This collection of linked stories follows four generations of the Songs, a Korean American family, beginning in 1924 just prior to the Immigration Act and extending to near the end of the century. Linked stories, or stories that form a story cycle, are a common book-length form seen in Asian American literature that accommodates multiple perspectives across generations and locations. Through this story cycle, patterns emerge as cultural identity and individuality, often in tension with one another, shape choices and outcomes. With these stories, Carol Roh Spaulding charts shifting definitions of “Americanness” across time through the arc of a family narrative. She also explores desire and belonging as articulated, in turns, by the mother, father, granddaughter, great-grandson, and even a ghost child who died after a tragic accident. But these linked stories center on the life experiences of Gracie Song. They follow her from girlhood to young motherhood, through her children’s teenage years, and finally to her elderly solitude, when to her great astonishment she finds romance with a younger man and reconciliation with an estranged daughter—both unexpected gifts of later life.

The women in the linked short story collection Once Removed carry the burdens imposed in the name of intimacy--the secrets kept, the lies told, the disputes initiated--as well as the joy that can still manage to triumph. A singer with a damaged voice and an assumed identity befriends a silent, troubled child; an infertile law professor covets a tenant's daughterly affection; a new mother tries to shield her infant from her estranged mother's surprise Easter visit; an aging shopkeeper hides her husband's decline and a decades-old lie to keep her best friends from moving away. With depth and an acute sense of the fragility of intimate connection, Colette Sartor creates stories of women that resonate with emotional complexity. Some of these women possess the fierce natures and long, vengeful memories of expert grudge holders. Others avoid conflict at every turn, or so they tell themselves. For all of them, grief lies at the core of love.

Please Come Back To Me is another remarkable collection by an author the New York Times has called “a writer with an unsparing bent for the truth.” In “The Nurse and the Black Lagoon” a woman tries to understand why her teenage son has been accused of a disturbing crime. In “Testimony” an adult daughter visiting her father does everything she can to keep herself from remembering what she believes she cannot bear. A man returns to his hometown in “Dear Nicole” to face the realization that he married the wrong woman out of misplaced guilt. “Oregon” portrays the internal struggle of a woman who, having years ago betrayed a secret entrusted to her by her best friend, is tempted to repeat the mistake with the same friend’s daughter. And in the collection’s novella, “Please Come Back To Me,” a young widow seeks faith and comfort—in both natural and supernatural realms—after her husband’s death leaves her alone to care for their infant son. On the surface, Jessica Treadway’s stories offer realistic portrayals of people in situations that make them question their roles as family members, their ability to do the right thing, and even their sanity. But Treadway’s psychic landscapes are tinged with a sense of the surreal, inviting readers to recognize—as her characters do—that very little is actually as it seems.

Kaplan, winner of the Flannery O'Connor Award for Short Fiction, writes potent short stories in which she puts seemingly solid marriages to the test, pushing them to their breaking point by force of sorrow and tragedy. Disease and accidents often drive couples to the brink of separation and her characters find themselves in emotional free fall.

If We Were Electric’s twelve stories celebrate New Orleans in all of its beautiful peculiarities: macabre and magical, muddy and exquisite, sensual and spiritual. The stunning debut collection finds its characters in moments of desire and despair, often stuck on the verge of a great metamorphosis, but burdened by some unreasonable love. These are stories about missed opportunities, about people on the outside who don’t fit in, about the consequences of not mustering enough courage to overcome the binds. In “Feux Follet,” an old man’s grief attracts supernatural lights in the dark Louisiana swamps. An exploding transformer’s raw, unnerving energy in the title story matches the strange, ferocious temper of an unlucky hustler. “Blackout” sets the profound numbness of a young man physically abused by his mentally unstable partner beside the meaningful beauty of an unexpected moment of joy with someone else. The teenage narrator in “Before Las Blancas” is so overwhelmed by his sexuality that he abandons everything and everyone he’s known to live in a happy illusion . . . in Mexico. And “Where It Takes Us” is a poignant, understated snapshot of a gay man who accompanies his straight, HIV-positive brother to the race track to bond again.

Kansas boys -- The golden state -- A million and one Marthas -- Go on, eat your heart out -- The house on Alabama Street -- Night of indulgences -- Stupid girls -- Thousand-dollar decoy -- First love -- Queen of England -- Bald bear -- Acknowledgment

These eight brutally beautiful stories are struck full of fragmented dreams, with highly developed thieves, misadventurers, and displaced characters all heaving through a human struggle to anchor themselves in a new home or sometimes a new reality. This book is about young Nigerian immigrants who bilocate, trek through the desert, become temporary Mormons, sneak through Russia, and yearn for new life in strange new territories that force them to confront what it means to search for a connection far from home. Japa and Other Stories came out of a struggle Iheoma Nwachukwu faced when trying to orient himself in the United States of 2017 to 2021, when attitudes toward immigrants suddenly shifted. The Japa characters explored in this book are immigrants who have no plans to return to their home country—for voluntary reasons—although they retain a strong connection to home.

"This collection of linked stories follows four generations of the Songs, a Korean American family, beginning in 1924 just prior to the Immigration Act and extending to near the end of the century. The stories chart the shifting definitions of Americanness, desire and belonging articulated, in turns, by the mother, father, grand-daughter, great-grandson, and even a ghost child who died after a tragic accident. But they center on the experience of Gracie Song, following her from girlhood to young motherhood, through her children's teenage years and finally to her elderly solitude, when to her great astonishment she finds romance with a younger man and reconciliation with an estranged daughter, both unexpected gifts of late"--

Korean writer Ch’oe Myŏngik was a lifelong resident of Pyongyang, a city his short stories masterfully evoke in exquisite modernist prose. His career spanned decades of tumult, from his debut in the 1930s while Korea was under Japanese colonial rule through the Asia-Pacific and Korean Wars and the early years of the Democratic People’s Republic. As Pyongyang transformed from Korea’s second city, peripheral to the Seoul-centered literary scene, into a socialist capital in the late 1940s, Ch’oe briefly ascended to the center of North Korean culture. Despite the vitality and originality of Ch’oe’s writing, Cold War politics and censorship, including South Korea’s anticommunist laws, consigned his work to obscurity. Patterns of the Heart and Other Stories presents a selection of Ch’oe’s short fiction in translation, including later works from hard-to-find North Korean publications. These cinematic, keenly observed tales explore Pyongyang in meticulous detail, depicting the city’s transformations and the conflicts between old and new. They pay close attention to the lives of the disaffected and the marginalized: a drifter confronts a former revolutionary dying of opium addiction; a sex worker is trafficked across the border aboard a train, amid the indifference of her fellow passengers. Later stories provide a striking glimpse of the Korean War—the occupation of Pyongyang, U.S. fighter jets bombing civilian refugees, guerrilla heroics—from a North Korean perspective. Hidden treasures of world literature, these stories offer new perspectives on Korea’s turbulent twentieth century, across political divides still in place today.