A Walk in Paradise is a collection of ten poems from Santhosh Annabattula on the topics of death, downfall, duty, faith, hope, liberty, love, revolution, society, & soul. ​​Explore his verses while relishing the essence in them.​

An ancient manuscript and the hidden bones of St. Thomas Becket lead a historian into unexpected danger.

This is a book about end times and Bible Prophecy. It has chapters on Pre-tribulation events, judgements and resurrections and the Book of Daniel. It also goes through the whole book of Revelation.

"Walks to the Paradise Garden is the last unpublished manuscript of the late American poet, photographer, publisher and bon viveur Jonathan Williams (1929-2008). This book chronicles Williams' road trips across the Southern United States with photographers Guy Mendes and Roger Manley in search of the most authentic and outlandish artists the South had to offer. Williams describes the project thus: 'The people and places in Walks to the Paradise Garden exist along the blue highways of America.... We have traveled many thousands of miles, together and separately, to document what tickled us, what moved us, and what (sometimes) appalled us.' The majority of these road trips took place in the 1980s, a pivotal decade in the development of Southern 'yard shows' and many of the artists are now featured in major institutions. This book, however, chronicles them at the outset of their careers and provides essential context for their inclusion in the art historical canon"--Back cover.

Newfoundland writer Libby Creelman finds the emotional heart of her characters — characters continually seeking, and breaking, connections with others, though they rarely know it. A girl welcomes cruelty into her life in an attempt to get closer to a father living with chronic pain. A woman obsessed with her lineage draws her family into inheriting more than they bargained for. A young boy, burdened by the adults with whom he keeps company, arrives at the end of a brief sailing trip directing their futures as well as his own. A woman returns home to spend a weekend with old high school friends and at last understands something about her mother that had been trailing her for years. "Suddenly her voice turns soft, almost tender. But you know what you used to say at bedtime, don't you? You used to hold my face in your hands, and say, You're the best mommy in the universe.'' '... She wants us to savour the image of me holding her face, cherishing her, reading her mind." These are stories about dislocation and about home -- about leaving it, returning to it, needing it, rejecting it -- crafted in a style that is controlled, yet sympathetic.

My Walk Through the Valley is a traumatizing memoir recounting the unconventional upbringing and life journey of Lilith Coal. Her resilience is remarkable as she faces real life challenges and the unexpected hardships of cancer, death, genetic illness, suicide, the sex industry, rape, depression, and alcohol. In this modern day biographical devotional, Coal reveals all her fears. Yet, she ultimately draws courage from her higher power, God. She writes to create the awareness that one doesn’t have to go through hardships alone, that God is always there to guide those who choose to follow.

The history of Hawaii may be said to be the story of arrivals -- from the eruption of volcanoes on the ocean floor 18,000 feet below to the first hardy seeds that over millennia found their way to the islands, and the confused birds blown from their migratory routes. Early Polynesian adventurers sailed across the Pacific in double canoes. Spanish galleons en route to the Philippines and British navigators in search of a Northwest Passage were soon followed by pious Protestant missionaries, shipwrecked sailors, and rowdy Irish poachers escaped from Botany Bay -- all wanderers washed ashore. This is true of many cultures, but in Hawaii, no one seems to have left. And in Hawaii, a set of myths accompanied each of these migrants -- legends that shape our understanding of this mysterious place. Susanna Moore pieces together the story of late-eighteenth-century Hawaii -- its kings and queens, gods and goddesses, missionaries, migrants, and explorers -- a not-so-distant time of abrupt transition, in which an isolated pagan world of human sacrifice and strict taboo, without a currency or a written language, was confronted with the equally ritualized world of capitalism, Western education, and Christian values.