The Camper Book will captivate all those who dream of waving good-bye to the rat race from the window of their own moveable home, be it a camper, RV, travel trailer, camper van, or tiny camper. Not just for placid retirees anymore, camper culture has sprung up among simplicity-seeking millennials, retro-loving "glampers," sports and movie stars, aging hippies, contract workers, "road-schoolers," and others. Award-winning journalist Dave Hoekstra hit the road in his own custom camper van, named Bluebird, to explore the history, culture, subcultures, and future of camper life. Traveling and talking his way through US campsites, RV parks, landmarks, and communities, Hoekstra draws out revealing stories from all walks of life—from Americans who are downsizing material goods while upsizing spiritual pursuits to RV enthusiasts such as Grammy-winning singer-songwriter John Prine and Chicago Cubs manager Joe Maddon. A modern-day Studs Terkel, Hoekstra provides a delightful mix of oral history, in-depth reporting, and practical information, while photographer Jon Sall's beautiful color photographs illuminate the unique people, places, and rigs that typify camper life.

Earnest Bracey is a man who loves music. He played his jazz trumpet at several venues in Japan, as well as at the One Step Down jazz club in Washington, D.C. He was a jazz trumpet soloist in the acclaimed Jazz Big Band at Jackson State University in the late 1970s, and his love for music has poured into his love of prose. Dark Labyrinth is a collection of poems about music and so much more. Many of Bracey’s poems reference the power of the blues. Perhaps his most significant “blues poems” are “The Language of our Demise,” “Ebola Blues,” and “The Tall Black Man with One White Shoe.” As a musician and African American history professor, Bracey’s poems give poetic justice to the black experience in the United States. His collection provides snapshots of African American feelings in an imaginative way. His words celebrate the horror and beauty of America without sugarcoating anything. Some poems are derived from strict facts and harsh truths, but all carry a bluesy, musical sense of play.

Traces the development and characteristics of the Delta blues, and describes the most influential blues musicians and recordings of the 1920s and 1930s

Ripped from middle-class life in Philadelphia, and transplanted to a single-parent household in the segregated south, Sarah, a precocious black child struggles to be the master of her fate. She refuses to accept the segregation that tries to confine herÑa system her mother accepts as the southern way of life. A brave memoir that testifies to the authorÕs fiery spirit and sense of self that sustained her through family, social and cultural upheavals.

Were you to cross George Howe Colt's recent classic, The Big House: A Century in the Life of an American Summer Home, with John Grogan's beloved Marley & Me, you might end up with what Brenda Gilchrist has created in Waltzing With Bracey: A Long Reach Home. In this brave and thoughtful memoir, Gilchrist tells the story of learning to claim her place in the world; Deer Isle, Maine; and the wonderfully bossy little corgi, Bracey, who helps her to do so. After a girlhood spent abroad in various world capitals, Gilchrist has never felt entirely at home anywhere, or indeed, particularly confident about who she is. Her family's Deer Isle summer cottage might qualify as an anchor of sorts. But there are so many ghosts up thereso many august forebears to live up to. As a middle-aged New Yorker she confronts her Aunt Eleanor's bequest of the Deer Isle property. Moving to Maine full-time with her corgi puppy in tow, she sets out to claim not just this big, rambling, shingle-style pile of a house but also her own life. Bracey is vital to this process, serving as companion and example. There is a great deal to learn from this energetic little alpha, who seems never to have known a self-doubt in his brief, well-furred life. Here is a love letter to the glories of the Maine Coast and to the human/animal bonds that can so enrich a life.

“The essential history of this distinctly American genre.”—Atlanta Journal-Constitution In this “expertly researched, elegantly written, dispassionate yet thoughtful history” (Gary Giddins), award-winning author Ted Gioia gives us “the rare combination of a tome that is both deeply informative and enjoyable to read” (Publishers Weekly, starred review). From the field hollers of nineteenth-century plantations to Muddy Waters and B.B. King, Delta Blues delves into the uneasy mix of race and money at the point where traditional music became commercial and bluesmen found new audiences of thousands. Combining extensive fieldwork, archival research, interviews with living musicians, and first-person accounts with “his own calm, argument-closing incantations to draw a line through a century of Delta blues” (New York Times), this engrossing narrative is flavored with insightful and vivid musical descriptions that ensure “an understanding of not only the musicians, but the music itself” (Boston Sunday Globe). Rooted in the thick-as-tar Delta soil, Delta Blues is already “a contemporary classic in its field” (Jazz Review).