Meet the man with the voodoo eyes: Solomon Boukman. He'd used voodoo, black magic, and extreme violence to control his people, and to keep anyone who ever heard his name in a state of fear. He'd zombified his enemies with potions and hypnosis and used them as his very own suicide killers. Some said he was the earthly incarnation of Baron Samedi, the voodoo god of death; others said he was The Devil incarnate... Meet his nemesis: For private eye Max Mingus, Boukman has been the cause of unthinkable personal tragedy and professional torment. And when he uncovers a labyrinthine web of death and deceit stretching from the Miami jetset to sinister Cuban slums, the voodoo eyes of Boukman are never far from his mind. But how can Mingus stop him without losing his life, and the lives of those he loves? Meet a thriller that will haunt your dreams.

This compelling reference work introduces the religions of Voodoo, a onetime faith of the Mississippi River Valley, and Vodou, a Haitian faith with millions of adherents today. Unlike its fictional depiction in zombie films and popular culture, Voodoo is a full-fledged religion with a pantheon of deities, a priesthood, and communities of believers. Drawing from the expertise of contemporary practitioners, this encyclopedia presents the history, culture, and religion of Haitian Vodou and Mississippi Valley Voodoo. Though based primarily in these two regions, the reference looks at Voodoo across several cultures and delves into related religions, including African Vodu, African Diasporic Religions, and magical practices like hoodoo. Through roughly 150 alphabetical entries, the work describes various aspects of Voodoo in Louisiana and Haiti, covering topics such as important places, traditions, rituals, and items used in ceremonies. Contributions from scholars in the field provide a comprehensive overview of the subject from various perspectives and address the deities and ceremonial acts. The book features an extensive collection of primary sources and a selected, general bibliography of print and electronic resources.

Beneath the Sheltering Oak author returns with his latest work, Voodoo through My Eyes is a Voodoo 101 from the New Orleans traditions. Within its pages you will find an introduction to the Orisha and Loa, descriptions of some of the "tools" used by many of the practitioners, workings for specific Spirits and recipes of his own creation.

Zora Neale Hurston wrote her most famous novel, Their Eyes Were Watching God, while in Haiti on a trip funded by a Guggenheim fellowship to research the region’s transatlantic folk and religious culture; this work grounded what would become her ethnography Tell My Horse: Voodoo and Life in Haiti and Jamaica. The essays in Zora Neale Hurston, Haiti, and “Their Eyes Were Watching God” persuasively demonstrate that Hurston’s study of Haitian Voudoun informed the characterization, plotting, symbolism, and theme of her novel. Much in the way that Voudoun and its North American derivative Voodoo are syncretic religions, Hurston’s fiction enacts a syncretic, performative practice of reference, freely drawing upon Greco-Roman, Judeo-Christian, and Haitian Voudoun mythologies for its political, aesthetic, and philosophical underpinnings. Zora Neale Hurston, Haiti, and “Their Eyes Were Watching God” connects Hurston’s work more firmly to the cultural and religious flows of the African diaspora and to the literary practice by twentieth-century American writers of subscripting in their fictional texts symbols and beliefs drawn from West and Central African religions.

During the 1970s on a magic mushroom harvesting adventure in the Bayou, a young, aspiring rock and roll musician discovers the voice of Voodoo, which not only alters his life, but the life of his band, the Divebomberz. When the band is on the verge of making it big, tragedy strikes, and Jesse is confronted with the hard truth that life is often a spiritual obstacle course designed to see if you can get over yourself. A book for rock and rollers of all ages and for restless souls who have chased a dream only to discover that what they really needed was with them all along.

This book illuminates the customs, beliefs and practices that link us to an ancient, and often darker, human past.

Winner of the National Book Critics Circle Award for Autobiography, this is a brilliant writer’s account of a long, painful, ecstatic—and unreciprocated—affair with a country that has long fascinated the world. A foreign correspondent on a simple story becomes, over time and in the pages of this book, a lover of Haiti, pursuing the heart of this beautiful and confounding land into its darkest corners and brightest clearings. Farewell, Fred Voodoo is a journey into the depths of the human soul as well as a vivid portrayal of the nation’s extraordinary people and their uncanny resilience. Haiti has found in Amy Wilentz an author of astonishing wit, sympathy, and eloquence.

The racialized and exoticized cult of Voodoo occupies a central place in the popular image of the Crescent City. But as Kodi A. Roberts argues in Voodoo and Power, the religion was not a monolithic tradition handed down from African ancestors to their American-born descendants. Instead, a much more complicated patchwork of influences created New Orleans Voodoo, allowing it to move across boundaries of race, class, and gender. By employing late nineteenth and early twentieth-century first-hand accounts of Voodoo practitioners and their rituals, Roberts provides a nuanced understanding of who practiced Voodoo and why. Voodoo in New Orleans, a melange of religion, entrepreneurship, and business networks, stretched across the color line in intriguing ways. Roberts's analysis demonstrates that what united professional practitioners, or "workers," with those who sought their services was not a racially uniform folk culture, but rather the power and influence that Voodoo promised. Recognizing that social immobility proved a common barrier for their patrons, workers claimed that their rituals could overcome racial and gendered disadvantages and create new opportunities for their clients. Voodoo rituals and institutions also drew inspiration from the surrounding milieu, including the privations of the Great Depression, the city's complex racial history, and the free-market economy. Money, employment, and business became central concerns for the religion's practitioners: to validate their work, some began operating from recently organized "Spiritual Churches," entities that were tax exempt and thus legitimate in the eyes of the state of Louisiana. Practitioners even leveraged local figures like the mythohistoric Marie Laveau for spiritual purposes and entrepreneurial gain. All the while, they contributed to the cultural legacy that fueled New Orleans's tourist industry and drew visitors and their money to the Crescent City.

There is no more compelling nor more spiritual city than New Orleans. The city's Roman Catholic roots and its blended French, Spanish, Creole and American Indian populations heavily influenced the rites and rituals that West Africans brought to Louisiana as enslaved laborers. The resulting unique Voodoo tradition is now deeply rooted in the area. Enslaved practitioners in the nineteenth century held Voodoo dances in designated public areas like Congo Square but conducted their secret rituals away from the prying eyes of the city. By 1874, some twelve thousand New Orleanians attended Voodoo queen Marie Laveau's St. John's Eve rites on the shores of Lake Pontchartrain. The Voodoo tradition continues in the Crescent City even today. Rory Schmitt and Rosary O'Neill study the altars, art, history and ceremonies that anchor Voodoo in New Orleans culture.

Part textbook, part life-story, part theological exposé, Understanding Haitian Voodoo comes from a much-respected Haitian gentleman who writes as a lawyer, judge, and evangelist who cares deeply about his people and their bondage in Voodoo. "Voodoo is not simply a myth, toward which we can remain indifferent. It is not just popular culture that we should teach and practice in schools through dances and songs. The gods of Voodoo are not simply idols or harmless gods. They are real beings, intelligent beings, they lust after worship and are full of cruelty." With testimonies from Voodoo priests, followers, witch doctors and more, Understanding Haitian Voodoo is a deep observation of Haitian Voodoo through the eyes of Christian faith, molded in Haitian theology that is biblical, contemporary, relevant and transformational. From his identity as a Christian believer and as a Haitian, proud of his culture, traditions, language and customs, author Emmanuel Félix brings a remarkable contribution to a better understanding of the relationship of Voodoo to Haitian culture, to Christianity, to zombies, community life, religions and beliefs, identity and more. The final conclusion of this majestic work confirms all that man seeks is found in the Almighty God Jehovah, through Jesus Christ, and in Him alone, no matter a man's race, culture and beliefs. Whether you're planning to visit Haiti, seeking to pray more intelligently for the work of the Gospel or are simply looking to learn more about the Haitian people, this book is a must-read. Read this book prayerfully, with a Bible at your side and an eye on the realities of life in Haiti. Published by Radio 4VEH, The Evangelistic Voice of Haiti, serving God and the Haitian people through effective Christian broadcasting since 1950. Proceeds from the sale of Understanding Haitian Voodoo support the ministry of Radio 4VEH.