Walt Kuhn (1877-1949) is best known for his bold, modernist paintings of showgirls and circus performers. He was deeply involved with theater and the circus for much of his life, and his work was informed by years of close observation. Combining a modernist impulse with a showman's instincts, Kuhn created portraits that penetrate the veneer of burlesque shows and circuses as well as vigorously rendered still lifes. Kuhn was one of the principal organizers of the 1913 Armory Show, and from about 1922 to 1925, he also turned theater professional, writing and directing satirical skits and pantomimes. In the late 1920s, his mature style emerged through a unique melding of modernist principles with an updated realism. This first major exhibition catalogue of Kuhn's work in decades, timed to coincide with the 100th anniversary of the Armory Show, brings his work back into the spotlight.

“If John Berger’s Ways of Seeing is a classic of art criticism, looking at the ‘what’ of art, then David Salle’s How to See is the artist’s reply, a brilliant series of reflections on how artists think when they make their work. The ‘how’ of art has perhaps never been better explored.” —Salman Rushdie How does art work? How does it move us, inform us, challenge us? Internationally renowned painter David Salle’s incisive essay collection illuminates these questions by exploring the work of influential twentieth-century artists. Engaging with a wide range of Salle’s friends and contemporaries—from painters to conceptual artists such as Jeff Koons, John Baldessari, Roy Lichtenstein, and Alex Katz, among others—How to See explores not only the multilayered personalities of the artists themselves but also the distinctive character of their oeuvres. Salle writes with humor and verve, replacing the jargon of art theory with precise and evocative descriptions that help the reader develop a personal and intuitive engagement with art. The result: a master class on how to see with an artist’s eye.

Reprint of: John Sloan's New York scene. -- New York: Harper & Row, 1965.

The circus as a focal point of twentieth-century American art.

This exhibition sets the art of Edward Hopper in the context of the diverse and controversial movements dominating American art during the first half of the twentieth century.

Tucked away among the letters, diaries, and other ephemera in the Smithsonian's archives lies a trove of rarely seen snapshots of some of the twentieth century's most celebrated artists. Unlike the familiar official portraits and genius-at-work shots, these humble snaps capture creative giants with their guard down, in the moment, living life. Pablo Picasso stands proudly on a balcony with young daughter Maya—a tiny, meticulously inked annotation penned by an unknown hand proclaims that "he's very much in love." Jackson Pollock morosely carves a turkey while his mother, Stella, and wife, Lee Krasner, look on. A young Andy Warhol clowns for the camera with college friend Philip Pearlstein, and in a later shot more closely resembles his famously enigmatic public self at a gallery opening with John Lennon and Yoko Ono.

The German Revolution erupted out of the ashes of World War I, triggered by mutinying sailors refusing to be sacrificed in the final carnage of the war. While the Social Democrats grabbed power, radicals across the country rallied to establish a communist society under the slogan “All Power to the Councils!” The Spartacus League launched an uprising in Berlin, council republics were proclaimed in Bremen and Bavaria, and workers' revolts shook numerous German towns. Yet in an act that would tragically shape the course of history, the Social Democratic government crushed the rebellions with the help of right-wing militias, paving the way for the ill-fated Weimar Republic—and ultimately the ascension of the Nazis. This definitive documentary history collects manifestos, speeches, articles, and letters from the German Revolution—Rosa Luxemburg, the Revolutionary Stewards, and Gustav Landauer amongst others—introduced and annotated by the editor. Many documents, such as the anarchist Erich Mühsam's comprehensive account of the Bavarian Council Republic, are presented here in English for the first time. The volume also includes materials from the Red Ruhr Army that repelled the reactionary Kapp Putsch in 1920 and the communist bandits that roamed Eastern Germany until 1921. All Power to the Councils! provides a dynamic and vivid picture of a time of great hope and devastating betrayal.