The title picture of Percy Bysshe Shelley in combination with the words 'Wandering" and "defence" imply that "wandering" is another way of saying "poetry," an inference to be drawn from the words of great poets of Shelley's generation. In every age most probably poetry needs to be defended anew. In Shelley's day the threat sprang from a philosophical climate that saw virtue in lucid unambiguous prose alone. Today leading theorists deny any vital connection between words found in poetry and literary prose and what they ostensibly point to in the world around. As such critics cannot find anything in 'wandering' to support their arguments they tend to ignore it as far as possible but words such as 'wanderer' are so deeply entrenched in German and English poetry that "wandering" resolutely stays put.

The title equates 'wandering' and 'poetry' just as great poets including Shakespeare, Milton and Johann Wolfgang v. Goethe did, not to mention William Wordsworth and the other Romantic poets.

"Wandering" in the sense indicated in the title of this book concerns the fact that within the ambit of German and English literature since the days of Shakespeare words based on the root of the verbs 'to wander' and 'wandern' appear with great frequency and prominence in such titles as "Wandrers Nachtlied" and "I wandered lonely as a cloud." Is it not strange then that very little interest has been taken in this phenomenon on the part of leading literary critics and scholars with one or two notable exceptions? One reason for this neglect might lie in intransient attitudes and dogmatic theories that deny the very relevance of high literature to all things external in common life, social conditions and the quest for truth.

The economist Albert O. Hirschman famously argued that citizens of democracies have only three possible responses to injustice or wrongdoing by their government: we may leave, complain, or comply. But in When All Else Fails, Jason Brennan argues that there is fourth option. When governments violate our rights, we may resist. We may even have a moral duty to do so. For centuries, almost everyone has believed that we must allow the government and its representatives to act without interference, no matter how they behave. We may complain, protest, sue, or vote officials out, but we can't fight back. But Brennan makes the case that we have no duty to allow the state or its agents to commit injustice. We have every right to react with acts of "uncivil disobedience." We may resist arrest for violation of unjust laws. We may disobey orders, sabotage government property, or reveal classified information. We may deceive ignorant, irrational, or malicious voters. We may even use force in self-defense or to defend others. The result is a provocative challenge to long-held beliefs about how citizens may respond when government officials behave unjustly or abuse their power

A collection of essays that sets forth the moral principles of Objectivism, Ayn Rand's controversial, groundbreaking philosophy. Since their initial publication, Rand's fictional works—Anthem, The Fountainhead, and Atlas Shrugged—have had a major impact on the intellectual scene. The underlying theme of her famous novels is her philosophy, a new morality—the ethics of rational self-interest—that offers a robust challenge to altruist-collectivist thought. Known as Objectivism, her divisive philosophy holds human life—the life proper to a rational being—as the standard of moral values and regards altruism as incompatible with man's nature. In this series of essays, Rand asks why man needs morality in the first place, and arrives at an answer that redefines a new code of ethics based on the virtue of selfishness. More Than 1 Million Copies Sold!

The first volume to offer a comprehensive scholarly treatment of Rand’s entire corpus (including her novels, her philosophical essays, and her analysis of the events of her times), this Companion provides vital orientation and context for scholars and educated readers grappling with a controversial and understudied thinker whose enduring influence on American (and world) culture is increasingly recognized. The first publication to provide an in-depth scholarly treatment ranging over the whole of Rand’s corpus Provides informed contextual analysis for scholars in a variety of disciplines Presents original research on unpublished material and drafts from the Rand archives in California Features insightful and fair-minded interpretations of Rand’s controversial positions

Worshipped by her fans, denounced by her enemies, and forever shadowed by controversy and scandal, the novelist and philosopher Ayn Rand was a powerful thinker whose views on government and markets shaped the conservative movement from its earliest days. Drawing on unprecedented access to Rand's private papers and the original, unedited versions of Rand's journals, Jennifer Burns offers a groundbreaking reassessment of this key cultural figure, examining her life, her ideas, and her impact on conservative political thought. Goddess of the Market follows Rand from her childhood in Russia through her meteoric rise from struggling Hollywood screenwriter to bestselling novelist, including the writing of her wildly successful The Fountainhead and Atlas Shrugged. Burns highlights the two facets of Rand's work that make her a perennial draw for those on the right: her promotion of capitalism, and her defense of limited government. Both sprang from her early, bitter experience of life under Communism, and became among the most deeply enduring of her messages, attracting a diverse audience of college students and intellectuals, business people and Republican Party activists, libertarians and conservatives. The book also traces the development of Rand's Objectivist philosophy and her relationship with Nathaniel Branden, her closest intellectual partner, with whom she had an explosive falling out in 1968. One of the Denver Post's Great Reads of 2009 One of Bloomberg News's Top Nonfiction Books of 2009 "Excellent." --Time magazine "A terrific book--a serious consideration of Rand's ideas, and her role in the conservative movement of the past three quarters of a century." --The American Thinker "A wonderful book: beautifully written, completely balanced, extensively researched. The match between author and subject is so perfect that one might believe that the author was chosen by the gods to write this book. She has sympathy and affection for her subject but treats her as a human being, with no attempt to cover up the foibles." --Mises Economics Blog

Focusing on educational ministries, Hastings offers a postcritical, synthetic approach to worshiping, witnessing, and wondering, grounded in scriptural ways of knowing God in Jesus Christ and in the power of the Holy Spirit. Here, lives marked by worship, witness, and wonder are understood not only to be harmonious with the evolutionary endowments of perception, action, and cognition, nor as well-attested practices of corporate and personal religious life, but also as a tripartite gestalt contingent on divine agency and mediated through participation in Jesus Christ in the power of the Holy Spirit. Hastings describes worship, witness, and wonder as ways Christians participate with a sense of common cause in the mission of the God of love and life, who comes to us in Jesus Christ "clothed in his gospel" and in the power of the Holy Spirit, who has been "poured out upon all flesh."

The Seeker of Truth takes his rightful place as the new ruler of D’Hara in the third novel of the #1 New York Times–bestselling author’s epic fantasy series. After escaping from the Palace of Prophets, Richard comes to terms with his true identity as a War Wizard. But when he brings down the barrier between the Old and New Worlds, the Imperial Order suddenly poses a threat to the the freedom of all humankind. As the Imperial Order sends delegations and armies into the New World, Richard’s only chance to stop the invasion is to claim his heritage as the new Lord Rahl and ruler of D’Hara. But convincing the D’Harans of his legitimacy won’t be easy. Meanwhile, a powerful enemy is on the trail of Richard’s love, Kahlan Amnell. And when the spell Richard cast to protect her is broken, he must martial his newfound authority—and the armies that come with it—to save her life.