This is a comprehensive journey through the long career of auteur Hollywood filmmaker Walter Hill, director of The Driver, The Warriors, Southern Comfort, 48 Hrs., Streets of Fire and many more. The book covers every motion picture that Hill directed, with historical detail and critical commentary on each, and discusses Hill's overall cultural relevance and industrial impact. It includes candid conversations with Hill; producer Larry Gordon; actors Nicholas Guest, William Sadler and Michael Pare; cinematographers Lloyd Ahern and Matthew Leonetti; composers Van Dyke Parks and David Mansfield; screenwriter Larry Gross, and others who worked with Hill throughout his prolific career.

In The Films of Walter Hill: Another Time, Another Place, Brian Brems explores how, as action emerged as a full-fledged genre of cinema, Walter Hill established his position in the genre, first as a screenwriter and then as a director. Hill, Brems argues, helped merge the thematic and stylistic concerns of the Western and film noir into a new action cinema, establishing a reputation for mythic, highly-stylized storytelling driven by a relentless pace. Through analyses of Hill’s filmography, this book demonstrates his consistent use of the architecture of classical storytelling to help codify the language of the action movie. These observations are supported by extensive conversations with Walter Hill and several of his on-screen collaborators, including Lance Henriksen, Sigourney Weaver, David Patrick Kelly, James Renmar, and William Sadler. Ultimately, Brems positions Hill as a key American film artist, whose work has inspired countless imitations.

After ruffling feathers all over the city, Roy Nash's bounty hunt takes a turn for the worse when he finds himself the prisoner of one of LA's most notorious gangsters.

"Hitman Frank Kitchen's latest assignment takes a turn for the worse when his victim's sister, a sociopathic surgeon, decides to punish him in the unique way only she can. Abducted and operated on against his will, Frank comes to in an unexpected condition, but with a hitman's hunger for revenge!" -- from book version via OCLC.

A 50 page Companion Booklet To The Spoken Word Album. Writer/Director Walter Hill, well-known for his westerns (The Long Riders, Geronimo, Wild Bill, Deadwood, Broken Trail), tells the story of a shootout that occurred in Newton, Kansas in 1871 and its legendary aftermath of violence and controversy. "The Cowboy Iliad reaches back to the spoken tradition of storytelling - designed to have no simple resolution, but a mix of history, nostalgia and speculation. And, of course, we wanted to honor the tradition of the Western... In other words, Bobby Woods and I had a couple of shooters and made a record." - Walter Hill As heard on The Cowboy Iliad Spoken Word Album. Hill makes his recording debut at the age of 77, and, for the first time, his writing is presented using his own voice. Hill began his film career as screenwriter, notably working with filmmakers Sam Peckinpah (The Getaway) and John Huston (The MacKintosh Man). He made his own directorial debut in 1975 with Hard Times starring Charles Bronson and James Coburn. In the years following he directed many films, including The Driver, The Warriors, Southern Comfort, 48 HRS., Streets Of Fire, Red Heat, Johnny Handsome, Last Man Standing, Bullet To The Head, and most recently The Assignment. Hill also served as a co-writer and co-producer on the first three Alien films. Recently, Hill has written three graphic novels published in Paris by Rue de Sèvres; Balles Perdues, Corps et Âme, and Le Specimen. The Cowboy Iliad is written by Walter Hill. The album is produced by Bobby Woods with music performed by Les Deux Love Orchestra.The album is released by Heart Times Coffee Cup Studios and available on Amazon, Spotify, iTunes, Apple Music, and everywhere records are streamed and sold.

Genetic Engineering: A Primer presents the growing field of biotechnology to non-science majors and other general interest readers. The author examines the natural forces that change genetic information and the ways in which scientists have learned to engineer these genetic changes. With a wealth of information flooding the popular press, including news and controversy surrounding cloning, Genetic Engineering is a timely volume that provides background information to the reader intent on understanding this fascinating development.

“A near perfect slice of crime, action and drama. Triggerman should be on everyone’s reading list.” – The Guardian Locked up for a life of murder, Roy Nash never thought he’d walk the streets again, let alone rescue his beloved, Lena. But when the city’s Mafia elite spring the notorious gun-for-hire to handle one last assignment, Roy once again finds himself thrown headfirst into a life of bloodshed and bullets as he sprints a breathless race to save the girl he left behind. From legendary screenwriter and director Walter Hill (The Warriors, Red Heat, Last Man Standing) comes this hardboiled crime thriller set in the bullet-ridden streets of 1930s Los Angeles.

The basis for the cult-classic film and the inspiration for a concept album written by Lin-Manuel Miranda and Eisa Davis, executive produced by Nas, releasing from Atlantic Records on October 18 Every gang in the city meets on a sweltering July 4 night in a Bronx park for a peace rally. The crowd of miscreants turns violent after a prominent gang leader is killed, and chaos prevails over attempts at order. The Warriors follows the Dominators as they make their nocturnal journey to their home territory without being killed. The police are prowling the city in search of anyone involved in the mayhem. An exhilarating novel that examines New York City teenagers left behind by society, who form identity and personal strength through their affiliation with their "family," The Warriors weaves together social commentary with ancient legends for a classic coming-of-age tale. This edition includes a new introduction by the author.

Lessons in Progress provides a detailed look at how progressivism transformed higher education in the New South. Orchestrated by an alliance of northern philanthropists and southern intellectuals, modernizing universities focused on practical, utilitarian education aimed at reinvigorating the South through technological advancement. They also offered an institutional vehicle by which a new, urban middle class could impose order on a society in flux. Michael Dennis charts the emergence of the modern southern university through the administrations of four university presidents: Edwin Alderman (Virginia), Samuel C. Mitchell (South Carolina), Walter Barnard Hill (Georgia), and Charles Dabney (Tennessee). He shows how these administrative leaders worked to professionalize the university and to knit together university and state agencies, promoting a social service role in which university personnel would serve as expert advisors on everything from public health to highway construction. Dennis also explains how the programs of educational progressives perpetuated traditional divisions of race, sex, and class. The Tuskegee/Hampton model favored industrial education for blacks whose labor would support the South's expanding urban industrial complex, while education for women was careful not to disturb conventional notions of a woman's place. White workers found themselves subject to an increasingly centralized system of education that challenged their traditional independence. State universities in the New South were not isolated enclaves of classical learning but rather were inextricably tied to social reform initiatives. Seeking a more practical and socially responsible form of education, university modernizers succeeded in establishing the framework of a more modern, bureaucratic state. Despite their accomplishments, however, they failed to generate the kind of economic progress they had envisioned for the South.

For more than a century, original music has been composed for the cinema. From the early days when live music accompanied silent films to the present in which a composer can draw upon a full orchestra or a lone synthesizer to embody a composition, music has been an integral element of most films. By the late 1930s, movie studios had established music departments, and some of the greatest names in film music emerged during Hollywood’s Golden Age, including Alfred Newman, Max Steiner, Dimitri Tiomkin, and Bernard Herrmann. Over the decades, other creators of screen music offered additional memorable scores, and some composers—such as Henry Mancini, Randy Newman, and John Williams—have become household names. The Encyclopedia of Film Composers features entries on more than 250 movie composers from around the world. It not only provides facts about these artists but also explains what makes each composer notable and discusses his or her music in detail. Each entry includes Biographical material Important dates Career highlights Analysis of the composer’s musical style Complete list of movie credits This book brings recognition to the many men and women who have written music for movies over the past one hundred years. In addition to composers from the United States and Great Britain, artists from dozens of other countries are also represented. A rich resource of movie music history, The Encyclopedia of Film Composers will be of interest to fans of cinema in general as well as those who want to learn more about the many talented individuals who have created memorable scores.