Wanderers Between Two Worlds German Rebels in the American West, 1830-1860 by Douglas Hale In the 1830s a small band of visionary university students launched an audacious, but abortive, rebellion against the German Confederation in an effort to achieve unity and freedom for their country. Their bungled revolt was quickly crushed, and the idealistic youth found themselves branded as traitors and pursued as outlaws. "Wanderers Between Two Worlds" traces the extraordinary intertwined lives of seven of the German student revolutionaries who escaped imprisonment only by flight to the American West. Leaving behind a legacy in Germany's quest for freedom that would not be fulfilled for another 150 years, these urbane and educated exiles arrived in the United States in time to share in the most dramatic episodes of the age: wilderness adventures on the Santa Fe and Oregon Trails; the Texas Revolution against Mexico; the Mexican War; the California Gold Rush; the mounting conflict over slavery; and the inexorable thrust of American power to the Pacific. The United States offered these young men a broad and uncrowded stage upon which to display their talents. Gustav Koerner became a leading Illinois politician while Georg Engelmann emerged as the premier botanist of the American West. Ferdinand Lindheimer was an influential spokesman among the German settlers in Texas. Adolph Wislizenus explored the Rockies and northern Mexico and led in the establishment of the St. Louis scientific community. Gustav Bunsen perished in the Texas Revolution, while his brother Georg achieved considerable influence as a pioneer educator. Theodor Engelmann published the first German newspaper in Illinois. Historian Douglas Hale captures the drama and adventure of their lives in both the Old Country and the New. "Wanders Between Two Worlds" is an engaging and accessible saga that acquaints readers with a long-neglected chapter in the history of German democracy and the impact of German-Americans in the development of Illinois, Missouri, and Texas. Hale combines scrupulous attention to accuracy with a lucid and readable style that ventures beyond historical narrative to engage the reader in the personalities and experiences of the individuals involved.

Society of Illustrators, Dilys Evans Founder's Award Winner A New York Times Best Book of 2020 A Wall Street Journal Best Book of 2020 PRAISE "Electrifying. Extraordinary. Enigmatic and gorgeous." —The Wall Street Journal "An epic dream captured in superbly meticulous detail." —Shaun Tan "Danger, magic, surprise and awe abound in this masterly, wordless debut." —The New York Times "I love Van den Ende's passion." —Brian Selznick, New York Times Book Review STARRED REVIEWS ★ "Marvelously engrossing—a triumph." —Kirkus Reviews, starred review ★ "Remarkable. Absolutely sui generis." —Booklist, starred review Without a word, The Wanderer presents one little paper boat's journey across the ocean, past reefs and between icebergs, through schools of fish, swaying water plants, and terrifying sea monsters. The little boat is all alone, and while its aloneness gives it the chance to wonder at the fairy-tale world above and below the waves, that also means it must save itself when it storms. And so it does. Readers young and old will find the strength and inspiration in this quietly powerful story about growing, learning, and life's ups and downs.

This book is the first survey in English of literature and film in Nazi Germany. It treats not only works sympathetic to National Socialism, but also works of the so-called Inner Emigration, of the resistance, and those written in prisons and concentration camps. Much of this literature is not easily accessible in German, and not available at all in English translation. Historical and ideological context is provided in chapters covering influential works of the time such as Alfred Rosenberg's The Myth of the Twentieth Century and Houston Stewart Chamberlain's The Foundations of the Nineteenth Century. Schoeps also analyzes Nazi cultural policies, fascist histories of literature, and the role of German studies and Germanists in the Nazi movement. A major section of the book is devoted to film, then a relatively new medium of communication whose propaganda value was clearly recognized by Goebbels, the minister for propaganda and president of the Reich's Chamber of Culture. One of the most interesting areas of research in recent years is the relationship between Hitler's cultural commissars, in particular Goebbels, and the literature and film production of the Nazi years. This book is based on the revised and expanded second German edition, Literatur im Dritten Reich (1933-1945), but has again been revised and expanded, especially the chapter on film and Nazi policies toward the film industry. The chapter on cultural policies has also been expanded to include Himmler's efforts to meddle in this area. New also are sections dealing with Jewish entertainers in concentration camps (for example, Kurt Gerron) and activities of the Jewish Cultural League. Karl-Heinz Schoeps is professor of German at the University of Illinois at Urbana-Champaign.

What it was like to be a Christian in the early centuries.

When Henry Cooper inherits property in Thunder Point, Oregon, the fate of the entire small town rests on whether he decides to stay there or move on, a decision that is influenced by his growing attraction for Sarah Dupree.

Baird (history, Miami U., Ohio) illuminates the political culture of the Third Reich by focusing on the regime's fascination with motifs of death. He traces the development of Nazi propaganda from the fields of Flanders in 1914 to the cult of death created by Hitler, Goebbels, and others during World War II. Annotation copyrighted by Book News, Inc., Portland, OR

Why, after experiencing the horrors of modern war, are so many people ready to glorify the conflict when it is over? A chilling look at how the horrors of war become the comforts of nostalgia.

This landmark work by George L. Mosse, first published in 1985, examines the history of sexuality through the lens of bourgeois respectability and nationalism. Using a daring breadth of German and English sources, Nationalism and Sexuality pioneered the use of gender stereotypes as a methodology for studying the history of sexuality in mainstream European history. Mosse’s innovative inquiries on gender remain central to discussions about modern constructions of national belonging and the workings of the state. This edition of Mosse’s classic volume includes a new critical introduction by Mary Louise Roberts, whose books include What Soldiers Do: Sex and the American GI in World War II France.