, Songs of Innocence and of Experience (now available in paperback), The Early Illuminated Books, and Milton, A Poem, all published by Princeton University Press.

Whether You Live to Write or Write to Live, This is the Book for You… Wanderings on Writing is not just a “how to write book.” It’s also a window into how one writer has managed to fit writing in around the demands of “real” life. Over fifty essays address topics as diverse as hooking a reader, presenting conflict, creating vivid characters, and research strategies. Throughout, Lindskold provides examples of the unique challenges faced by writers of science fiction and fantasy. Lindskold also examines less commonly addressed topics, such as making time to write and organizing a developing project. Jane Lindskold is a New York Times bestselling, award-winning author. She has had published over twenty novels and sixty-some short stories, as well as numerous works of non-fiction. “I adore Jane Lindskold’s writing. Her novels are a rarity for me – fat, engrossing novels that still don’t seem long enough.” Charles deLint “Lindskold is a writer with strong world-building skills and a knack for intricate yet comprehensible plots.” Romantic Times BOOKreviews “The characterization is superb, the plotting swift, and the prose a pleasure to read.” VOYA on Child of a Rainless Year

The daughter of Haitian journalist and pro-democracy activist Jean Léopold Dominique, who was assassinated in 2000, Jan J. Dominique offers a memoir that provides a uniquely personal perspective on the tumultuous end of the twentieth century in Haiti. Wandering Memory is her elegy for a father and an ode to a beloved, suffering homeland. The book charts the biographical, emotional, and literary journey of a woman moving from one place to another, attempting to return to her craft and put together the pieces of her life in the aftermath of family tragedy. Dominique writes eloquently about love, loss, and traumas both horrifically specific and tragically universal. For readers familiar with Jean Dominique and his life’s work at Radio Haïti, the book offers an intimate perspective on a tale of mythic proportions. For the reading public at large, it offers an approachable and resonant introduction to contemporary Haitian literature, history, and identity.

This book does not find its starting point in a theory but in the recognition that the word "Wanderer," and other forms based on the common root of the verbs to "wander" and "wandern," recur with conspicuous frequency in the writings of Goethe and English Romantic poets such as William Wordsworth and Lord Byron. A notable scholar, Professor L. A. Willoughby sought an explanation for this phenomnon in Carl G. Jung's theory of the unconscious but Willoughby's sole ambit of reference was what he termed "Goethe's poetry." This restriction could not allow the scope necessary for the study of the collective aspect of the mind's power and influence. This study poses the attempt to widen the survey of "wandering" to a comparison of texts found in a wide variety of authors including Milton, Shakespeare and William Blake.

The title picture of Percy Bysshe Shelley in combination with the words 'Wandering" and "defence" imply that "wandering" is another way of saying "poetry," an inference to be drawn from the words of great poets of Shelley's generation. In every age most probably poetry needs to be defended anew. In Shelley's day the threat sprang from a philosophical climate that saw virtue in lucid unambiguous prose alone. Today leading theorists deny any vital connection between words found in poetry and literary prose and what they ostensibly point to in the world around. As such critics cannot find anything in 'wandering' to support their arguments they tend to ignore it as far as possible but words such as 'wanderer' are so deeply entrenched in German and English poetry that "wandering" resolutely stays put.