In spite of the growing amount of important new work being carried out on uses of myth in particular ancient contexts, their appeal and reception beyond the framework of one culture have rarely been the primary object of enquiry in contemporary debate. Highlighting the fact that ancient societies were linked by their shared use of mythological narratives, Wandering Myths aims to advance our understanding of the mechanisms by which such tales were disseminated cross-culturally and to investigate how they gained local resonances. In order to assess both wider geographic circulations and to explore specific local features and interpretations, a regional approach is adopted, with a particular focus on Anatolia, the Near East and Italy. Contributions are drawn from a range of disciplines, and cross a wide chronological span, but all are interlinked by their engagement with questions focusing on the factors that guided the processes of reception and steered the facets of local interpretation. The Preface and Epilogue evaluate the material in a synoptic way and frame the challenging questions and views expressed in the Introduction.

In spite of the growing amount of important new work being carried out on uses of myth in particular ancient contexts, their appeal and reception beyond the framework of one culture have rarely been the primary object of enquiry in contemporary debate. Highlighting the fact that ancient societies were linked by their shared use of mythological narratives, Wandering Myths aims to advance our understanding of the mechanisms by which such tales were disseminated cross-culturally and to investigate how they gained local resonances. In order to assess both wider geographic circulations and to explore specific local features and interpretations, a regional approach is adopted, with a particular focus on Anatolia, the Near East and Italy. Contributions are drawn from a range of disciplines, and cross a wide chronological span, but all are interlinked by their engagement with questions focusing on the factors that guided the processes of reception and steered the facets of local interpretation. The Preface and Epilogue evaluate the material in a synoptic way and frame the challenging questions and views expressed in the Introduction.

Storytracking is a work of theory and application. It is both a study of history and culture and of the academic issues accompanying the interpretation and observation of other peoples. Sam Gill writes about Central Australia, but, more importantly, he writes about the business of trying to live responsibly and decisively in a postmodern world faced with irreconcilable diversity and complexity, with undeniable ambiguity and uncertainty.

This book explores modern representations of the Black Death, a medieval pandemic. The concept of cultural memory is used to examine the ways in which journalists, writers of fiction, scholars and others referred to, described and explained the Black Death from around 1800 onwards. The distant medieval past was often used to make sense of aspects of the present, from the cholera pandemics of the nineteenth-century to the climate crisis of the early twenty-first century. A series of overlapping myths related to the Black Death emerged based only in part on historical evidence. Cultural memory circulates in a variety of media from the scholarly article to the video game and online video clip, and the connections and differences between mediated representations of the Black Death are considered. The Black Death is one of the most well-known aspects of the medieval world, and this study of its associated memories and myths reveals the depth and complexity of interactions between the distant and recent past.

For contents, see Author Catalog.

Newly edited version of the 1869 collection CURIOUS MYTHS

Curious Myths of the Middle Ages is a collection of a dozen of tales and legends from medieval England. The author does a thorough research relating these stories to the extant mythology from many ancient cultures, tracing the origin of each myth. Table of Contents: The Wandering Jew Prester John The Divining Rod The Seven Sleepers of Ephesus William Tell The Dog Gellert Tailed Men Antichrist and Pope Joan The Man in the Moon The Mountain of Venus Fatality of Numbers The Terrestrial Paradise

This collection include a dozen of tales and legends from medieval England. The author does a thorough research relating these stories to the extant mythology from many ancient cultures, tracing the origin of each myth. Table of Contents: The Wandering Jew Prester John The Divining Rod The Seven Sleepers of Ephesus William Tell The Dog Gellert Tailed Men Antichrist and Pope Joan The Man in the Moon The Mountain of Venus Fatality of Numbers The Terrestrial Paradise

*The most unusual novel you will read all year, where you create your own story* 'An ingenious choose-your-own-adventure challenge' Lauren Elkin, Guardian Longlisted for the 2021 Stella Prize You've grown roots, you're gathering moss. You're desperate to escape your boring life teaching English in Jakarta, to go out and see the world. So you make a Faustian pact with a devil, who gives you a gift, and a warning. A pair of red shoes to take you wherever you want to go. Turn the page and make your choice. You may become a tourist or an undocumented migrant, a mother or a murderer, and you will meet other travellers with their own stories to tell. Freedom awaits but borders are real. And no story is ever new. 'Sets you free to roam the Earth... an incisive commentary on the cosmopolitan condition' Tiffany Tsao 'An electrifying novel about cosmopolitanism and global nomadism that keeps readers on their toes' Book Riot Winner of an English PEN Translates Award, and a Heim Translation Fund Grant from PEN America

Few experts in American literature have written as insightfully and brilliantly as did Philip Young, renowned Hemingway critic and scholar at large. His unique work bursts with a joy in the humanities, with a sensibility, a humor, and a style that communicate to academics and general readers alike. Although Young died in 1991, he survives in his remarkable prose. American Fiction, American Myth features nineteen groundbreaking essays in which Young masterfully reveals the &"so what?&" that he insisted all literary studies ought to have. In the first section, he demonstrates his fascination with such American myths as Pocahontas and Rip Van Winkle, reaching powerful conclusions about America and its people. In the second section, he becomes &"Our Hemingway Man,&" explaining his germinal and still provocative theory that Hemingway's severe wounding in World War I so traumatized the novelist that his fiction was to a great degree unwitting self-psychoanalysis. Young's book on Hemingway was the first of its kind, but Young was more than a one-author critic, as his essays demonstrate in the third section, exploring such diverse topics as Hawthorne's secret love, the Lost Generation that was never lost, F. Scott Fitzgerald&’s debt to T. S. Eliot, and the relationship between American fiction and American life. What Hemingway once said about himself can be equally applied to Young: &"I am a very serious but not a solemn writer.&" The reader comes away from these essays dazzled by the power of Young's observations and the grace with which he expresses them.