In Vulgar Beauty Mila Zuo offers a new theorization of cinematic feminine beauty by showing how mediated encounters with Chinese film and popular culture stars produce feelings of Chineseness. To illustrate this, Zuo uses the vulgar as an analytic to trace how racial, gendered, and cultural identity is imagined and produced through affect. She frames the vulgar as a characteristic that is experienced through the Chinese concept of weidao, or flavor, in which bitter, salty, pungent, sweet, and sour performances of beauty produce non-Western forms of sexualized and racialized femininity. Analyzing contemporary film and media ranging from actress Gong Li’s post-Mao movies of the late 1980s and 1990s to Joan Chen’s performance in Twin Peaks to Ali Wong’s stand-up comedy specials, Zuo shows how vulgar beauty disrupts Western and colonial notions of beauty. Vulgar beauty, then, becomes the taste of difference. By demonstrating how Chinese feminine beauty becomes a cinematic invention invested in forms of affective racialization, Zuo makes a critical reconsideration of aesthetic theory.

in the big city of beijing, nb stories happen every day.a rogue named soap, who had just moved in with his girlfriend, was wild with joy. unexpectedly, another beauty came to stay at home, causing him to salivate and feel extremely satisfied!after experiencing many twists and turns, she gradually developed feelings for the soap. living together in the same room, was this a test of happiness, or was it a test of one's sexual well-being? should the amorous and flowery soap be indulged with her for a while, or should she just hold on to her heart and hold on to it?his good girlfriend was being harassed, which gave him a headache; his work was taking him by surprise. the bt friends he had unwittingly met had stories that made people laugh every day.what was the importance of emotions and libido? which is more tempting, diligence or depravity?

The Book of Aloneness is a collection of poems that spans over thirty years and revolves around the theme of the 'Unrequited." The book deals with various intensive and adverse emotions and states of mind that express both restraint and excessiveness and at times, excessive restraint. The overarching, unifying idea that brings all these poems together is the quietly disturbing realization of intentional and unintentional loss. Vasile Munteanu was born in Romania and moved to the United States as a teenager. He holds advanced degrees in both Literature and Philosophy form Oakland University in Michigan and State University of New York at Binghamton respectively. He teaches Literature and Philosophy at the College of Southern Nevada in Las Vegas. The Book Of Aloneness is his /rst poetry collection.

This book conducts a cross-linguistic and cross-cultural study of 'women’s language' as it pertains to feminine beauty. It examines the ideological constructs of beauty and femininity in the cultures of Japan and Russia, as embodied through televised beauty ads, and relates them to the real-world language practices of Japanese and Russian women. The author traces the reciprocal connection between women’s real and imagined language in the construction of ideals of beauty and femininity, revealing the complex ways women respond to ideological expectations regarding language use: assimilating, transforming, and subverting ideologized language and the assumptions implicit in it. She also demonstrates ways in which women alter the texture of language by appropriating 'masculine' language for their own purposes, shifting the meaning and correlates of linguistic items and structures. This book will be of interest to students and scholars of sociolinguistics, language and gender, cultural and media studies, and Russian and Japanese culture.

The only book to cover the evolution of one of the most important areas of philosophy The birth of the Enlightenment heralded a new reverence for the power of reason. But as science flourished in Europe, violence and brutality did not abate. In the French Revolution, thousands were guillotined and the death toll was vast. Philosophers asked whether we had become dehumanised by rationality and abstract political theory. Did art and literature provide a way to rediscover our soul and our compassion? Or could art be corrupted just as easily, used as propaganda to justify abhorrent acts? In this masterful survey of European aesthetics over the last two hundred years, philosopher Robert L. Wicks argues that it is this tension between creativity and rationality that has characterised debate in the subject. Presenting the theories of sixteen seminal thinkers, including Kant, Nietzsche, Freud, and Derrida, European Aesthetics shows how each philosopher’s theory of art was motivated by broader topics in their thought, concerning who we are and what a good society should resemble. With colour photographs and written in a lively but objective tone, Wicks analyses important pieces of art, makes critical comparisons between thinkers, and offers a bold conclusion on our contemporary aesthetic situation. In an internet age, where we are presented with endless opportunity, but also startling existential questions, this is the definitive account of the evolution of continental thought in this hugely relevant and exciting area of philosophy.

Kant’s Critique of Judgment is one of the most important texts in the history of modern aesthetics. This GuideBook discusses the Third Critique section by section, and introduces and assesses: Kant's life and the background of the Critique of Judgment the ideas and text of the Critique of Judgment, including a critical explanation of Kant’s theories of natural beauty the continuing relevance of Kant’s work to contemporary philosophy and aesthetics. This GuideBook is an accessible introduction to a notoriously difficult work and will be essential reading for students of Kant and aesthetics.