Focused on Shi’ism and Sufism in the formative period of Islam, this book examines the development of the concept of walāya, a complex term that has, over time, acquired a wide range of relationships with other theological ideas, chiefly in relation to the notion of authority. The book offers a textual and comparative analysis of walāya based on primary sources in the ninth and tenth centuries, from both Shi’i and Sufi circles. The starting point is one of the oldest surviving Shi’i sources, Kitāb Sulaym. Alongside this, the author analyses al-Īḍāḥ of Faḍl Shādhān al-Nishābūrī, Kitāb al-Maḥāsin of al-Barqī and Kitāb al-Kāfī of al-Kulaynī. Three major texts in Sufism are considered: Kitāb al-Ṣidq by Abū Saʿīd al-Kharrāz, Tafsīr al-Qurʾan al-ʿAẓīm by Sahl al-Tustarī, and Al-Tirmidhī’s Kitāb Sīrat al-Awliyāʾ. Together, these sources highlight the doctrinal aspects of walāya, exploring the identity, function, appointment, and description of those considered 'walī'. The author ultimately argues that walāya is a cluster of rich, deep-rooted responses to the question of authority, developed within both Shi’ism and Sufism after the death of the Prophet. The book is much-needed reading for students and scholars interested in Shi’i and Sufi studies and Islamic philosophy.

Sufism in Ottoman Damascus analyzes thaumaturgical beliefs and practices prevalent among Muslims in eighteenth-century Ottoman Syria. The study focuses on historical beliefs in baraka, which religious authorities often interpreted as Allah's grace, and the alleged Sufi-ulamaic role in distributing it to Ottoman subjects. This book highlights considerable overlaps between Sufis and ʿulamāʾ with state appointments in early modern Province of Damascus, arguing for the possibility of sociologically defining a Muslim priestly sodality, a group of religious authorities and wonder-workers responsible for Sunni orthodoxy in the Ottoman Empire. The Sufi-ʿulamāʾ were integral to Ottoman networks of the holy, networks of grace that comprised of hallowed individuals, places, and natural objects. Sufism in Ottoman Damascus sheds new light on the appropriate scholarly approach to historical studies of Sufism in the Ottoman Empire, revising its position in official early modern versions of Ottoman Sunnism. This book further re-approaches early modern Sunni beliefs in wonders and wonder-working, as well as the relationship between religion, thaumaturgy, and magic in Ottoman Sunni Islam, historical themes comparable to other religions and other parts of the world.

Focused on Aḥmad Ibn ‘Ajība – an eighteenth-century Moroccan Sufi scholar renowned for his contribution to Sufi Qur’ānic exegesis – this book engages critically with his theory of divine love to elucidate his impact on the wider field of Qur’ānic scholarship. The principal source of analysis is Ibn ‘Ajība’s Oceanic Exegesis of the Qur’ān which connected theoretical works on the concept of divine love to their practical application, a breakthrough in Sufi literature. Close analysis of this text is supplemented by a comparative approach focusing on several other eminent Sufi commentaries, including those of Abū al-Qāsim al-Qushayrī and Rūzbihān Baqlī Shīrāzī. This comparative approach situates Ibn ‘Ajība’s thought in theological and historical perspective, engaging with his mystical approach which integrates his theory of divine love with other Sufi doctrines in an accessible manner. This approach, it is argued, left an indelible impact on future generations of Qur’ānic exegetes within North Africa and across the Islamic world. The book will prove an important resource for academic researchers who wish to explore the vast intellectual heritage that Ibn ‘Ajība left, as well as to those interested in Sufi literature and Islamic theology in general.

This first-ever English translation of Nur Baba – a classic of modern Turkish literature written by Yakup Kadri Karaosmanoğlu – offers a unique window into Sufi lodges, social dilemmas, and intellectual life in early twentieth-century Istanbul. Inspired by Karaosmanoğlu’s personal experiences with Islamic mystical orders, it is a story of illicit romance and spiritual inquiry, depicting a colourful lodge of Sufi dervishes led by a charismatic, yet morally suspect, spiritual master named Nur Baba. The plot follows his attempts to seduce an attractive married woman from an elite family and recounts her dramatic experiences in the life of a Sufi community. The setting shuttles between the grand mansions of Istanbul’s elite families and a Sufi lodge where rich and poor intermingle. Exploring questions of gender, morality, and religious bias throughout, it captures the zeitgeist of early twentieth-century modernist thinkers who criticised Sufism for impeding social progress and debated the public roles of women in a rapidly modernising society. Alongside the editor’s meticulous translation, the volume includes a scholarly introduction, maps, and images, as well as explanatory footnotes that will aid both students and scholars alike. The novel will be of particular interest to those studying world literature, Sufi studies, and Ottoman-Turkish history.

This book is a comprehensive historical overview of the formative period of Sufism, the major mystical tradition in Islam, from the ninth to the twelfth century CE. Based on a fresh reading of the primary sources and integrating the findings of recent scholarship on the subject, the author presents a unified narrative of Sufism's historical development within an innovative analytical framework. Karamustafa gives a new account of the emergence of mystical currents in Islam during the ninth century and traces the rapid spread of Iraq-based Sufism to other regions of the Islamic world and its fusion with indigenous mystical movements elsewhere, most notably the Malr cultural context

Transforming our understanding of Persian art, this impressive interdisciplinary book decodes some of the world's most exquisite medieval paintings. It reveals the hidden meaning behind enigmatic figures and scenes that have puzzled modern scholars, focusing on five 'miniature' paintings. Chad Kia shows how the cryptic elements in these works of art from Timurid Persia conveyed the mystical teachings of Sufi poets like Rumi, Attar and Jami, and heralded one of the most significant events in the history of Islam: the takeover by the Safavids in 1501 and the conversion of Iran to Shiism.

Gold Winner of the 2012 Benjamin Franklin Award and the 2012 Independent Publisher Book Award! This is a definitive book on the Sufi “way of blame” that addresses the cultural life of Sufism in its entirety. Originating in ninth-century Persia, the “way of blame” (Arab. malamatiyya) is a little-known tradition within larger Sufism that focused on the psychology of egoism and engaged in self-critique. Later, the term referred to those Sufis who shunned Islamic literalism and formalism, thus being worthy of “blame.” Yannis Toussulis may be the first to explore the relation between this controversial movement and the larger tradition of Sufism, as well as between Sufism and Islam generally, throughout history to the present. Both a Western professor of the psychology of religion and a Sufi practitioner, Toussulis has studied malamatiyya for over a decade. Explaining Sufism as a lifelong practice to become a “perfect mirror in which God contemplates Himself,” he draws on and critiques contemporary interpretations by G. I Gurdjieff, J. G. Bennett, and Idries Shah, as well as on Frithjof Schuon, Martin Lings, and Seyyed Hossein Nasr. He also contributes personal research conducted with one of the last living representatives of the way of blame in Turkey today, Mehmet Selim Ozic.

These 24 studies on specific symbols, images and icons from the Muslim tradition are authored by scholars from around the world. Divided into four sections, the Divine, the Spiritual, the Physical, and the Societal, they examine theological issues, such as divine unity, creation, wrath, and justice, as well as spiritual subjects, such as the straight path, servitude, perfection, the jinn, intoxication, and the status of Fatimah, the daughter of the Prophet Muhammad. Essays also explore the symbolism of physical elements such as water, trees, seas, ships, food, the male sexual organ, eyebrows, and camels; and the significance of more socially-centered subjects such as the center, ijtihad, governance, otherness, Ashura, and Arabic. Drawing from the Qur'an and Sunnah, the essays address these topics with tact and respect from a position that appreciates exegetical diversity while remaining within the realm of unity.

The second largest branch of Islam, with between 130 and 190 million adherents across the globe, Shi'i Islam is becoming an increasingly significant force in contemporary politics, especially in the Middle East. This makes an informed understanding of its fundamental spiritual beliefs and practices both necessary and timely. Mohammad Ali Amir-Moezzi is one of the most distinguished scholars of Shi'i history and theology, and in this volume he offers a wide-ranging and engaging survey of the core texts of Shi'i Islam. Examining in turn the origins and later developments of Shi'i spirituality, the author reveals the profoundly esoteric nature of the beliefs which accrued to the figures of the early Imams, and which became associated with their interaction between the material and spiritual worlds. Many of these beliefs have remained much misunderstood even within the wider Muslim world. Furthermore, Western scholarship has tended to follow the lead of the earlier orientalists and critics, viewing Shi'i teachings as marginal. In this study the author shows, by contrast, how central and creative the very nature of spirituality was to the development of Shi'i Islam, as well as to classical Muslim civilisation as a whole. In this comprehensive treatment, the esoteric nature of Shi'i spirituality emerges as an essential phenomenon for understanding Shi'i Islam.

This is a study of the life and work of Taha Husein, rightly regarded as the father of modern Arabic literature, and whose work is widely used as introductory texts for students of the language.