China’s century of revolutionary change has been heard as much as seen, and nowhere is this more evident than in an auditory history of the modern Chinese poem. From Lu Xun’s seminal writings on literature to a recitation renaissance in urban centers today, poetics meets politics in the sounding voice of poetry. Supported throughout by vivid narration and accessible analysis, Voices in Revolution offers a literary history of modern China that makes the case for the importance of the auditory dimension of poetry in national, revolutionary, and postsocialist culture. Crespi brings the past to life by first examining the ideological changes to poetic voice during China’s early twentieth-century transition from empire to nation. He then traces the emergence of the spoken poem from the May Fourth period to the present, including its mobilization during the Anti-Japanese War, its incorporation into the student protest repertoire during China’s civil war, its role as a conflicted voice of Mao-era revolutionary passion, and finally its current adaptation to the cultural life of China’s party-guided market economy. Voices in Revolution alters the way we read by moving poems off the page and into the real time and space of literary activity. To all readers it offers an accessible yet conceptually fresh and often dramatic narration of China’s modern literary experience. Specialists will appreciate the book’s inclusion of noncanonical texts as well as its innovative interdisciplinary approach.

Streitmatter tells the stories of dissident American publications and press movements of the last two centuries, and of the colorful individuals behind them. From publications that fought for the disenfranchised to those that promoted social reform, Voices of Revolution examines the abolitionist and labor press, black power publications of the 1960s, the crusade against the barbarism of lynching, the women's movement, and antiwar journals. Streitmatter also discusses gay and lesbian publications, contemporary on-line journals, and counterculture papers like The Kudzu and The Berkeley Barb that flourished in the 1960s. Voices of Revolution also identifies and discusses some of the distinctive characteristics shared by the genres of the dissident press that rose to prominence—from the early nineteenth century to the late twentieth century. For far too long, mainstream journalists and even some media scholars have viewed radical, leftist, or progressive periodicals in America as "rags edited by crackpots." However, many of these dissident presses have shaped the way Americans think about social and political issues.

With precision and sensitivity, the human story of what the Russian revolution meant to ordinary people is told through the experiences, thoughts, and feelings of the people as expressed in their own words.

Picking up where The Roman, the Twelve, and the King left off, with the 1743 London premiere of Handel s Messiah, the Order of the Seven animal team must split up for their next mission: the birth of a new nation. Team leader Gillamon tells them, Each of us will be witness to a unique point in history because of a unique generation of world leaders. Most of them are just children now, or have not yet even been born. Take note of how important one generation of children can be. Marvel at each child and the power they have to change the history of the world for the good of all. Liz, Max, Nigel and Clarie sail for the colony of Virginia to deliver a letter that will impact Liz s assigned human: Patrick Henry. Liz must help young Patrick find his true purpose in life to become the Voice of the Revolution. She begins her quest when he is a seven year-old boy who cares more about fishing and exploring the forest in Virginia than about school. Her task will take time, as Patrick Henry will fail at everything he tries. Liz eventually leads Patrick to take up law, and finally accomplishes her mission when he finds his powerful voice in a courtroom. Little does Patrick Henry or the colony of Virginia know that his voice will set the ball of the American Revolution in motion. Henry will be the only one bold enough to first speak out against the tyrannical King of England, calling for the colonies to rise up and fight for independence. Liberty or death becomes the battle cry to unite thirteen solitary colonies as one nation under God to fight the mighty British lion. Meanwhile, Max must see to the protection of young George Washington, who inadvertently starts the French and Indian War. The enemy will mount continual assaults on Washington, from enemy snipers to treasonous members of his military staff. If he is lost, all is lost. Nigel goes on a high-flying kite assignment with Benjamin Franklin to ensure the success of an experiment that will impact the outcome of the war in ways no one could imagine. Al remains in London to live in the royal palace, gathering intelligence right under the nose of King George III. The simple-minded cat will be responsible for delivering some Common Sense to America. Clarie is assigned to the richest orphan in France, the young Marquis de Lafayette, who is crucial to the entire quest for Independence. If he doesn t make it to America, the Declaration of Independence will lead not to liberty, but to death for America"

Inspired by the vision and framework outlined in Christopher Alexander's classic 1977 book, A Pattern Language, Schuler presents a pattern language containing 136 patterns designed to meet these challenges. Using this approach, Schuler proposes a new model of social change that integrates theory and practice by showing how information and communication (whether face-to-face, broadcast, or Internet-based) can be used to address urgent social and environmental problems collaboratively. Each of the patterns that form the pattern language (which was developed collaboratively with nearly 100 contributors) is presented consistently; each describes a problem and its context, a discussion, and a solution. The pattern language begins with the most general patterns ("Theory") and proceeds to the most specific ("Tactics"). Each pattern is a template for research as well as action and is linked to other patterns, thus forming a single coherent whole.

Voices Carry is the moving autobiography of the late Ying Ruocheng, beloved Chinese stage and screen actor, theatre director, translator, and high-ranking politician as vice minister of culture from 1986-1990. One of twentieth-century China's most prominent citizens, Ying was imprisoned during the Cultural Revolution and devised unique strategies for survival, including playing pranks on guards and keeping a clandestine notebook. Ying's memoir opens with his prison years, and then flashes back to his boyhood growing up in a prince's palace as a member of a progressive Manchu Catholic intellectual family. He also details his experiences as a university student during the heady days when the People's Republic was being founded, followed by his subsequent experiences on stage, in film, and in politics. A founding member of the Beijing People's Art Theatre, Ying Ruocheng helped open its doors to Sino-American exchange when he brought Arthur Miller to China to stage Death of a Salesman in 1983, playing the role of Willy Loman in his own translation of the play. Simultaneously a "spy" for his own government and a cultural ambassador for countless foreigners and fellow countrymen, Ying lived out his life as a bridge between China and the West, gaining a singular perspective on matters related to culture and politics. While suffering from cirrhosis of the liver during the final decade of his life, Ying Ruocheng reflected on his experiences, collaborating with coauthor Claire Conceison to tell his story. Together, they take the reader on an exhilarating journey from Manchu wrestling matches to missionary schools, from behind prison bars to behind the scenes at ground-breaking stage performances, and from public moments of international recognition to private moments of intimacy and despair.

Presents engaging, personal war stories from a variety of armed services and ranks. Includes information on weapons, battle sights and sounds, daily life, and living conditions.

"From Publishers Weekly : This irresistible history of the French Revolution is much more than a colorful mosaic. By splicing a reflective narrative with graphics (engravings, satirical cartoons, photographs) and primary documentsletters, trial transcripts, memoirs, decrees, newspaper editorialsit brings vivid immediacy to tumultuous events without sacrificing objective distance. The main narrative consists of dozens of tableaux, allowing room for such topics as prison conditions, Freemasonry, feudalism, the market for luxury goods. Along with the expected profiles of Marie-Antoinette, Louis XVI, Robespierre and Marat, we meet scheming pretender Philippe of Orleans who tried to bring down the king, professional revolutionary Tom Paine imprisoned under the Terror, and unstable leftist Joseph Fouche who led a campaign of de-Christianization and later became Napoleon's police minister. The text is provocative in its discussion of the Jacobins' prototype welfare state and of the Terror as a response to foreign pressures."--via amazon.com (1988 HarperCollins ed.).

This book uses 27 firsthand accounts from actual participants to help readers experience what life was like between 1775 and 1782.

Introduction. On Radio, Red Music, and Revolution -- Sound, Technology, and Culture in French Indochina -- Battle of the Airwaves during the First Indochina War -- Songs of the Golden Age in the Democratic Republic -- National Radio in the Reform Era -- Studio Production in Contemporary Vietnam -- Conclusion. Nostalgia for the Past, Hope for the Future.