This slim study investigates the precise nature of Ovid's didactic poetry in the Remedia Amoris , as displayed in his exhortations, commands, advice and arguments. Contents: Introduction; Enjoinders; Proofs; Exempla; Promissory terms; Tractatio ; Appendix-sequential identification of enjoinders and arguments; Index of passages discussed.

A wide-ranging study of violence in Latin literature, across the spectrum of texts and genres from Plautus to Prudentius.

In this fourth volume of Collected Essays, Bonaventure, John Duns Scotus, and the Franciscan Tradition, Peter Damian Fehlner traces the development of the Franciscan theologies of redemption, co-redemption, and the Immaculate Conception as they both flow from and return to a very concrete spirituality rooted in devotion to the persons of Jesus and Mary. The main protagonists in these studies are the towering figures of Bonaventure and John Duns Scotus. Framed within an ecclesiological and sacramental worldview, shaped by the correlative and markedly Franciscan doctrines of the Absolute Primacy of Jesus and the Immaculate Conception, Fehlner outlines the theological background and rationale for affirming Mary’s co-redemptive role in creation and salvation history. In articulating this great vision of the church, Fehlner discloses the Catholic and Franciscan understanding of Tradition and its progressive penetration and integration of doctrinal and devotional development into the life of the church. For Fehlner, Mary’s co-redemptive association with her Son and her union in charity with the Holy Spirit provides both the primary instance of and the hermeneutical key for prayerfully receiving and living the mysteries of our salvation.

Offers a comprehensive new reading of the most important English work of Chaucer's best-known contemporary

Conceived as a necessary reconsideration of the pristine "elegiac question" in Ovid’s Metamorphoses, this book intends to offer an analysis of the function of elegiac discourse within Ovid’s magnum opus from the perspective of metapoetics. To that end, the author undertakes, in the first section, a close re-reading of some relevant passages of Latin love elegy. From a prism that takes into account the characteristically elegiac multivocality, the genre reveals itself as an agonistic discourse in which the poet dramatises his metaliterary power-relation with the puella, who is unveiled as the synthesis of the distinct sub-products of his poetic activity. Thereupon, the author proceeds to scrutinise how elegiac elements are assimilated and transformed as they become integrated within the framework of Ovid’s poem of changing forms. Far from being a mere stylistic ornament, the presence of an elegiac register in many erotic passages tells us about Ovid’s stance towards love as a metapoetic trope. By reworking elegiac tradition to the point of transforming it into a novum corpus, the poet ultimately substantiates the mutability of generic categories.