I am just blown away by Peter C. Stone s Waltzes with Giants. He has captured the story all so well, so tragically, so beautifully. Amy Knowlton, North Atlantic right whale research scientist, New England...

With more than 80 essential masterworks arranged for easy piano, this book guarantees a lifetime of exploration and enjoyment at the keys. Titles: * 1812 Overture (Tchaikovsky) * Air on the G String (Bach) * Andaluza No. 5 (Granados) * Anvil Chorus (Verdi) * Ave Maria (Bach-Gounod) * Ballade No. 1 (Chopin) * Barcarolle from Tales of Hoffmann (Offenbach) * The Blue Danube (Strauss) * Brandenburg Concerto No. 3 (Bach) * Bridal Chorus, from Lohengrin (Wagner) * Can-Can (Offenbach) * Canon in D (Pachelbel) * Clair de lune (Debussy) * Doretta's Song (Puccini) * The Entertainer (Joplin) * Egmont Overture (Beethoven) * Eine kleine Nachtmusik (Mozart) * "Emperor" Concerto (Beethoven) * Fantaisie-Impromptu (Chopin) * Flower Duet (Delibes) * Funeral March of a Marionette (Gounod) * The Garland Waltz, from Sleeping Beauty (Tchaikovsky) * Habanera (Bizet) * Hallelujah Chorus (Handel) * Hornpipe (Handel) * Hungarian Dance No. 5 (Brahms) * Intermezzo (Mascagni) * In the Hall of the Mountain King (Grieg) * Jesu, Joy of Man's Desiring (Bach) * L'Arlí©sienne Suite No. 1 (Bizet) * Líæ ci darem la mano (Mozart) * La donna í mobile (Verdi) * Libiamo, from La Traviata (Verdi) * Mandolin Concerto in C Major (Vivaldi) * Maple Leaf Rag (Joplin) * March from The Nutcracker (Tchaikovsky) * March of the Toreadors (Bizet) * Meditation, from Thaí¿s (Massenet) * "Merry Widow" Waltz (Lehíçr) * "Military" Polonaise (Chopin) * "Minute" Waltz (Chopin) * The Moldau (Smetana) * "Moonlight" Sonata (Beethoven) * Morning Mood (Grieg) * Musetta's Waltz (Puccini) * "New World" Symphony (Dvo�»ak) * Nocturne, Op. 55, No. 1 (Chopin) * O mio babbino caro (Puccini) * Ode to Joy (Beethoven) * Overture from The Marriage of Figaro (Mozart) * "Pathí©tique" Sonata (Beethoven) * Pavane (Faurí©) * Piano Concerto No. 1 (Tchaikovsky) * Piano Sonata No. 11 (Mozart) * Polovetsian Dance (Borodin) * Pomp and Circumstance (Elgar) * Prelude from Cello Suite No. 1 (Bach) * Prelude, Op. 28, No. 4 (Chopin) * Prince of Denmark's March (Clarke) * Queen of the Night Aria (Mozart) * "Raindrop" Prelude (Chopin) * "Revolutionary" Etude (Chopin) * Rondeau from Suite de symphonies (Mouret) * Rondo alla Turca (Mozart) * Sheep May Safely Graze (Bach) * Solace (Joplin) * The Sorcerer's Apprentice (Dukas) * Spring, from The Four Seasons (Vivaldi) * Stí_ndchen (Schubert) * "Surprise" Symphony (Haydn) * The Swan (Saint-Saí‚ns) * Swan Lake, Act I Finale (Tchaikovsky) * Symphony No. 5 (Beethoven) * Symphony No. 40 (Mozart) * Toccata in D Minor (Bach) * Toreador Song (Bizet) * Turkish March (Beethoven) * Un bel díå (Puccini) * "Unfinished" Symphony (Schubert) * Variations on "Ah, vous dirai-je, Maman" (Mozart) * Voi, che sapete (Mozart) * Waltz, Op. 39, No. 15 (Brahms) * Wedding March from A Midsummer Night's Dream (Mendelssohn)

This is a diary of a Giants fan's memories of watching over some 400 games. The book begins with the formation of the team. It serves not only as a recollection of memories to all fans of the New York Giants, but also acts, by its accuracy and thoroughness, as a historical document. It precisely describes those memorable games in franchise history that followers of the Big Blue will vividly recall. Author and Norwalk, Connecticut resident Richard L Chilton takes you on a game-by-game analysis beginning September 17, 1920, with the formation of what would two years later be known as the National Football League. This diary could only have been written by Richard, whose family has had season tickets for over 70 years. In this detailed tome, you will get a firsthand account of all games played by the New York Giants. This firsthand account gives great insight to landmark decisions of the past, which can oly be appreciated by true football fans.

An unsolved mystery upends Si Reardon’s sunny Florida plans to recover from the events of Fool’s Run and reconnect with his daughter. Si’s strange luck throws him into a bizarre sometimes zany maelstrom of Hollywood stars, sleazy producers grim practical jokers and a ghostly presence that won’t let him rest. Gretta Carr disappeared years ago, just after a standout turn in a big-budget film. Now that film’s fading stars and producers are back on Florida beaches for a lower-budget sequel to jump-start careers. Gretta’s sister sees it as an opportunity perfect for Si’s unconventional investigation style. Someone from Hollywood knows more than they’re telling. A premium fee makes it too promising to pass up. It might just be enough to stake Si for a custody fight. Trouble on the film set soon draws Si into a security gig, and as the production’s bedeviled by escalating mishaps and worse, Si’s faced not just with unlocking secrets from the past but protecting troubled actors with dark secrets of their own. He’ll again need the muscle of the bayou-dwelling McCluskys, the brains of gender-neutral hacker Jael and new allies too if he’s going to come out the other side of a perfect storm of mayhem and wickedness.

The novel Snowdrop Waltz is a warm defense of poor people in Stavanger in the 1870s. Ive wanted to describe life stories, struggling young people with an unbending will to live. Just as snowdrops break their way through the snow, says author Dag Gustav Gundersen. The latter half of the nineteenth century is also a particularly interesting period. The emergence of modern Norway began. And in Stavanger, everything peaked because the economy and living conditions fluctuated far more here than most other places. The herring disappeared, the tall-ship area ended, and the sardine-canning industry emerged. I describe ordinary people and am trying to portray society as it looked from belowfrom the point of so desperately poor people that we can hardly comprehend now 130 years after, says Storla. Simultaneously with the distress, Stavanger experienced a major revival, and new beliefs are challenging the old. This also plays a central role in Snowdrop Waltz. The famous author Alexander Kielland made a unilaterally negative description of the layman movement in his novels, a portrait that in many ways has been allowed to be unchallenged. However, there are a rich source material documenting the importance of the laymantemperanceand later labor movements; they can hardly be overstated when it comes to their importance to social development and democracy. At the chapel, Bethany arose the previously unthinkable communion between people of both sexes and different classes. Ordinary people spoke up in the meetings, and were able to advocate their views and proclaim their faith, says Storla.

Have fun while you expand your powers of deductive reasoning! Every one of these puzzles calls for conclusions based only on the information provided; the answers don't depend on previous knowledge, memory, wordplay, or deception--just a logical mind. Accept the alternatives that lead to the correct response and discard all faulty assumptions until you've arrived at the only possibility that makes sense. There are eight kinds of puzzle, and in most cases diagrams help organize your results. Here's one example: A supermarket theft has occurred. Someone took a fully loaded cart without paying for the groceries. One of the three suspects is guilty--but which one? The guilty party's statement is true; the other two are false. Who is guilty? A. B took the cart loaded with groceries B. A's statement is true C. A's statement is false Answer: C is the guilty party.

"Sometimes I feel as if he's sitting next to me." Buchbinder on Beethoven No work has left a more lasting impression on star pianist Rudolf Buchbinder than Beethoven's Diabelli Variations. The Last Waltz explores the world of Beethoven, the publisher Anton Diabelli, and the musical Vienna of the early 19th century in 33 literary variations and offers a fascinating look at Buchbinder's personal approach to music: why did Buchbinder play the Diabelli variations at such a young age? How did he help to save Beethoven's manuscript of the piece? What does he think about while playing Beethoven? How much boogie-woogie is in Beethoven? Why should a musician trust him blindly when playing his music? And what inspired Buchbinder to send Diabelli's waltz to leading contemporary composers, reintroducing the Diabelli variations to the 21st century? The Last Waltz brings marvelous stories of music and people to life.