In Paris's Pere-Lachaise cemetery lie the bones of many renowned departed. It is also home to a large number of stray cats. Now, what if by some strange twist of fate, the souls of the famous were reborn in the cats with their personalities intact? There's Maria Callas, a willful and imperious diva, wailing late into the night. Earthy, bawdy chanteuse Edith Piaf is a foul-mouthed washerwoman. Oscar Wilde is hopelessly in love with Jim Morrison, who sadly does not return his affections. Frederic Chopin is as melancholic and deeply contemplative as ever, and in honor of the tradition of leaving love letters at his tomb, he is now the cemetery's postmaster general. Last but not least, Marcel Proust is trying to solve the mystery behind some unusual thefts - someone has stolen Rossini's glass eye and Sarah Bernhardt's leg. Told in a series of amusing set pieces and intercepted letters, this is a delicious tale of intrigue, unrequited love, longstanding quarrels, character assassinations, petty spats, and sorcery that builds to a steady climax at the cats' annual Christmas pageant.

Based on the life of Gertrude Stein during her Paris years. Her life in France crossed paths with such famous people of the art and literary world...Picasso, Hemingway, Matisse, Apollonaire Guillaume and her long time companion Alice B. Toklas and many others.

Back in 1936, Thornton Wilder had warned Gertrude Stein to get her unpublished manuscripts into the safekeeping of the Yale Library because of the danger of another world war's breaking out on French soil. Charmed by the notion that all her work was to be safely harbor-ed for later publication and study, Gertrude packed several cases of manuscripts, letters and miscellany and sent them off. The packing was done with characteristic Steinian abandon: neatly piled manuscripts were dumped into crates, and correspond-ence, carefully alphabetized and filed at the end of each year by Gertrude's amanuensis, Alice Toklas, was pulled out in drawerfuls and overturned into the crates. Finally, all the scraps of paper that Gertrude never threw away, budget lists, garage attendants' instructions about the Fords she owned during the 10's and 20's ("regardez le carburetor"), forgotten old dentist's bills, were tossed in, too. Alice re-monstrated about their inclusion, but Gertrude used every hoarder's excuse: "You can never tell whether some laundry list might not be the most important thing." Two packages in brown wrapping paper at the bottom of the armoire, lying among chunks of manuscript of her novel, The Making of Americans, fell into the crates along with all the other papers...

A biography of the author of Secret Garden.

Jump into extreme language play with A Little Called Pauline where young readers will experience Gertrude Stein's playful, mysterious language for the very first time--and delight in a girl named Pauline who lives by the sea with her mom.

Newly famous in the wake of the publication of her groundbreaking Autobiography of Alice B. Toklas, Gertrude Stein delivered her Narration lectures to packed audiences at the University of Chicago in 1935. Stein had not been back to her home country since departing for France in 1903, and her remarks reflect on the changes in American culture after thirty years abroad. In Stein’s trademark experimental prose, Narration reveals the legendary writer’s thoughts about the energy and mobility of the American people, the effect of modernism on literary form, the nature of history and its recording, and the inventiveness of the English language—in particular, its American variant. Stein also discusses her ambivalence toward her own literary fame as well as the destabilizing effect that notoriety had on her daily life. Restored to print for a new generation of readers to discover, these vital lectures will delight students and scholars of modernism and twentieth-century literature. “Narration is a treasure waiting to be rediscovered and to be pirated by jolly marauders of sparkling texts.”—Catharine Stimpson, NYU

Gertrude Sanders is completely devoted to her family and her job as the librarian of the Nowhere, Texas library. When a man starts parking his book wagon outside the library, she makes it her business to force him to leave town. It doesn’t take her long to discover that most of the people in town are happier to go to the book wagon than go to the library. Jed Thorn owns a traveling book wagon, and he’s happy to keep traveling, not settling down anywhere. The first time he sees Gertrude, he’s certain that she’s the woman who God created just for him. He loves everything about her from her prickly personality to her animosity toward him. Will Jed be able to convince Gertrude they’re meant to be together? Or will he be forced to move on…without her.

This thoughtful and sophisticated book views Gertrude Stein's life and writings through the lens of transgender theory. Reframing earlier scholarship that falsely assumes that Stein's masculinity was a misogynist manifestation of self-hatred, Chris Coffman argues that her gender was transmasculine and affirms her masculinity as a vital force in her life and work. This book uses Stein's writings - and others' literary and visual texts about her - to illuminate the ways her transmasculinity was formed through her relationship with her feminine partner, Alice B. Toklas, and through her masculine homosocial bonds with modernist figures such as Jane Heap, Pablo Picasso, Ernest Hemingway and Carl Van Vechten.

A collection of works written by Gertrude Stein between the years of 1903 and 1932.