Volpone, Or, The Fox is Ben Jonson's great parable of greed, self-interest and inheritance. Using animal fable to satirize the wealthy and the greedy, it remains one of his most distinctive and compelling dramatic works. Jonson wrote the play for performance in 1606, and orchestrated its publication the following year. In it, the wealthy Venetian Volpone pretends to be on his deathbed, encouraging Voltore, Corbaccio and Corvino-the vulture, raven and crow-to compete for his fortune. With unflinching harshness and biting humour, Jonson portrays a society damningly hollowed out by over-monetization. This edition has been prepared by leading textual expert, John Jowett. With incisive scholarship, he explores the play's craftsmanship and examines how theatre practitioners and critics engage with it. Detailed notes explicate an authoritative text and breathe new life into it for readers today. Arden Early Modern Drama editions offer the best in contemporary scholarship, providing a wealth of helpful and incisive commentary to guide the reader through a deeper understanding and appreciation of the play. This edition provides: A clear and authoritative text Detailed on-page commentary notes A comprehensive, illustrated introduction to the play's historical, cultural and performance contexts A bibliography of references and further reading

To tickle the humor of today's audiences, Volpone has been moved from 17th century Venice to turn of the century San Francisco. Volpone is now called Foxwell J. Sly and he is the same scheming, rapacious miser bent on extracting fortunes from a trio of rich, greedy opportunists. Sly, pretending to be on his death bed, says he will name each of the three as his sole heir. The extent that the trio will go to acquire Sly's fortune knows no bounds. One goes so far as to disinherit his only son; another offers up his wife to the lecherous Sly. Sly is aided and abetted by his conniving servant in grabbing the other men's gold.

Volphone's reverential prayer to his heaps of gold launches the sharpest, funniest play about money and morals in the 17th century - a play still wickedly relevant on the same topics four centuries later. Ben Jonson's comedy depicts selfishness thinly veiled by sanctimonious speeches, lust and possessiveness poorly disguised as love and marriage, and cynical legalism passing itself off as pure justice, alongside snobbery, class warfare and greed. The wily protagonists keep a dozen conventional plots spinning in the minds of their dupes, and when their amazing juggling act finally unravels, there are yet more twists - and an even deeper cynicisim - to the story. The play is partly a beast-fable: the wily fox, Volpone, plays dead to lure flesh-eating birds that he can then consume. But the beasts are the human race, and polite society the biggest, greediest scam of them all. This student edition contains a lengthy Introduction with background on the author, date and sources, critical interpretation and stage history. Robert N. Watson is Distinguished Professor of English at UCLA. His publications include Critical Essays on Ben Jonson (as editor) and Ben Jonson's Parodic Strategy. He also edited the New Mermaids edition of Every Man in His Humour.

Thomas Dekker: The Shoemaker's Holiday George Chapman, Ben Jonson, John Marston: Eastward Ho! Ben Jonson: Every Man In His Humour Thomas Middleton and Thomas Dekker: The Roaring Girl Oxford English Drama offers plays from the sixteenth to the early twentieth centuries in selections that make available both rarely printed and canonical works. The texts are freshly edited using modern spelling. Critical introductions, wide-ranging annotation, and informative bibliographies illuminate the plays' cultural contexts and theatrical potential for reader and performer alike. 'The series should reshape the canon in a number of significant areas. A splendid and imaginative project.' Professor Anne Barton, Cambridge University ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

This edition of Ben Jonson's four middle comedies places the works in the popular history and culture of the times, 1605-1614, and surveys the influences, both classical and contemporary, on Jonson as a playwright. On-the-page annotations recreate the audiences perception of the plays as performances by commenting on the stage-directions, the self-conscious theatricality of characters and scenes, and the vivid colloquialisms of early modern London that give the dialogue a heightened dimension of realism. Brief introductions to each play discuss the local settings, sources, theatre history and further readings. The general introduction includes a biography of Jonson, a chronology of the plays and masques, and separate essays on each play, dealing particularly with Jonson's satirical treatments of trends and shams of the day, whether political, social, commercial, or spiritual.

Volpone / William Empson -- The false ending in Volpone / Stephen Greenblatt -- Comic form in Ben Jonson / Leo Salingar -- Comic language in Volpone / L.A. Bea urline -- The double view in Volpone / C.N. Manlove -- Volpone / Anne Barton -- The play of conspirancies in Volpone / William W. E. Slights.