Epistemic injustice points to experiences that we struggle to articulate due to the injuries of hegemonic speech. Detecting such injuries enables social philosophers and activists alike to name injustices, which have not been previously addressed as such. By looking at epistemic injustice in practice, this special issue seeks to analyze epistemologies of marginalized groups, pointing to hidden practices of power as well as silenced subject positions. The published articles investigate the workings of epistemic injustice in the fields of transgender identities, racial discrimination, legal mechanisms of retribution, disability, global social inequalities, and in theorizing justice.

The United Nations has proclaimed the 21st century to be the century of water. In this volume, Water and Women in Past, Present and Future, scholars analyze the gendered political economy of water resource allocations and importantly, offer recommendations for viable, women-friendly solutions to address scarcity and distribution, among other issues. Contributors also explore feminist analyses of the aesthetic dimension of water and the feminine, since water is often associated with women, shown in cross-cultural examples of mythology, symbols and legends. Intersecting the fields of hydro-politics and aesthetics, this book should be of interest to policy analysts, activists, and academics.

This volume of Wagadu: A Journal of Transnational Womens and Gender Studies launches its third printed edition. Wagaduthe Soninke name of the Ghana Empirecontrolled the present-day Mali, Mauritania and Senegal and was famous for its prosperity and power from approximately 300-1076 CE. It constituted the bridge between North Africa, the Mediterranean and Middle Eastern worlds and Sub-Saharan Africa. Ghana gave birth to the two most powerful West African Empires: Mali and Songhay. The modern country of Ghana (former British Gold Coast) derives its name from the Ghana Empire. Why Wagadu? Wagadu has come to be the symbol of the sacrifice women continue to make for a better world. Wagadu has become the metaphor for the role of women in the family, community, country, and planet. In this volume the authors grapple with the intersecting discourses on anti-trafficking, human rights, and social justice, edited by Tiantian Zheng, associate professor of anthropology at SUNY Cortland. Duna taka siro no yagare npale The world does not go without women. Tiantian Zheng is associate professor of Anthropology at SUNY Cortland and author of the forthcoming book _Red Lights: The Lives of Sex Workers in Postsocialist China_, by University of Minnesota Press, in 2009.

This volume of Wagadu: A Journal of Transnational Womens and Gender Studies launches its second printed edition. Wagaduthe Soninke name of the Ghana Empirecontrolled the present-day Mali, Mauritania and Senegal and was famous for its prosperity and power from approximately 300-1076 CE. It constituted the bridge between North Africa, the Mediterranean and Middle Eastern worlds and Sub-Saharan Africa. Ghana gave birth to the two most powerful West African Empires: Mali and Songhay. The modern country of Ghana (former British Gold Coast) derives its name from the Ghana Empire. Why Wagadu? Wagadu has come to be the symbol of the sacrifice women continue to make for a better world. Wagadu has become the metaphor for the role of women in the family, community, country, and planet. Duna taka siro no yagare npale The world does not go without women. This volume investigates the intersecting perspectives, grounded in or emanating from theoretical, discursive as well as experiential frameworks and positions specific to gender, disability and postcoloniality.

When transposed into the botanical world cherished by writer Jamaica Kincaid, the creolization that has long characterized Caribbean cultures can be reread as the art of grafting. In this volume, the notion of grafting—whether of plants, of human beings, or of literary genres—is the basis for the critical readings of the diasporic traces that crisscross Jamaica Kincaid’s oeuvre, here, specifically in the more recent works: My Garden (Book):; Among Flowers: A Walk in the Himalaya; and See Now Then, with connections also to The Autobiography of My Mother.

Todays Global Flneuse offers a fresh analysis of the flneuse on the 21st-century global stage, drawn from the perspectives of art history, mobility studies, sociology, and urban geography. The essays and artwork in this volume offer histories of Eurocentric 19th-century flnerie that still resonate in 21st-century transnational terms. This special issue also reveals the decisive impact of the flneuses practices beyond the strictly urban, extending into rural environs via the mega- and ex-urban, thus contributing to the continuing debate regarding the ever-narrowing urban/rural divide.

Despite the hype of intersectionality and diversity, they remain predominantly symbolic commitments in academic discourses, policy measures and institutional practices. The rhetoric of diversity and intersectionality is strategically mobilized to deflect charges of racism and hetero/sexism, even as there is ongoing systematic resistance against the implementation of their emancipatory potential. Despite commitments to do diversity and adopt intersectional methodology, the status quo is sustained through Eurocentric and Androcentric approaches. This special issue outlines the ideological function of diversity and intersectionality as legitimizing performance indicators in policies, discourses and institutions.

The chapters in this book exemplify ways of questioning our collective relations to normalcy, as such relations affect the lives of both disabled and currently non-disabled people."--Pub. desc.

Asserting that Coetzee’s representation of the body as subject to dismemberment counters the colonial representation of the other’s body as exotic and erotically-charged, this study inspects the ambivalence pertaining to Coetzee’s embodied representation of the other and reveals the risks that come with such contrapuntal reiteration. Through the study of the narrative identity of the colonial other and her/his body’s representation, the book also unveils the author’s own authorial identity exposed through the repetitive narrative patterns and characterization choices.

For more than a thousand years, from A.D. 500 to 1700, the medieval kingdoms of Ghana, Mali, and Songhay grew rich on the gold, salt, and slave trade that stretched across Africa. Scraping away hundreds of years of ignorance, prejudice, and mythology, award-winnnig authors Patricia and Fredrick McKissack reveal the glory of these forgotten empires while inviting us to share in the inspiring process of historical recovery that is taking place today.