Like the contents of a fragile parcel, the mysteries of postal life have at last been shattered, revealing the inner workings in all their brilliant glory! No longer will men and woman have to imagine what it's like walking from lawn to lawn, continually stepping over doggy landmines for hours on end! It's all right here! In a style that's decidedly humorous, not encyclopedic, quirky, but not in need of psychiatric care, letter carrier, Austin Brown, recounts fifteen years of postal life as a mailman. Writing with obvious delight and a firm grin, the idiosyncrasies of American culture are are illuminated in a fresh and entertaining way. Against this backdrop, the reader follows his life as a young letter carrier trekking along the sidewalks of Indiana, at first quite green- terribly green- but in time growing in maturity, learning the secret arts of blue collar survival amid a land where the average citizen roams wild, unhindered and real. Tempests are battled. Frothy-mouthed dogs are wrestled. Mobs of sticky children are overcome. And wild-eyed Postmasters are evaded. Step into a world not unlike a Norman Rockwell painting, but one where the neighborhood dog is firmly latched on the mailman's leg.

Pages of Me, chapter 4. My life on paper, pages of me to help others move forward. To the next chapter of their lives, during your most difficult times. A self help novel of overcoming all, the pain and suffering that life sometimes bring.

Many Christian leaders today promote rigid doctrine that says, “Never doubt. Never question.” This insistence has been demonstrably disastrous for the church because the first step in any faith formation is to wonder. Nathan Aaseng revives the gift of wonder in seeking a fuller, more awesome experience of God. It welcomes unsettling questions, that are too often dismissed with pat answers.

At a time when what it means to watch movies keeps changing, this book offers a case study that rethinks the institutional, ideological, and cultural role of film exhibition, demonstrating that film exhibition can produce meaning in itself apart from the films being shown. Cinema Off Screen advances the idea that cinema takes place off screen as much as on screen by exploring film exhibition in China from the founding of the People’s Republic in 1949 to the end of the Cold War in the early 1990s. Drawing on original archival research, interviews, and audience recollections, Cinema Off Screen decenters the filmic text and offers a study of institutional operations and lived experiences. Chenshu Zhou details how the screening space, media technology, and the human body mediate encounters with cinema in ways that have not been fully recognized, opening new conceptual avenues for rethinking the ever-changing institution of cinema.

The book you're about to read is my story working in the post office as a clerk and union officer. Some cases I worked on and my investigations, and how I dealt with management. You will read about how 5 unions merged to form the American Postal Workers Union. The reorganization act and when the United States Postal Service became an independent government agency. You will read about the shootings inside the post offices, and shooting elsewhere. The misappropriation from management, clerks and union officers. you will read about some of the cases postal inspectors investigated outside the post office. Finally you will a little about the two loves of my life and how I went quietly into retirement.