Drawing on one of the earliest literary travel accounts known to man, travel writer Rolf Potts and illustrator Cedar Van Tassel recreate the comic tale of Wenamun, an ancient Egyptian priest whose overseas voyage in search of Lebanese timber resulted in an ongoing series of fiascos. Based on a source papyrus that was lost to history until the late 19th century, the protagonist's misadventure is delightfully entertaining, and has a confessional, self-deprecating feel that makes it stand out from other ancient narratives. Unlike the characters in more mythic tales of adventure, Wenamun is not on a hero's journey. He is, in his hapless progression of mistakes and misdirections, an anti-hero of sorts, as clueless and arrogant as any culturally oblivious tourist.

From Herodotus to The Mummy, Western civilization has long been fascinated with the exotic myths and legends of Ancient Egypt but they have often been misunderstood. Here acclaimed Egyptologist Joyce Tyldesley guides us through 3000 years of changing stories and, in retelling them, shows us what they mean. Gathered from pyramid friezes, archaological finds and contemporary documents, these vivid and strange stories explain everything from why the Nile flooded every year to their beliefs about what exactly happened after death and shed fascinating light on what life was like for both rich and poor. Lavishly illustrated with colour pictures, maps and family trees, helpful glossaries explaining all the major gods and timelines of the Pharoahs and most importantly packed with unforgettable stories, this book offers the perfect introduction to Egyptian history and civilization.

In The Craft of a Good Scribe, Steve Vinson offers a comprehensive study of the Demotic Egyptian First Tale of Setne Khaemwas (Third Century BCE), the first to appear since 1900. "First Setne" is the most important extant Demotic literary text, and among the most important fictional compositions from any period of ancient Egypt. The tale, which is by turns lurid, tragic and ultimately comic, deals with Setne's theft of a magic book written by the god Thoth himself, and subsequently Setne's punishment through a hallucinatory encounter with the ghostly femme fatale Tabubue. Vinson provides a new textual edition and commentary, and explores the tale's cultural background, its modern reception, and approaches to its interpretation as a work of literature.

This text explains the cultural and historical background to the fascinating and complex world of Egyptian myth, with each chapter dealing with a particular theme.

This close synchronic analysis of Exodus 1-2 looks at how the pericope's structure, language, focalization and management of information form its conception and judgement of its events and characters. A coherence of concerns is detectable in Exodus 1-2 with allusions to Genesis and the later chapters of Exodus. One chapter is assigned to each of seven narrative unities and deals in various ways with its narrative problems. The resulting eclectic choice of analytical tools includes the study of Proppian structural functions, repetition, public rhetoric, narrative speeds, order and symbolism.

The book rediscovers two of the main seeds of Western Culture – the Exodus and the Odyssey, which are entwined within the book by both a common link with Egypt and a review of ancient chronology. They were both antecedents to the rise of Christianity, which is at the heart of Western Culture. It was inspired by a desire to understand the spiritual message of the Odyssey, which required both geographical and spiritual interpretations of the poem. Linked to this was a desire to understand the political context of the Trojan story, which required resolving the false hiatus in the archaeology of Troy. This resulted in a new paradigm for understanding ancient chronology, which revealed the stories behind the Exodus and the location of the Garden of Eden. Writing the book has been a long and eventful journey, longer than Odysseus’ 19 years away from home. The book is written in five parts: • Low Chronology - Based on the identification of Menophres with Thutmose III and of the Bubastite Portal’s reference to Shoshenq’s participation in the Battle of Qarqar, the Egyptian Third Intermediate Period is shortened by 120 years, with a pharaoh ruling from Tanis and subordinate kings at Bubastis and Thebes. • The Exodus - Using the Low Chronology and genealogical information and dates provided by the Bible, it is demonstrated that the story of the Exodus is a combination of two events, being the exodus of the Hyksos led by Abraham in 1406 BC following the eruption of Thera, and the exodus of the Atenist (Levite) priests led by Moses in about the first year of Tutankhamun - 1204 BC. The story of Abraham also reveals the location of the Garden of Eden in the heartland of the Levant. • Radiocarbon Dating – The process that created the dendrochronology-based radiocarbon calibration curve is demonstrated to be a flawed non-scientific process that relied upon circular arguments. • The Odyssey – By comparing the life and work of Archilochus to both the Odyssey and the Iliad, it is shown that Archilochus must have been the author of the Odyssey. The allegory within the Odyssey is also discussed to provide both geographical and spiritual interpretations of the poem. • Western Culture - The two main streams of Western Culture (Ancient Greece and Christianity) are shown to have had their foundations in the stories surrounding the Trojan War, the spiritual message of the Odyssey and the influences of Egypt on Greece and Judaism. It is shown how Greek and Jewish religions were fused to create the Gospels and contributed towards modern astrology.

During the Bronze Age, the ancient societies that ringed the Mediterranean, once mostly separate and isolate, began to reach across the great expanse of sea to conduct trade, marking an age of immense cultural growth and technological development. These intersocietal lines of communication and paths for commerce relied on rigorous open-water travel. And, as a potential superhighway, the Mediterranean demanded much in the way of seafaring knowledge and innovative ship design if it were to be successfully navigated. In Seagoing Ships and Seamanship in the Bronze Age Levant Shelley Wachsmann presents a one-of-a-kind comprehensive examination of how the early eastern Mediterranean cultures took to the sea--and how they evolved as a result. The author surveys the blue-water ships of the Egyptians, Syro-Canaanites, Cypriots, Early Bronze Age Aegeans, Minoans, Mycenaeans, and Sea Peoples, and discusses known Bronze Age shipwrecks. Relying on archaeological, ethnological, iconographic, and textual evidence, Wachsmann delivers a fascinating and intricate rendering of virtually every aspect of early sea travel--from ship construction and propulsion to war on the open water, piracy, and laws pertaining to conduct at sea. This broad study is further enhanced by contributions from other renowned scholars. J. Hoftijzer and W. H. van Soldt offer new and illuminating translations of Ugaritic and Akkadian documents that refer to seafaring. J. R. Lenz delves into the Homeric Greek lexicon to search out possible references to the birdlike shapes that adorned early ships' stem and stern. F. Hocker provides a useful appendix and glossary of nautical terms, and George F. Bass's foreword frames the study's scholarly significance and discusses its place in the nautical archaeological canon. This book brings together for the first time the entire corpus of evidence pertaining to Bronze Age seafaring and will be of special value to archaeologists, maritime historians, philologists, and Bronze Age textual scholars. Offering an abundance of line drawings and photographs and written in a style that makes the material easily accessible to the layperson, Wachsmann's study is certain to become a standard reference for anyone interested in the dawn of sea travel.

Read the Bldg Blog interview with Mary Beard about the Wonders of the World series(Part I and Part II) The Rosetta Stone is one of the world's great wonders, attracting awed pilgrims by the tens of thousands each year. This book tells the Stone's story, from its discovery by Napoleon's expedition to Egypt to its current--and controversial-- status as the single most visited object on display in the British Museum. A pharaoh's forgotten decree, cut in granite in three scripts--Egyptian hieroglyphs, Egyptian demotic, and ancient Greek--the Rosetta Stone promised to unlock the door to the language of ancient Egypt and its 3,000 years of civilization, if only it could be deciphered. Capturing the drama of the race to decode this key to the ancient past, John Ray traces the paths pursued by the British polymath Thomas Young and Jean-Francois Champollion, the "father of Egyptology" ultimately credited with deciphering Egyptian hieroglyphs. He shows how Champollion "broke the code" and explains more generally how such deciphering is done, as well as its critical role in the history of Egyptology. Concluding with a chapter on the political and cultural controversy surrounding the Stone, the book also includes an appendix with a full translation of the Stone's text. Rich in anecdote and curious lore, The Rosetta Stone and the Rebirth of Ancient Egypt is a brilliant and frequently amusing guide to one of history's great mysteries and marvels.

Spanning more than two millennia, Reflections of Osiris opens a small window into a timeless world, capturing the flavor of life in ancient Egypt through vivid profiles of eleven actual people and the god Osiris. Some of the figures profiled here are famous. Ray discusses Imhotep, whom he calls "Egypt's Leonardo"--the royal architect of the Step Pyramid, high priest of the sun cult, and a man of great medical skill. We meet Hatshepsut, a rare female Pharaoh, who had herself depicted as a male figure in temple scenes, ceremonial beard and all. Horemheb, who rose from local politician to general and finally to king. And the legendary magician, Pharaoh Nectanebo II, the greatest builder of temples. Equally intriguing are the lives of everyday Egyptians who are also resurrected here. There is Heqanakhte, a cantankerous peasant farmer who has problems with his sons--and they with their stepmother. And Petiese, a scribe whose petition to the authorities preserves a feud stretching back over generations. Most fascinating of all are the people of the Serapeum: a Greek recluse, his brother (a rootless adolescent and police informer), two temple dancers with financial difficulties, and a temple scribe. All of whom we come to know intimately--even their dreams. Last comes the god Osiris, judge of the netherworld, creator of the land of Egypt, before whom all would appear at the end of their lives. Reflections of Osiris captures the full spectrum of life in ancient Egypt. With more than twenty halftones and several maps, this superb volume will fascinate anyone interested in an inside look at the great ancient civilization of the Nile.

Published to accompany Wall-to-Wall's thrilling, live-action TV series Ancient Egyptians, this entertaining book vividly brings to life the stories of five fascinating people who lived in Egypt over 2,000 years ago, as recorded on original papyrus documents or etched in stone. The individuals whose lives are so vividly recounted include the royal sculptor Thutmose, who even today is remembered as creator of one of the best known pieces of ancient Egyptian art - the plaster bust of Nefertiti, the heretic pharaoh Akhenaton's beautiful queen. Then there is Wenamun, the priest who set out on an heroic adventure down the Nile in search of materials to build a sacred barge to the god Amun. His life is graphically described in the autobiography inscribed on his tomb which outlines his thrilling voyage and the trading links and lands through which he travelled. The tale of the young weaver Nakht tells of a short and tragic life. By the time he died aged fifteen, Nakht had suffered both hunger and hard labour. He even had traces of a red powder deep in his lungs - granite - a sure sign of a cruel punishment meted out to him for some minor misdemeanor. Yet there were those that loved him, for his remains show that he had been carefully washed, his face shaved and his nails trimmed before being placed in his final resting place, a wooden coffin that would have cost more than a month's wages. Other tales include those of Weni the palace official, who uncovered a plot to kill the king, and Pharaoh Nectanebo II, last of the Egyptian pharaohs, who sought to protect his realm through magical ritual.